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The Kinks

10 músicas|42 acordes usados|Avançado

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Acordes usados

Dmaj7

G/F

C/B

F/E

Bb/A

Eb/D

Cm7

A/G

D/F

F#m

D/C

Bm7

G#7

C#7

C#m

G/B

C/G

Am7

Csus

Em7

Shangri-la

Tom: AmAvançado

Dmaj7

G/F

C/B

F/E

Now thatAm you've found youGr paradiseE7 Am

ThiAms is your kiCngdom toG commaE7nd

You can gAmo outCside and poGlish your cE7ar

Or sAmit by the fiCre in your ShE7angri-LAma

HAmere is your rewGard for worE7king so hAmard

GoAmne are the lavCatories in Gthe backE7yard

GoAmne are the daCys when you dreGamed of that E7car

You juAmst want to sCit in your ShE7angri-LAma A

PDut on your slippers and sDmaj7it by the fire

You've reD7ached your top and you jGust can't G/Fget any hiEmgher

You're in your plCace and you kC/Bnow where you aAmre Am G

In your ShFangri-F/ELa Dm Dm C

SDit back in your olDmaj7d rockin' chair

You nD7eed not worry you neGed not careG/F Em

You can't go anywChereC/B Am

FAFABbFCA

The litDtle man who gDmaj7ets the train

Got a morD7tgage hanging ovGer his headG/F Em

But he's too scaCred to complainC/B Am Am G

Cos he's condiFtioned that wF/Eay Dm Dm C

TDime goes by and he pDmaj7ays off his debts

Got a TD7.V. set and a raGdio G/F Em

For seven shiCllings a week C/B Am

FAFABbFC

BbFCBbFCBbFDm

ADmnd all the houDmsesC in the sDmtreBet have got a nDmameBb

CDmos all the houDmsesC in the sDmtreBet they look the sDmameBb

SaAme chimney pots, same little cDars, same window pDmanes

TDmhe neighbors cDmallC to tell you thDmingBs that you should DmknoBbw

TDmhey say their lDmineCs they drink their DmteaB and then they Dmgo Bb

TAhey tell your business in aDnother ShangriDm-La

TDmhe gas bills and the wDmateCr rates and paDmymeBnts on the caDmr Bb

TDmoo scared to thDminkC about how insDmecuBre you areDm Bb

LAife ain't so happy in your liDttle Shangri-La

Shangri-LGa la la lCa la la lFa..Bb. G C F Bb G C F Bb G C F Bb G C F A

PDut on your slippers and sDmaj7it by the fire

You've reacD7hed your top and you juGst can't gG/Fet any higEmher

You're in your plCace and you knC/Bow where you aAmre

In your ShFangri-F/ELa Dm Dm C

SiDt back in your oDmaj7ld rockin' chair

You neD7ed not worry you neGed not careG/F Em

You can't go anyCwhere C/B Am

FAFABbFCA

FAFABbFC

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All Of My Friends Were There

Tom: GmCapo 1Avançado

Bb/A

Eb/D

Cm7

A/G

D/F

F#m

D/C

Bm7

G#7

C#7

My big day, it was the biggest day of my life.

GmIt was the summit of Fmy long career,

FBut I felt so down, and I Bbdrank too much beer,

And my Gmmanager said that I Bbshould not appear.

FI walked out onto the stage and started to Bbspeak.

The Gmfirst night I've missed for a Fcouple of years,

I Gmexplained to the crowed and they Bbstarted to jeer,

AndF just when I wanted no Bbone to be there,

F7All of my friends were BbtherBb/Ae. Gm

GmNotF just my friends, but Ebtheir best friends Eb/Dtoo. Cm7 Cm7 Bb

AAll of my A7friGends were D7theFre to Gstand and C7stare,

C7Say what they may, F7all of their friends need not BbstareBb/A. Gm

GmThoFse who laughed were not Ebfriends anywEb/Day. Cm7 Cm7 Bb

A7All of my A7friGends were D7theFre to Gstand and C7stare.

FDays went by, I walked around dressed in a disBbguise.

GmI wore a mustache and I Fparted my hair,

FAnd gave the impression that I Bbdid not care,

GmBut oh, the embarrassment, oh, Bbthe dispair.

