Acordes usados
Gb
Db
Ab
F
G
C
Eb
Bb
E
Fm
F#m
A
G#7
G7
A7
E5
B5
A5
G5
F#5
Em
A9
C5
F#
Db5
Eb5
F5
D
C#m
B
F#/G
Gm
Cm
D5
F6
Fsus4
G#m
1.
Mezmerize album
Tom: AAvançadoGb
Db
Ab
F
G
C
Band- System Of A Down
Album- Mezmerize
Track Listings:
1.Soldier Side-Intro
2.B.Y.O.B.
3.Revenga
4.Cigaro
5.Radio/Video
6.This Cocaine Makes Me Feel Like I'm On This Song
7.Violent Pornography
8.Question!
9.Sad Statue
10.Old School Hollywood
11.Lost In Hollywood
1.SOLDIER SIDE-INTRO
2.B.Y.O.B.
RIFF 1
Gb
Db
Ab
Db
Gb
Db
Ab
Db
RIFF 2
Gb
Db
Ab
Db
Gb
Ab
Db
RIFF 3
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Ab
Db
RIFF 3
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
RIFF 2
Gb
Db
Ab
Db
Gb
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Ab
Db
RIFF 4
Gb
Ab
Db
RIFF 5
Gb
Ab
Db
RIFF 6
Gb
Ab
Db
RIFF 3
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
RIFF 2
Gb
Db
Ab
Db
Gb
Ab
Db
Gb
Db
Ab
Db
Gb
Ab
Db
Gb
Db
Ab
Db
Gb
Ab
Db
RIFF 5
Gb
Ab
Db
RIFF 6
Gb
Db
Ab
Db
THAN A LITTLE BREAK FOR GUITAR (TIME: 4:01) START AFTER THAT
Riff 7
Gb
Ab
Db
3.REVENGA
4.CIGARO
F
G
C
My c*ck can walk right through the door
F
C
G
C
In denial..
F
C
G
C
My sh*t stinks much better...
F
C
G
C
In denial..
F
C
G
C
In denial.. (slow)
F
C
G
C
Cant you see that I love my c*ck?
F
G
C
Cant you see that we love my c*ck?
F
G
C
We're the regulators..
F
G
C
In denial..
F
C
G
C
We're the regulators..
F
C
G
C
In denial..
F
C
G
C
Song Ends With Vocals / Drum Beat.
5.RADIO/VIDEO
not sure on the tuning
Begin to fade from 3rd time to fourth.
Increasing in speed each time played
Increase in speed
second time only:()
6.THIS COCAINE MAKES ME FEEL LIKE I'M ON THIS SONG
7.VIOLENT PORNOGRAPHY
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
8.QUESTION!
9.SAD STATUE
10.OLD SCHOOL HOLLYWOOD
Gb
Db
Ab
Db
Gb
Db
Ab
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
11.LOST IN HOLLYWOOD
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Then
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Than the Drums
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Gb
Db
Ab
Db
Comments to the next mail:
email protected
2.
Violent Pronography
Tom: EbAvançadoEb
Bb
Gb
Db
E
F
Fm
F#m
A
G
G#7
G7
A7
Eu Tentei Adaptar Qualquer Erro Corrijam VLW ^^
Eb
Bb
Gb
Db
Db
Eb
Bb
Gb
Db
Db
EEvFerybody, everybody, everybody livin? now
FEvFerybody, everybody, everybody fucks
FEveFrybody, everybody, everybody livin? now
FEvEerybody, everybody, everybody sucks
EEvFerybody, everybody, everybody livin? now
FEvFerybody, everybody, everybody cries
FEveFrybody, everybody, everybody livin? now
FEvEerybody, everybody dies
FmIt?s a non-stop disco
F#mBet you it?s Nabisco
EBetcha didn?t know, ooh-hoo
FmA non-stop disco
F#mBet you it?s Nabisco
EBetcha didn?t know, ooh-hoo
EA non-stop disco
Betcha didn?t know
FF#mF
EA non-stop disco
Betcha didn?t know
Betcha didn?t know
FBetcha didn?t know
EEvFerybody, everybody, everybody livin? now
FEvFerybody, everybody, everybody fucks
FEveFrybody, everybody, everybody livin? now
FEvEerybody, everybody, everybody sucks
