Acordes usados
G
Em7
Cadd9
A7
C/B
D
G/B
C
G/F
E
F
Bm
A
Em
F#m
B5
Bb5
A5
D5
Bb
B
C5
Bm7
Cmaj7
B7
Dadd9
C/G
A/D
G/D
Dsus4
Dsus2
F/D
Dm
Am
Dmaj7
D7
Fm
1.
Watching TV
Tom: DAvançadoG
Em7
Cadd9
A7
C/B
D
G/B
C
G/F
**D **Dº
(repeat as necessary)
We were watching TGV, Watching TEm7V
We were watching TGV, Watching TEm7V
Cadd9A7
Cadd9A7
Cadd9C/BA7D
In Tiananmen SquaGre, Lost my baby tEm7here
My yellow rGose, In her bloodstained clEm7othes
She was a Cadd9short order pA7astry chef
In a Cadd9Dim Sum dive on the YangtA7ze tideway
She had Cadd9shiny hair G/B
She was theA7 daughter of an engineerD
Won't you shed a Gtear, For my yellow rEm7ose
My yellow roGse, In her bloodstained Em7clothes
She had Cadd9perfect breasts, She had A7high hopes
She had Cadd9almond eyes, She had A7yellow thighs
She was a CstudentC/B of phA7ilosophyD
Won't you grieve with Gme, G/Ffor my yEm7ellow rose,
Shed a tear,G G/F Em7 For her bloodstained clDothes
She had Gshiny haiG/Fr, She had Em7perfect breasts
She hadCadd9 high hopes,C/B She hadA7 almond eyesD
She had Gyellow thighG/Fs
She was the Em7daughter of an engineerD
So get out your Gpistols, Get out your stoneCs
Get out your knGives, Cut them to the boCne
They are the Glackeys oG/Ff the groceEm7r's machine
They built the Gdark satanic millsC
That manuGfacture hell on earthC
They bought the Gfront rowG/F seats on CaEm7lvary
They are Cirrelevant to me D
**D **Ddim5
And I grieve for my sister
People of China
Do not forget do not forget
The children who died for you
Long live the Republic
Did we do anything after this
I've a feeling we did
We were watching TGV, Watching TEm7V
We were watching TGV, Watching TEm7V
She wore a Cadd9white bandanna that said 'FA7reedom now'
She thought theCadd9 Great Wall of China
Would coA7me tumbling down
GShe was a studenG/Ft
Her fEm7ather was an enginDeer
Won't you shed a tGear, For my yellow rEm7ose
My yellow roGse, In her bloodstained clEm7othes
Her Cadd9grandpa fought old CA7hiang Kai-shek
ThatCadd9 no-good low-down diA7rty rat
Who Cused to order his C/Btroops
To fA7ire on the women and Dchildren
Imagine that imagine that
AnGd in the spring of '4Em78
MaGo Tse-tung got quite iraEm7te
AnGd he kicked thatG/F old dictatorEm7 Chiang
Out of the Dstate of China
ChGiang Kai-shek came down in FEm7ormosa
GAnd they armed the island of QA7uemoy
And the Gshells were flying across the China Sea
And they Em7turned Formosa into a Cshoe factoryC/B calledA7 TaiwaDn
And she is Gdifferent from Cro-MCadd9agnon man
She's Gdifferent from ACadd9nne Boleyn
She is Gdifferent G/Ffrom the RosEm7enbergs
And fDrom the unknown Jew
GShe is different from theCadd9 unknown NicaraGguan
Cadd9Half superstar Ghalf victim G/F
She's a Em7victor star coCadd9nceptually newD
GAnd she is different from the Cadd9Dodo
GAnd from the KankanboCadd9no
GShe is different G/Ffrom the AztEm7ec
And fDrom the Cherokee
ShGe's everybody's Cadd9sister
SGhe's symbolic of our faiCadd9lure
She'sG the one inG/F fifty millEm7ion
Who can Cadd9help us to be free D
Because she died on TVG
Contribuição: Francisco Tanure(email protected)
2.