FCame the day, help with a few last glasses of Bbgin,

GmI nervously mounted the sFtage once again,

FGot through my performance and Bbno one complained,

GmThank God I can go back to Fnormal again.

F7I went to that old Bbcafe,Bb/A Gm

GmWheFre I had been in much Ebhappier Eb/Ddays, Cm7 Cm7 Bb

And Aall of my A/Gfriends were D7theFre,

And Gno one cC7ared.

C7Say what they may, aF7ll of my friends were tBbhereBb/A. Gm

GmNotF just my friends, but Ebtheir best friends Eb/Dtoo. Cm7 Cm7 Bb

AAll of my fA/Griends were D/Fthere,

NoGw I don't caC7re.

EMy big day, it was the biggest day of my lAife

F#mIt was the summit of Amy long career

But EI felt so down, and I dArank too much beer

And my F#mmanager said that I sAhould not appear

I walked out onto the stage and started to speak

The first night I've missed for a couple of years

I explained to the crowed and they started to jeer

And just when I wanted no one to be there

AEll of my frE7iends were tAherA/Ge F#m

Not just F#mmy fEriends, but tDheir best friends D/Ctoo Bm7 Bm7 A

GAll of my fG#7riends were tC#7here to sFtand and stBare

B7Say what they may, aEll of their frE7iends need not sAtare A/G F#m

Those who laF#mugheEd were not fDriends anywD/Cay Bm7 Bm7 A

GAll of my fG#7riends were thC#7ere to stFand and stBare

Days went by, I walked around dressed in a disguise

I wore a mustache and I parted my hair

And gave the impression that I did not care

But oh, the embarrassment, oh, the dispair

Came the day, helped with a few last glasses of gin

I nervously mounted the stage once again

Got through my performance and no one complained

Thank God I can go back to normal again

I went to that old cafe

Where I had been in much happier days

And all of my friends were there, and no one cared

Say what they may, all of my friends were there

Not just my friends, but their best friends too

All of my friends were there, now I don't care

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Celluloid heros

Tom: DMédio

F#m

EverybDody's a dreameAr and everybGody's a star D

And F#meverybody's in Bmmovies, it doesn't Gmatter who you Aare

There are Bmstars in every cF#mity

In every Ghouse and on every Astreet

And if you Cwalk down Hollywood GBoulevard

Their names are Awritten in conDcrete

Don't Dstep on Greta AGarbo as you Gwalk down the BouleDvard

She F#mlooks so weak and fBmragile that's why she Gtried to be so Ahard

But they tBmurned her into a pF#mrincess

And they Gsat her on a Athrone

But she tCurned her back on Gstardom

Because she Awanted to be aDlone

Refrain

You can Csee all the stars as you Gwalk down Hollywood DBoulevard

CSome that you recognize, Gsome that you've hardly even Dheard of

CPeople who worked and Gsuffered and struggled for Dfame

CSome who succeeded and Gsome who suffered in Dvain

DRudolph ValentAino looks Gvery much aDlive

And he F#mlooks up ladies Bmdresses as they Gsadly pass him Aby

Avoid steBmpping on Bela LuF#mgosi

'Cause he's Gliable to turn and Abite

But stand Cclose by Bette GDavis

Because Ahers was such a lonely Dlife

If you Dcovered him with gAarbage

George GSanders would still have Dstyle

And if you F#mstamped on Mickey BmRooney

He would Gstill turn round and Asmile

But please Bmdon't tread on dearest F#mMarilyn

'Cause sGhe's not very Atough

She shCould have been made of iGron or steel

But she was Aonly made of flesh and Dblood

Refrain

You Ccan see all the stars as you Gwalk down Hollywood DBoulevard

CSome that you recognize, Gsome that you've hardly even Dheard of

CPeople who worked and Gsuffered and struggled for Dfame