EEvFerybody, everybody, everybody livin? now
FEvFerybody, everybody, everybody cries
FEveFrybody, everybody, everybody livin? now
FEvEerybody, everybody dies
FmIt?s a non-stop disco
F#mBet you it?s Nabisco
EBetcha didn?t know, ooh-hoo
FmA non-stop disco
F#mBet you it?s Nabisco
EBetcha didn?t know, ooh-hoo
EA non-stop disco
Betcha didn?t know
FF#mF
EA non-stop disco
Betcha didn?t know
Betcha didn?t know
FBetcha didn?t know
Agora Fazer Algum Tipo de Efeito Com o Violão
FIt?s a vioAlent pornogrEaphy
FChoking chicks and sodomy G
G#7The kinda shitG7 you get on your TV A
FIt?s a vioAlent pornogrEaphy
FChoking chicks and sodomy G
G#7The kinda shitG7 you get on your TV A
EEvFerybody, everybody, everybody livin? now
FEvFerybody, everybody, everybody fucks
FEveFrybody, everybody, everybody livin? now
FEvEerybody, everybody, everybody sucks
EEvFerybody, everybody, everybody livin? now
FEvFerybody, everybody, everybody cries
FEveFrybody, everybody, everybody livin? now
FEvEerybody, everybody dies
FmIt?s a non-stop disco
F#mBet you it?s Nabisco
EBetcha didn?t know, ooh-hoo
FmA non-stop disco
F#mBet you it?s Nabisco
EBetcha didn?t know, ooh-hoo
EA non-stop disco
Betcha didn?t know
FF#mF
EA non-stop disco
Betcha didn?t know
Betcha didn?t know
FBetcha didn?t know
Agora Fazer Algum Tipo de Efeito Com o Violão
FIt?s a vioAlent pornogrEaphy
FChoking chicks and sodomy G
G#7The kinda shitG7 you get on your TV A
FIt?s a vioAlent pornogrEaphy
FChoking chicks and sodomy G
G#7The kinda shitG7 you get on your TV A
Batida Mio Reagge Mais Calma
A7It?s a vAiolent pornograpEhy
FChoking chicks and sodomy G
GThe kinda shit thG7at?s on your TV A
GIt?s on the TVA
(Fuck)
GTurn off your ATV
AEFG
G#7Can you say ?brainwGashing??
ABrainwashing E
FG
G#7It?s a non-stop disG7co A
....
3.
Question!
Tom: EAvançadoE5
B5
A5
G5
F#5
Em
A9
C5
F#
Obs.: Essa versão a qual transcrevi, foi feita para ser tocada por dois instrumentos,
portanto, não é possivel executa-la sozinho, porque existem riffs diferentes
sendo tocados juntos.
Riff 1 Riff 2
Riff 3 Riff 4
ao final da execução do Riff 1 e riff 2
tocar o Riff 3 e Riff 4 ( Juntos )
E5B5A5G5F#5G5F#5G5
Riff 1 e Riff 2
Sweet berries ready for two
Ghosts are no different than you
Ghosts are now waiting for you
Are you?
Sweet berries ready for two
Ghosts are no different than you
Ghosts are now waiting for you
Are you dreaming?
DEmreaming the nightA9?
DEmreaming all rigA9ht?
| E5 X X G5/E5 | 6X
Do we, do we know
When we fly? A5 A5 B5 C5 B5
| E5 X X G5/E5 | 6X
When we, when we go
Do we die? A5 A5 B5 C5 B5
E5B5A5G5F#5G5F#5G5
Riff 1 e Riff 2
Sweet berries ready for two
Ghosts are no different than you
Ghosts are now waiting for you
Are you?
Sweet berries ready for two
Ghosts are no different than you
Ghosts are now waiting for you
Are you dreaming?
DEmreaming the nightA9?
DEmreaming all rigA9ht?
| E5 X X G5/E5 | 6X
Do we, do we know
When we fly? A5 A5 B5 C5 B5
| E5 X X G5/E5 | 6X
When we, when we go
Do we die? A5 A5 B5 C5 B5
(Without being alive?)
