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NOTE: A bass guitar playing a E-Ab-A-A progression in a 3-5 pattern sounds good overlaid with this
EE/A
NOTE: I like to use the powerchord-like A's for this, but the standard A works fine too
DbmA
DbmA
EE/ADbmB
DbmA
DbmB
EWho's more desperate? You're on your knees boo
E/ABut when you fuck up, I don't leave Eyou
I can't leave yoE/Au
EGuess you're permanent, can't be removed
E/AEach time my heart breaks, it's like a new tatEtoo
Don't need a new tatE/Atoo
DbmOne touch always makes me
AToo hard to escape
DbmThree strikes, I'm still yours
AWhat am I waiting for?
I'm running out of rEoom
For your tatE/Atoos
How can I get oDbmver you, over you
When you're aBll over me
So don't tell me it's Ecool
That I'm tattoE/Aoed
How can I get oDbmver you, over you
When you're aBll over me, yeah yeah
Why do we stay
When only fools would?
I guess we're both fools
'Cause the sex is good, it's way too good
Call us crazy, misunderstood
'Cause I can't leave you
And I know I should
People say I should
One touch always makes me
Too hard to escape
Three strikes, I'm still yours
What am I waiting for?
I'm running out of room
For your tattoos
How can I get over you, over you
When you're all over me
So don't tell me it's cool
That I'm tattooed
How can I get over you, over you
When you're all over me, yeah yeah
DbmPermanently trying to hide
The scAars we can't remove
You're dDbmrawn on me and I'm still drawn to yBou
I'm running out of room
For your tattoos
How can I get over you, over you
When you're all over me
So don't tell me it's cool
That I'm tattooed
How can I get over you, over you
When you're all over me
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