Amused to Death
Tom: DAvançadoD
E
F
G
Bm
A
Em
C
F#m
DDEFGG
DDEFGG
BmDoctor Doctor what is Awrong with mGe Em
BmThis supermarket life Ais getting lGongEm
BmWhat is the heart lifeA of a Gcolour TV Em
BmWhat is the shelf lifeA of a Gteenage queenD
EmC
DOoDh wEesFtern woGman
DOoDh wEesFtern giGrl
BmNews hound sniffs the air
WhenA Jessica Hahn Ggoes down Em
BmHe latches on to that symbol A
GOf detachment Em
BmAttracted byA the pGeeling away of feelingEm
BmThe celebrityA of the aGbused shell the belleD
DOoDh wEesFtern wGomen
DOoDh wEesFtern gGirl
DAnd the children on Melrose
Strut their stuff
GIs absolute zero cold enough
DAnd out in the valley warm and clean
GThe little ones sit by their TV screens
DNo toughts to think
GNo tears to cry
AAll Asucked Bmdry
BmDown to the Avery last bGreath
EmBartender what is wArong with me
EmWhy am I so out of bAreath
EmThe captain said exAcuse me ma'am
EmThis species has amAused itself to death
DAmused itself to deGath
DAmused itself to deGath
DWe watched the traEmgedFy unfGold
We did as we were told
We bought and sold
DIt was the greEmatest sFhow on eGarth
But then it was over
DWe oohed and aahed
We drove our racing cars
GWe ate our last few jars of caviar
DAnd somewhere out there in the stars
A keen-eyed looGk-out
Spied a flickering light
Our last hurraDh
Our last hurraGh
EmAnd when they found our sAhadows
EmGrouped around the TV seAts
EmThey ran down every leAad
They reEmpeated every teAst A Bm
They checked out alCl the dData on their lGists
And then tBmhe alien anthropologists C D
Admitted tGhey were stF#mill perplexEmed
DBut on eliminating every other reason
For our sGad demise
DThey logged the only explanation lGeft
This species has amused itself to death Bm
EmNo tears to cry A
EmNo feelings left A
EmThis species has amuAsed itself to death Bm
Amused itseAlf to deGath
BmAmused itseAlf to deGath
BmAmused itseAlf to deGath
BmAmused itseAlf to deGath
Contribuição: Francisco Tanure(email protected)
3.
Smell The Roses
Tom: EmAvançadoEm
Em7
B5
Bb5
A5
A
A7
C
D5
Bb
B
F#m
C5
EmEm7Em
EmEm7Em
EmB5Bb5Bb5A5
There's a Emmad dog pullinEm7g at Emhis chain
A Emhint of dangeEm7r in Emhis eye
EmAlarm bells ragEm7ing roundEm his brain
And the Emchimney's broken in the sky
AWake up
Wake up and smell theA7 rosAes
A B5 ClCose your eyes and pray this wind don't change
CTheD5re's nEmothing but screams in the fiEm7eld oEmf dreams
EmNothing but hope at theEm7 end Emof the road
EmNothing but gold in thEm7e chimEmney smoke
EmCome on honey it's B5re-aBb5l mBb5o--neA5y
EmEm7Em
EmEm7Em
EmEm7Em
EmB5Bb5Bb5A5
EmThis is the room where they make the explosives
EmWhere they put your name on the bomEm7b
Em Here's where they bury the buts and the ifs
And Emscratch out words like right and wrong
AWake up
Wake up and smell the A7phosphorAus
A B5 ThiCs is the room we keep the human hair
C D5 DoEmn't ask don't tell it couldn't be lost for us
Em7Yeah, Ema little less cash in the stash in the cupboard
At the bottom of the stair
B5Mo-nBb5ey hBb5on-eyA5
EmEmCEmBbEmB
EmEm7Em
EmEm7Em
EmEm7Em
EmB5Bb5Bb5A5
EmB5Bb5Bb5A5
AWake up
Wake up and smell the bA7aconA
A B5 RuCn your greasy fingers through her hair
C D5 ThBis is the liB5fe tBb5hat yBb5ou haA5ve takF#men
CC5B5B5Bb5
EmJust a line in theEm7 captaiEmn's log
Em Just a whine from a reEm7sidentEm dog
EmAnother kid didn't maEm7ke the gEm7rade
EmCome on honeyB5 it'sBb5 a Bb5fair A5trade
AWake up
Wake up and smell theA7 rosAes
A B5 ThCrow her photo on the funeral pyre
D5 YEmeah, now we can forget the threat she poses
Em7 EmGirl you know you couldn't get much higher
B5Bb5Bb5A5B5Bb5
Bb5A5Em
4.