(E5 1 bB5atiA5da G5porF#5 notG5a )F#5 G5
(E5 AlE5terE5nadB5o batidaG5s nF#5o E5G5 e F#5no AG55 )
(E5 MuB5itoA5 raG5pidF#5o ) G5 F#5 G5
E5La B5ra A5ra G5la F#5ra G5ra F#5ra G5ra
|E5E5E5E5x| 4X
|E5E5E5E5x| 12X
Do we, do we know
F#5WhenF#5 we F#5fly?F#5 F#5 G5 G5 G5 G5 G5 A5 A5 A5 A5 A5
|E5E5E5E5x| 12X
When we, when we go
DF#5o weF#5 dieF#5? F#5 F# G5 G5 G5 G5 G5 A5 A5 A5 A5 A5
Yeeeeeeeeaaaaaaaaaaaaaaaaaaaaaaaaaahhhhhhhh
E5B5A5G5F#5G5F#5G5
Riff 1 e Riff 2 ( Juntos )
ao final da execução do Riff 1 e riff 2
tocar o Riff 3 e Riff 4 ( Juntos )
E5La B5ra A5ra G5la F#5ra G5ra F#5ra G5ra
| Observação: |
| Para facilitar a forma de tocar os riffs, |
| execute-os em forma de acordes e dedilhe-os |
| comforme a transcrição. |
| E os XXXX ( X maiúsculos ) após os acorde com 5 |
| significa que tem que abafar segurando a nota. |
| Os xxxx ( X minúsculos ) nos últimos versos |
| significa que é pra tocar as cordas do acorde |
| solta. |
| Riff 1 e Riff 3 ( Acorde ) |
| Riff 2 e Riff 4 ( Acorde ) |
| 7° |
4.
Dreaming
Tom: CAvançadoC5
Db5
Eb5
E5
F5
G5
Para tocar essa música na afinação padrão é necessário usar um conjunto de acordes invertidos.
C5Db5Eb5E5F5G5
C5For today Db5we will take the body parts
And C5put them on the Db5wall
C5For treated inDb5digenously, digenously
C5Human right is Db5private blue chip, pry
C5We're the prophetic generation of Db5bottled water, of bottled water
(For treated indigenously, digenously)
C5Causing poor populations to Db5die!, to die!, to die!
(Human right is private blue chip, pry)
C5You.. you went F5beyond, and you lost it Db5all
WE5hy F5did G5you go C5there?
From F5beyond you saw it Db5all.. WE5hy F5did G5you?
C5We lost consumer confidence in Db5casual karma, casual karma
(For treated indigenously, digenously)
C5Confetti, camouflage, camouDb5flage! The flage! The flage!
(Human right is private blue chip, pry)
C5We're the prophetic generation of Db5bottled water, of bottled water
(For treated indigenously, digenously)
C5Causing poor populations to Db5die!, to die!, to die!
(Human right is private blue chip, pry)
C5You.. you went F5beyond, and you lost it Db5all
WE5hy F5did G5you go C5there?
From F5beyond you saw it Db5all.. WE5hy F5did G5you go F5there..?Db5 Eb5 C5
F5She lost her Db5mind..
Eb5Someone kicked her into the back of the C5line
F5She lost her Db5head..
Eb5When they called and they said that they thought he was C5dead
F5Dreaming of Db5screaming.. Eb5Someone kick me out of my mind
I C5hate these thoughts I can't deny
F5Dreaming of Db5screaming.. Eb5Someone kick me out of my mind
I hC5ate these thoughts I can't de|--
C5We lost consumer confidence in Db5casual karma, casual karma
(For treated indigenously, digenously)
C5Confetti, camouflage, camouDb5flage! The flage! The flage!
(Human right is private blue chip, pry)
C5We're the prophetic generation of Db5bottled water, of bottled water
(For treated indigenously, digenously)
C5Causing poor populations to Db5die!, to die!, to die!
(Human right is private blue chip, pry)
C5You.. you went F5beyond, and you lost it Db5all
WE5hy F5did G5you go C5there?
From F5beyond you saw it Db5all.. WE5hy F5did G5you..?
C5..Na na na F5na na na na
Na na na Db5na na na na.. AhE5hh F5ahhG5
F5Dreaming of Db5screaming.. Eb5Someone kick me out of my mind
I C5hate these thoughts I can't deny
F5Dreaming of Db5screaming.. Eb5Someone kick me out of my mind
I C5hate these thoughts I can't deny
C5You will take the body parts
and put them up on the wall
and bring the dark disaster
5.