CSome who succeeded and Gsome who suffered in Dvain

DEverybody's a dAreamer and Geverybody's a Dstar

And eF#mverybody's in sBmhowbiz, it doesn't mGatter who you aAre

And Bmthose who are succeF#mssful

Be aGlways on your Aguard

Success wCalks hand in hand with fGailure

Along AHollywood BoulevDard

I Cwish my life was Gnon-stop Hollywood Dmovie show

A fCantasy world of Gcelluloid villains and Dheroes

Because Ccelluloid heroes Gnever feel any Dpain

And Ccelluloid heroes Gnever really Ddie

You can Csee all the stars as you Gwalk down Hollywood DBoulevard

CSome that you recognize, Gsome that you've hardly even Dheard of

CPeople who worked and Gsuffered and struggled for Dfame

CSome who succeeded and Gsome who suffered in Dvain

La la lCa la... la la lGa la... la la la lDa la la

Oh cCelluloid heroes Gnever feel any Dpain

Oh Ccelluloid heroes Gnever really diDe

I Cwish my life was Gnon-stop Hollywood Dmovie show

A Cfantasy world of Gcelluloid villains and Dheroes

Because Ccelluloid heroes nGever feel any pDain

And cellCuloid heroes nGever really Ddie

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Around In The Dial

Tom: AAvançado

RadiosA of the world are tuning in tonight,

AAre you on the dial, are you tuned in right?

AOne of our D.J.'s is missing.

AAre you listening?

AAre you listening to me?

ACan you hear me?

ACan you hear me clearly?

AAround the diaAl.A A G A B C B

AI've been around the dial so many times,

But you're not Dthere.

ASomebody tells me that you've been taken Doff the air.

AWell, you were my favorite D.J.,

Since I Bcan't remember when.

You Calways played the best records,

You never Dfollowed any trend.

EF.M., A.M. where are Dyou?

EYou gotta be out there Dsomewhere on the Adial.

On the dial.

A(Are you ready) BWe're goCing 'round the Bdial,

A(Are you listening) BAround tChe Bdial,

A(Are you tuned in) BAround tChe diaBl,

A(Are you searchin') BAround tChe diaBl.

EF.M., A.M. where are Dyou?

You Egotta be out there Dsomewhere on the Adial.

On the dial.

AWhere did you go BMr. CD.JB.?

ADid they take you Boff CtheB air?

AWas it something that you said to the Bcorporation guys CupstairBs?

AIt wasn't theB preCssuBre,

AYou never sBoundCed Bdown.

AIt couldn't bBe thCe rBatings,

AYou had the BbestC inB town.

ASomehow I'm gonna find ya, trBack you CdowBn.

AGonna keep Bon sCearBchin',

AAround and BarouCnd Band 'round and 'round...

A(They're searchin') BAround the dCialB,

A(They're listenin') BAround the dCialB,

A(Poor station) The Bbest in tCownB,

A(Poor D.J.) Who Bnever let us CdowBn.

EWhile the critics kept on knocking Dyou,

EYou just kept on Drocking around the Adial.

Around the dial.

DI've been searchin' for you on my radio.

DThis time your station really must have gone underground

DSomebody said you had a minor nervous breakdown.

GWas it something that you Fheard,

Or something that you Fsaw,

That made you lose yourC mind,

Did you lose contrBol.

Did you step out of Bbline?

If you're there, give us a sAigAn.A G

AI can't believe that you've been taken Doff the air.

AThink I'll sell my radio now that you're not Dthere.

AYou never gave in to fashion,

You never fBollowed any trends,

All the rCecord bums tried to hack you up,

But you Dwere honest to the end.

EGonna keep my Dradio on,

E'Till I know just what went Dwrong.

EThe answers out there Dsomewhere on the Adial.

On the dial.

ACan you hear me (BarouCnd the Bdial)

AAre you listenin' (BaroundC the dBial)

AAre you out there (BarounCd the dBial)

ACan you hear mBe?C B

AAround the dial.