Go Fishing
Tom: BmAvançadoBm7
D
Cmaj7
E
B7
Em
Em7
C
G
F
Dadd9
Bm7We set out in the Spring
With a tDrunkful of books about everything.
Bm7About solar devices
And hoDw nice natural childbirth is.
Cmaj7We cutE down some trees and trailed our ideals
ThB7rough the forest glade.
Cmaj7We damEmed up the stream and the kids cooled their heels
InB7 the fishing pool we made.
EmWe held Em7hands and we exchanged bands
AnCd weCmaj7 practicaDlly lived off the land.
Bm7You adopted a fox cub
Whose moDther was somebody's coat.
Bm7You fed him by hand, then snuggled him down
In the Dgrandfather bed, while I wrote.
Cmaj7And weE grew our own maize
And B7I only occasionally went into town
Cmaj7To stoEck up on antibiotics
And B7shells for the shotgun that I kept around.
EmI told Em7the kids stories while you worked your loom
AndC the suCmaj7n went dowDn sooner each day.
GEm7FEmEm7CCmaj7DDadd9
Bm7D
Cmaj7EB7
Bm7Then the leaves all fell down,
And thDe crops all turned brown. It was over.
Bm7As the first snowflakes fell
I realizDed all was not well in the camp.
Cmaj7The kiEds caught bronchitis,
The spacB7e heater ran out of diesel,
One Cmaj7weekenEd a friend from the east
(Rot hB7is soul) stole your heart.
EmI said, Em7D2Fuck it then, take the kids back to town,
CMaybe ICmaj7'll see DyoDadd9u around. D
GEm7FEmEm7CCmaj7DDadd9
AnGd so Em7leavFing Emall ouEm7r hopes and dreams
ToC tCmaj7he wind Dand the rain,
Dadd9Taking Gonly oEm7ur sFtash,
LeftEm our lEm7itter and trash
And CsetCmaj7 out
DOn Dadd9the roGad again.
Contribuição: Francisco Tanure(email protected)
5.
Mother
Tom: GMédioG
C/G
D
F
GC/GGC/G
GC/GDC/GG
MGother do you think they'll drC/Gop the bomb G
Mother do you think they'll lC/Gike this song G
MC/Gother do you think they'll try to break my bGalls
DOoohC/G, Mother should I build the wGall
MGother should I run for PrC/Gesident G
Mother should I trust the governmC/Gent G
MC/Gomma will they put me in the firing lGine
DOoohC/G, is it just a waste of tGime
HGush now baby, baby don't you crC/Gy
MFommas gonna make all of your nC/Gightmares come true
MFommas gonna put all of her fC/Gears into you
MFommas gonna keep you right here C/Gunder her
She wFon't let you fly but she mC/Gight let you sing
MFommas gonna keep baby cC/Gozy and wGarm
DOooh bC/Gabe,D oooh bC/Gabe,D oooh babe
Of cC/Gourse Mommas gonna help build the wGall
C/GGC/G
GC/GDC/GG
MGother do you think she's good enoughC/G for mGe
Mother do you think she's dC/Gangerous to mGe
MC/Gomma will she tear your little boy apGart
DOoohC/G, Mother will she break my hGeart
HGush now baby, baby don't you crC/Gy
MFommas gonna check out all your gC/Girlfriends for you
MFomma won't let anyone dC/Girty get through
MFommas gonna wait up tC/Gill you get
MFomma will always find C/Gout where you've been
MFommas gonna keep baby hC/Gealthy and clGean
DOooh bC/Gabe,D oooh bC/Gabe,D oooh babe
You'll C/Galways be baby to mGe
MGother did it need to be so hC/Gigh
6.
