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intro[G] G G G
Well I Gwoke up this morning, grey dawn, with a prayer onG my breath
You see I Glost something precious, and God'll save me Gfrom losing myself
I think I know Gwhat's wrong, I thinGk I know what's wrong
Now, GI've met the Queen and I understand why,G why she closed the door
I'm not Gmaking excuses, but you see I've been there a few times, you know I was
G I was knocking on the door
I said I, I think I know Gwhat's wrong, I thinGk I know what's wrong
See, there's a Gman, he lived in a house, he had a familyG of five
Well, he Gblew up the windows and the doors, he said I jGust couldn't,
I just couldn't survive
Well, we've Bmall been removed in one wAmay or another
We Bmdon't know our families, we Amdon't need our brothers
DPushin'Dsus the neDedle Dsustoo faDr,Dsus D pushing the neGedle toGo far
G Guit[Gar soloG] G
G Guit[Gar soloG] G
Well if you Gwake up in the morning, grey dawn, with a prayer on youGr breath
Maybe you lGost something precious; your god will saveG you from losing yourself
I think I know Gwhat's wrong, I thinGk I know what's wrong
It's the Gqueen who closed the door, Gthe family that lies
The people who turn, the cat that has died
A boy that O.D.'s, a girl with a gun
The world on its knees, the band on the run
(You'd help me more by not giving in)
(I said you'd help me more by not giving in)
(You'd help me more by not giving in)
(I said you'd help me more, now don't you give in)
Ad lib on G & for a while
I said I, I think I know Gwhat's wrong, I thinGk I know what's wrong
slowly: - G end on slow arpeggio of G chord
We're pushing the needle too far
STRUMMING PATTERN:
[Amy Ray probably doesn't strum every measure exactly the same, but these are
typical. Note that this isn't the intro, or the chorus, or anything; it's
just for illlustrative purposes. ("d"=strum down, "u"=strum up.)]
G^ . . ^ . . ^ . . ^ . . ^ . . ^ . .
d d u u d u d u d d u u d u d u d u d u d u d u
= hammer-on or pull-off
/ slide
T tenth fret (takes up less space this way)
t16 denotes 16th-note triplets; other than those, the timing and spacing
are accurate.
G^ . . ^ . . ^ . . ^ . .G ^ . . ^ . .
^ . . ^ . .G ^ . . ^ . . ^ . . ^ . .
G^ . . ^ . . ^ . . ^ . .G ^ . . ^ . .
^ . . ^ . .G ^ . . ^ . . ^ . . ^ . .
G^ . . ^ . . ^ . . ^ . .G ^ . . ^ . .
^ . . ^ . .G ^ . . ^ . . ^ . . ^ . .
"Well if you wake up in the morning..."
[The (8) on the B string in the second-to-last measure is only played the
first time through, coming out of the solo. After that, play the 2 on
the G string.]
- Adam Schneider, schneiemail protected
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