B.Y.O.B
Tom: CAvançadoC
D
E
F
C#m
B
F#/G
A
G
hhhooo
CDEF
CFED
Why do they always send the poor?
C#mBarbarisms by barbarasE F E D
WC#mith pointed heels E
VC#mictorious victories FkneEelD
FC#mor brand new spankin deals
Marching foward Ehypocritic
YC#mou depend on our protection
Yet you feed us lFies fErom the tablCecloth
solinho:
La la la la la la la la la la
oooooooo
C#mEverybody is going to the pBarty
Have a real good tiC#mme
solinho:
DC#mancing in the desert
BBlowing up the sunshineC#m
solinho:
C#mKneeling roses
Disappearing into Moses´ dry moutEh
C#mBreaking into Fort Knox
Stealing our intentioFns E D
C#mEvery city, gripped in oilE
Crying freedoFm! E D
C#mHanded to obsoletioEn
C#mStill you feed us liFes froEm the tableclC#moth
solinho:
la la la la la la la la la la
ooooooo
F#/GBlast BofAf, iF#/Gt´s paBrtAy time
F#/GAnd weB aAll F#/Glive iBn Aa fascFistG naBtiAon
F#/GBlast BofAf, F#/Git´s pBarAty time
F#/GAnd whBerAe tF#/Ghe fucBk Aare you?
C#mWhere the fuAck are yoGu?
C#mWhere the fuAck are yoGu?
C#mWhy don´t presideAnts fight the Gwar?
C#mWhy do they alwaAys send the pooGr?
C#mWhy don´t presidAents fight the Gwar?
C#mWhy do they alwaAys send the pooGr?
GWhy do they always send the poor?
GWhy do they always send the poor?
GWhy do they always send the poor?
C#mKneeling roses
Disappearing into Moses´ dry mouthE
C#mBreaking into Fort Knox
Stealing our intentiFonsE D
C#mEvery city, gripped in oEil
C#mCrying freedoFm! E D
C#mHanded to a obsoletEion
C#mStill you feed us lieFs frEom the tableclC#moth
solinho:
la la la la la la la la la la
ooooo
solinho:
C#mWhere the fucAk are yoGu?
C#mWhere the fucAk are yoGu?
C#mWhy don´t presideAnts fight the warG?
C#mWhy do they alwayAs send the pooGr?
C#mWhy don´t presideAnts fight the wGar?
C#mWhy do they alwayAs send the poorG?
GWhy do they always send the poor?
GWhy do they always send the poor?
GWhy do they always send the poor?
GWhy do they always send the poor?
GWhy do they always send the poor?
GThey always send the poor!
GThey always send the poor!
6.
Chop Suey! (Afinação Padrão)
Tom: EAvançadoE
B
G
D
A
F
C
Gm
Cm
E
B
G
D
A
E
2ª Parte
E
B
G
D
A
E
3ª Parte
E
B
G
D
A
E
Riff Principal
GFAC
GFAC
GWake up!
GGrab a Brush and put a liGttle make-up G
GHide the Scars to Fade awaGy the shake-up G
GWhy'd you leave the keys upon Gthe table G
GHere you go create aGnother fable (you Gwanted do)
GGrab a Brush and put a liGttle make-up (yGou wanted do)
GHide the Scars to Fade awaGy the shake-up (you waGnted do)
GWhy'd you leave the keys uponG the table (you wanteGd do)
I don't think you trust. Gm
CmIn, F my
SelDf righteous suicide Gm
CmI , F Cry
When angels Ddesserve to die G F A C
GFAC
GWake up!
GGrab a Brush and put a liGttle make-up G
GHide the Scars to Fade awaGy the shake-up G
GWhy'd you leave the keys upon Gthe table G
GHere you go create anGother fable (you wGanted do)
GGrab a Brush and put a litGtle make-up (yoGu wanted do)
GHide the Scars to Fade awayG the shake-up (you wanGted do)
GWhy'd you leave the keys upon Gthe table (you wantedG do)
I don't think you trust. Gm
CmIn, F my
SelDf righteous suicide Gm
CmI , F Cry
When angels Ddeserve to die G F A C
FGatheFr, (FAatheCr), Father, (Father), Father, (Father), Father..