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Father christmas

Tom: CMédio

CGCGCGCG

GCDGCDGCDGCD

When I was small I believed in Santa Claus

'Though I knew it was my dad

GAnd I would hang up my stocking at Christmas

Open my presents and DI'd be glad

EmBut the last time I Bmplayed Father Christmas

EmI stood outside a depB7artment store

GA gang of kids came over and mugged me

They knocked my reindeer Dto the floor

And said FCather GChristmas Cgive us some Gmoney

CDon't mess aGround with those C silly tDoys

We'll Cbeat you Gup if you Cdon't hand it Gover

CWe want your bGread so don't mCake us annDoyed

Give all the tCoys D -

to the little rich bGoys C D G C D

GDon't give my brother a Steve Austin outfit

Don't give my sister a cDuddly toy

We dGon't want a jigsaw or monopoly money

We only want the rDeal Macoy

CFather GChristmas Cgive us the Gmoney

CWe'll beat you Gup if you mCake us annoDyed

CFather GChristmas Cgive us some Gmoney

CDon't mess Garound with thCose silly tDoys

EmBut give my daddy a Bmjob 'cos he needs one

EmHe's got lots of mB7ouths to feed

GAnd if you've got one I'll have a machine gun

So I can scare all the Dkids on the street

CGCG

CFather CGhristmas gCive us some mGoney

CWe've got no tGime for your sCilly Dtoys

We'll Cbeat you Gup if you dCon't hand it Gover

CWe want your Gbread so don't mCake us anDnoyed

Give all the tCoys D -

to the little rich bGoys C D

GCDGCD

GHave yourself a merry merry Christmas

Have yourself a Dgood time

GBut remember the kids who got nothing

While you're drinking dDown your wine

CFather CGhristmas gCive us some mGoney

CWe've got no tGime for your sCilly Dtoys

Cfather CGhristmas plCease hand it oDver

CWe'll beat you uGp so don't Cmake us aDnnoyed

CFather CGhristmas gCive us some mGoney

CDont mess aGround with those siClly tDoys

We'll Cbeat you Gup if you dCont hand it ovDer

CWe want your Gbread so don't mCake us anDnoyed

Give all the toCys D - to the little rich bGoys C D

GCDCGD

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Catch Me Now Im Falling

Tom: F#mAvançado

F#m

C#m

Catch Me Now I'm Falling

by Ray Davies

F#mI remember, when you were down

And you Dneeded aE helping hF#mand

F#mI came to feed you But now that I need you

You won't Dgive me a sEecond glancF#me

Now I'm Bmcalling allC#m citizens from all Dover the wEorld

This is C#mCaptain America callinF#mg

BmI helped you C#mout when you were dDown on your Eknees

So will you cC#match me now I'm fallingF#m (falling)

riff in A: (like Jumping Jack Flash)

GHelp me now I'm cAalling you

GCatch me now I'm Afalling

GI'm in your handsA, it's up to you

GCatch me now I'm Afalling

F#mI remember when you were down

You woulDd always come Erunning toF#m me

F#mI never denied you and I would guide you

Through Dall of your diEfficultiesF#m

Now I'm Bmcalling allC#m citizens from all Dover the wEorld

This is C#mCaptain America callinF#mg

I bailedBm you out whC#men you were down onD your kneeEs

So will you cC#match me now I'm fallinF#mg (falling)

GHelp me now I'm cAalling you

GCatch me now I'm Afalling

GI'm in your handsA, it's up to you

GCatch me now I'm Afalling

FWhen you were broke you would Gcome to me

FAnd I would always pull you roGund

FNow I call your office on the Gtelephone

FAnd you secretary tells me thaFt she's sorry,

F F#m.....D E F#m......D E (Dave's lead)

But, you've gone out of town.

Riff in A

Help me now I'm calling you

Catch me now I'm falling

I'm in your hands, it's up to you

Catch me now I'm falling

GCatch me now I'm Afalling

FI stood by you through all of Gyour depressions

FAnd I lifted you when you wereG down

FNow it's your chance to do theG same for me

FI call your office and your seFcretary tells me

F F#m.....D E F#m......D E (Dave's lead

again)

That you've gone out of town

GCatch me now I'mA falling

GCatch me now I'm Afalling

FI was the one who always baileGd you out

FOf your depressions and your dGifficulties

FI never thought that you wouldG let me down

FBut the next time you're in trouble

FBetter not come running to meF#m D E F#m D E

Now I'm Bmcalling allC#m citizens from all Dover the wEorld

This is C#mCaptain America callingF#m

I Bmbailed you C#mout when you were dDown on your kEnees

So will you cC#match me now I'm fallingF#m

GCatch me now I'm Afalling

repeat and fade

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Artificial Man

Tom: EAvançado

G/B

Bb/A

C/G

I E7can't beAmlieve it's AmhapGpening

FI just want to Fmstay the way that I Cam. Em B Gm Bb A7

DmI don't want to Glive a lie Dmin an artGificial Cworld.