FGatheFr intAo yoCur hands
I Commend my spirit
Father into your hands.
Why have you
Forsaken Gmme,
CmIn your eyes,
ForsakeFn me,
DIn your thoughts,
ForsakGmen me,
CmIn your heart.
ForsakeFn me , oh!D
GmCmFD
Trust in my self righteous suicide,
I, cry, when angels deserve to die,
In my self righteous suicide,
I, cry, when angels deserve to die.
Qualquer Duvida:
email protected
7.
Sad Statue
Tom: BbAvançadoBb
Gb
Db
Eb
Ab
C
D
F#m
E
Bb
Gb
DbAb|--5p0h5p0h5p05p05p05p0h6--| 4x
Db
Riff I
pm ............ ................
pm ............ .........
Riff II
pm .. .. .. .. .. .. ..
pm .. .. .. .. .. .
Riff III
Eb
Bb
Gb
Db
Ab
Db pm . ... . ... . ... . ...
Riff IV
Eb
Bb
Gb
Db
Ab
Db
Riff V (clean com tremolo,e distortion)
Part VI (clean-ish)
Eb
Bb
Gb
Db
Ab
Db
Part VII
pm ... ... ... .....
pm ... ... ... .....
CConquest to the lCover and your love to the fiCre
CPermanence unfoldCing in the absoluCte
CForgiveness is tDhe
CUltimate sacrifiDce
CEloquence belongDs
CTo the conquerorD
CThe pictures of tCime and space are reCarranged
CIn this little piCece of typical trageCdy
CJustified candDy
CBrandy for theD nerves
CEloquence beloDngs
CTo the conquerDor
DYou and me
We'll F#mall go down in history
With aC sad Statue of Liberty
And a Egeneration that didn't agree
CI forgot to
CI forgot to let you Cknow that
CJustified canDdy
CBrandy for thDe nerves
CEloquence belDongs
CTo the conqueDror
CConquest to the lCover and your love to the fiCre
CPermanence unfoldCing in the absoluCte
CForgiveness is tDhe
CUltimate sacrifiDce
CEloquence belongDs
CTo the conquerorD
DYou and me
We'll F#mall go down in history
With a Csad Statue of Liberty
And a gEeneration that didn't agree
DYou and me
We'll F#mall go down in history
With a Csad Statue of Liberty
And a gEeneration that didn't agree
EGeneration
DWhat is in us that F#mturns a deaf ear
CTo the cries of Dhuman suffering?
Suffering now
Suffering now
DYou and me
We'll F#mall go down in history
With a Csad Statue of Liberty
And a Egeneration that didn't agree
EGeneration
8.
Toxicity
Tom: DAvançadoD5
D
F5
F6
Fsus4
B
A
F
C
riff 1
guit 1 & violão aço (guit 1 P.M., violão aço deixe soar)
P.M..................................................................
P.M..............................................
riff 2
P.M. .... P.M.....................
P.M. ....
riff1
riff3
2x
D5DD5F5F6F5Fsus4
riff 2B
riff 1
riff4 A
riff3
riff 2B
riff4
F
C
C
F
C
C
riff5 C
F
C
C P.M............................................
riff6 (4x)
F
C
C P.M.............
riff5
riff2
riff5 e 6
riff 1A
guitarra3
guit 3
P.M...........................................................
P.M..................................................................
guitarra 2 - 1º verso
Riff 3
Conversion, software version 7.0,
Riff 1
Looking at life through the eyes of a tire hub,
Riff 3
Eating seeds as a past time activity,
Riff 1
The toxicity of our city, of our city,
Riff 2
You, what do you own the world?
How do you own disorder, disorder,
Riff 2
Now, somewhere between the sacred silence,
Sacred silence and sleep,
Riff 2
Somewhere, between the sacred silence and sleep,
Riff 2
Disorder, disorder, disorder.
riff 1
Riff 3
More wood for their fires, loud neighbors,
Riff 1
Flashlight reveries caught in the headlights of a truck,
Riff 3
Eating seeds as a past time activity,
Riff 1
The toxicity of our city, of our city,
Riff 2
You, what do you own the world?
How do you own disorder, disorder,
Riff 2
Now, somewhere between the sacred silence,
Sacred silence and sleep,
Somewhere, between the sacred silence and sleep,
Riff 2
Disorder, disorder, disorder.