Let's Cbuild an antiEmsepBtic world,

GmFulBbl of aA7rtificial people.

DmCure all diseases, DmconCquer pain

And G/Bmonitor the human brain,

And E7see what thoughts you're Amthinking. G

ObFserve your feelings, FmSecret fears,

Controlling everything you say and Cdo Em B

GmOo Bboo oA7

And Dmwe will build a Gmaster race

To Dmlive within our Gartificial CwoFrlGd.C F G

G7Tell it to the people all across the land,

We're going to build an artificial Cman

Cartificial Fartificial FmaGn Cartificial Fartificial FmaGn

G7With the physique of a Tarzan

And the profile of a Cary Grant,

A superior being Totally made by Chand.

Cartificial Fartificial FmaGn Cartificial Fartificial FmaGn

G7Throw out imperfection,

Mould you section by section,

Gonna make you the ultimate creaCtion.

Cartificial Fartificial FmaGn Cartificial Fartificial FmaGn

FI can vAmisuEalise the day

DmWhen the DmworCld will be conBbtrolled Bb/Aby artiGmficial GmpeoFple,

But CI don't EmwanBt to live a Amlie in an C/Gartificial Fworld. Bb C F

GmTell the world that we Ffinally did it,

GmMade a man that's toFtally programmed,

GmPreconditioned Fthoughts and emotions,

GmPush-button artificial Fman.

Did you ever want to live forever?

Well here's your chance to be a total automaton

'Cos we've improved on God's creation

An outdated homo sapien.

GmF

G7CG7C

artificial artificial man artificial artificial man

Make you taller if you want it

Make your hair grow longer if you need it.

If it doesn't exist then I guess we can breed it.

artificial artificial man artificial artificial man

There'll be no disagreements,

We'll dedicate our lives to achievements,

And organise your life and keep it totally planned.

artificial artificial man artificial artificial man

I can visualise the day

When the world will be controlled by artificial people,

But I don't want to live a lie in an artificial world.

Tell the world we finally did it.

Modified the population,

Put your senses and your mind

Under constant observation

Even when you're dreaming.

Replaced your nose, heart and lungs,

So shake me with your artificial hand.

We went and built a master race

To live within our artificial world.

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Out Of The Wardrobe

Tom: CAvançado

Am7

C/G

Csus

Em7

Has Canybody Emhere seen aAm7 chick calledC/G Dick?

He Flooks real Am7burly but he's Dreally hip.

He's Gsix feet tall and his arms are all brown and ChairyCsus. C Csus

He Cmarried Betty EmLou back in siAm7xty-five,

C/G When you Fhad to be Am7butch to surDvive

But Glately he's been looking at his wife with mixed eCmotiCsusons. C Csus

You see, Am7he's not a common place D7closet queen.

He Am7shouldn't be hidden, he should be Gseen.

'Cos when he pFuts oAm7n that dD7ress, he looks lGike a princCess.

The Cday he came Emout of theAm7 wardrobe,C/G

Betty FLou got Am7quite a surDprise.

She didn't Gknow whether she should get angry or not bat an Ceye.Csus C Csus

She Creally couldn't Emcall up her maAm7ma; C/G

MaFma would posAm7itively Ddie.

Should she Ggo or stay or should she try to get a trial sepaCratioCsusn? C Csus

You see, Am7he's not a faggot as you Dmight suppose.

He just Am7feels restricted in conGventional clothes.

'Cos when he Fputs Am7on that D7dress, he feels Glike a prinCcess.

CHe's not a Gdandy, he's only living out a Cfantasy.

CHe's not a Gpansy, he's only being what he Cwants to be.

Now his Flife is rearD7ranged,

And he's Cgrateful Em7for the Am7change. C/G

He's Fout of the wardrobe, and Gnow he's got no CregrCsusets. C

Betty CLou didn't Emknow what toAm7 do atC/G first,

But she's Flearning to Am7cope at Dlast.