Riff 4
Riff 5
Riff 6
riff 5
Riff 2
You, what do you own the world?
How do you own disorder,
Riff 2
Now, somewhere between the sacred silence,
Sacred silence and sleep,
Riff 2
Somewhere, between the sacred silence and sleep,
Riff 2
Disorder, disorder, disorder.
Riff 5
Riff 6
When I became the sun,
I shone life into the man's hearts,
When I became the sun,
I shone life into the man's hearts.
9.
Lost In Hollywood
Tom: GAvançadoG
B
D
F
E
C
Bb
Ahhh .G..ahhh
G I'll wait here,G you're crazy.
G Those vicious streets are filled with Bstrays.
You should'vDe never gone to hollywood.
G They find you to time you,
G Say you're the best they've ever Bseen.
You should'veD never trusted hollywood.
G I wrote you and told you,
G You were the biggest fish out hBere.
You should'veD never gone to hollywood.
G They take you and make you,
G They look at you in disgustingB ways.
You should'veD never trusted hollywood.
B(aFhhhG ..E.aFhhh)
BI was standing on the Fwall feeling ten feet Gtall.
All you maggots smoking Efags on santa Fmonica boulevard.
BThis is my front Fpage. this is my new raGge.
All you bitches put yourE hands in the air aFnd wave them like you just don't care.
Baahhh ...aaFaahhh...
G All you maggots smoking Efags out there on Fsunset boulevard.
G All you bitches put yourE hands in the air and Fwave them like you just don't care.
Bahhh ...Cahhh....Eahhh.... Dahhh
C Phony Bpeople come toBb pay.
Bahhh ...Cahhh....
E Look at all of them, Dback to stay.
C Phony Bpeople come to Bbpray.
(tBheC liEneDs iCn tBheBb letter said)
Look at all of them, back to stay.
(we had gone to reckon send)
Phony people come to pray.
B(ahhh ...aFhhh)
G All you maggots smoking Efags on santaF monica boulevard.
B(ahhh ...aFhhh)
G All you maggots smoking Efags out there on Fsunset boulevard.
B(ahhh ...Fahhh)
G All you maggots smoking Efags out there on Fhollywood boulevard.
B(ahhh ...Fahhh)
G You should've Enever trustedF hollywood.
You should've never gone to hollywood.
(ahhh ...ahhh)
G All you bitches put your Ehands in the air and wFave them like you just don't care.
GB
You should'veD never trusted hollywoodG.
10.
Radio-Video
Tom: F#mAvançadoF#m
G
A
C
B
G#m
E
HeF#my man looGk at me rocking out I?m onA the radio G
HeyF#m man lookG at me rocking out I?m on Athe video C
HeyF#m man lookG at me rocking out I?m on Athe radio G
HF#mey man loGok at me rocking out I?m oAn the video C
With Da C? nny B and Li - sAa G#m aaaF#ma?
TF#mhey take me away from E
the strangest placeeees F#m
Sweet Danny and Lisa aa E
They take me away from F#m
They take me away from E
the strangest placeees F#m
Sweet Danny and Lisa aa E
They take me away from F#m
F#mHey man lGook at me rocking out I?m Aon the radio G
F#mHey man lGook at me rocking out I?m Aon the video C
With Da C? nny B and Li - sAa G#m aaaF#ma
F#mThey take me away from E
the strangest placeeees F#m
Sweet Danny and Lisa aa E
They take me away from F#m
They take me away from E
the strangest placeees F#m
Sweet Danny and Lisa aa E
They take me away from F#m
F#mHey man lGook at me rocking out I?m Aon the RADIO! G
F#mHey man lGook at me rocking out I?m Aon the VIDEO! C
With Da C? nny B and Li - sAa G#m aaaF#ma
F#mThey take me away from E
the strangest placeeees F#m
Sweet Danny and Lisa aa aaaaaaaaEa
LA LA LA LA LA LA LA LA ?? (F#m E) x2 ????. F#m E x2
F#mHey man lGook at me rocking out I?m Aon the radio G
HF#mey man loGok at me rocking out I?m oAn the video C
HeyF#m man lookG at me rocking out I?m on Athe radio G
HF#mey man loGok at me rocking out I?m oAn the video C
With Da C? nny B and Li - sAa G#m aaaF#ma?