GShe's got the best of both worlds, and she's really in a state of CelatCsusion. C

She Csays it Emhelps their rAm7elationship.C/G

She says a Fchange is as Am7good as a Drest.

And their Gfriends finally coming 'round to their way of CthinCsusking. C Csus

Am7She wears the trousers and D7smokes the pipe.

And Am7he washes up; Gshe helps him wipe.

'Cos when he Fputs Am7on that D7dress, he looks Glike a prinCcess.

HGe's out of the wardrobe and he's feeling all rCight.

HGe's out of the wardrobe and he's feeling sCatisfied.

Now it's Ffarewell to the D7past,

The Csecret's Em7out at Am7last. C/G

He's Fout of the wardrobe, and Gnow he's got no reCgrets.

CCsus

C/GG

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Rats

Tom: DAvançado

F#m

DDCDCDEEDDCDCDEEE

I was Elost just wandering round downGtown

Many people were pushingA me around

Hate sCpreads just Dlike infectionA A G F#m E D E E

Those Erats jumping on and off my Gback

Fat black rats holding me Adown

I see Crats in Devery direction

ANo Atime Gto F#mcatch yEour bDreath

ACrAazy pGeople F#mlost tEheir DheEadEs

DMaDsses tCrampliDng Con Dmy EfeEet, DinDconCsidDerateC inD their Eheat

Those ratEs breeding angriness and sGpite

Never have done anything Aright for Cpeople like Dyou and meA A G F#m E D E E

Walk oveEr all the people you can't Gsee

If they die there's more bread for Ame

Like snaCkes crawling Dthrough the grass

ANo Atime Gto Fcatch Eyour DbrEeaEth

Crazy GpeopleF lostE theirD EheEads

DMaDsses tCrampliDng Con Dmy EfeEet, DinDconCsidDerateC inD their Eheat

Those Erats breeding angriness and Gspite

Never have done anything Aright for Cpeople like Dyou and me

ASeAe tGhat fF#mace Eman Dlook Eat Eme,

AheA's mGuch F#mtoo EselDfish Eto Esee

DOnDce Che Dwas Cwarm Dand Ewas Ekind

DNoDw aCll Dhe hCas goDt isE a pEinstripe mind

ASeAe tGhat fF#mace Eman Dlook Eat Eme,

AheA's mGuch F#mtoo EselDfish Eto Esee

DOnDce Che Dwas Cwarm Dand Ewas Ekind

DNoDw aCll Dhe hCas goDt isE a pEinstripe mind

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10.

I Need You

Tom: GMédio

GneFedG you, G G F G

GI FneGed you mGorGe FthGan birds need the sky.

CI AneeCd you, CitC?sA trCue little girl,

CThAat Cyou canC lCifAt tChe tears from my eyes.

GFGGGFG

ABut if you ever tell me good-bye,

CI?ll break down and you?ll hear me cry.

GI FneGed you, G G F G

AMore than anybody else hCas needed anyone before.

GI FneGed you, G G F G

GThFerGe?s no oGneG eFlsGe to stand in your place.

CI AneeCd you, yCouC kAnowC little girl,

CThAat Cyou can CkeCepA thCe smile on my face.

GFGGGFG

ABut if you ever tell me good-bye,

CI?ll break down and you?ll hear me cry.

GI FneGed you, G G F G

AMore than anybody else hCas needed anyone before.

GI FneGed you, G G F G

GThFerGe?s no oGneG eFlsGe to stand in your place.

CI AneeCd you,C yCouA knCow little girl,

CThAat Cyou caCn CkeAep Cthe smile on my face.

GFGGGFG

ABut if you ever tell me good-bye,

CI?ll break down and you?ll hear me cry.

GI FneGed you, G G F G

AMore than anybody else hCas needed anyone before.

GI FneGed you, G G F G

GI FneGed you. G G F G

OBS.: pessoal a música deve ser tocada em power chord. só ouvindo a música mesmo apra intender como ela é exatamente,

pois estrofes geralmente é necessário que repita as notas como em um riff.

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