The Bravery of Being Out of Range
Tom: DAvançadoD
A/D
G/D
Dsus4
Dsus2
Em
G
F/D
A
F
Bm
C
DA/DG/DD
Dsus4DDsus2D
EmGD
EmGD
You have a Dnatural tendency, to sA/Dqueeze off a shot
You're gG/Dood fun at parties, you Dwear the right masks
You're Dsus4old, but you still like a lDaugh in the locker room
You caDsus2n't abide change, you're at home on the rangDe
You Dopened the suitcase, behinA/Dd the old workings
To sG/Dhow off the magnum, you dDeafened the canyon
A Dsus4comfort a friend, Donly upstaged in the enDsus2d
By the Uzi machine gun
Does the Drecoil remind you...
Remind you of Emsex
Old man what the Ghell you gonna kill nDext
EmOld timer Gwho you gonna kill nDext
(repeat chord pattern)
I looked over Jordan and what did I see
Saw a U.S. Marine in a pile of debris
I swam in your pools and lay under your palm trees
I looked in the eyes of the Indian
Who lay on the Federal Building steps
And through the range finder over the hill
I saw the frontline boys popping their pills
Sick of the mess they find
On their desert stage
And the bravery of being out of range
Yeah the question is vexed
Old man what the hell you gonna kill next
Old timer who you gonna kill next
DF/DEmA
GFA
BmOoh.....C.......D.
Hey bartender, over here
Two more shots and two more beers
Sir, turn up the TV sound
The war has started on the ground
Just love those laser guided bombs
They're really great for righting wrongs
You hit the target and win the game from bars
3,000 miles away
3,000 miles away
We Emplay the game with the Gbravery of being out of rDange
We zap and maim with the bravery of being out of range
We strafe the train with the bravery of being out of range
We gain terrain with the bravery of being out of range
We play the game with the bravery of being out of range
Contribuição: Francisco Tanure(email protected)
7.
Wait For Her
Tom: GMédioG
C
G/F
Em
D
With a Gglass inlaid with gemstones
On a Gpool around the evening
ACmong the perfumed roses
Wait for Gher
With the Gpatience of a packhorse
GLoaded for the mountains
Like a Cstoic, noble prince
Wait for Gher
With seven Gpillows laid out on the stair
The Gscent of womens' incense fills the Cair
Be calm, and Gwait for her
And Gdo not flush the sparrows
That are Gnesting in her braids
All aClong the barricades
Wait for Gher G G/F
Em And if she comes Csoon
Wait for hGer G G G/F
Em And if she comes Clate
WaiGt
G Let her be still
As a Gsummer afternoon
A Cgarden in full bloom G
Let her Gbreathe in the air
That is Gforeign to her heart
C Let her lips part
Wait for Gher
GTake her to the balcony
See the Gmoon soaked in milk
Hear the Crustle of her silk
Wait for Gher
Don't Glet your eyes alight upon
The Gtwin doves of her breast
C Lest they take flight
Wait for Gher
Wait for Gher G G/F
Em And if she comes Csoon
Wait for hGer G G G/F
Em And if she comes Clate
WaiGt, Dwait
Serve her Gwater before wine
GDo not touch her hand
Let your Cfingertips rest at her comGmand
Speak Gsoftly as a flute would
To a Gfearful violin
Breathe Cout, breathe in G G G/F
EmCGGGG/F
EmCGD
And Gas the echo fades
From that Gfinal fusillade
ReCmember the promises you Gmade
8.
Broken Bones
Tom: GFácilG
C
D
Em
GSometimes I stare at the Cnight sky
GSee them stars a billion light years aDway
And it Emmakes me feel small like a Cbug on a wall
GWho gives a shit anDyway?
Who gives a shiEmt anyway? C Em D
EmDC
D
WheGn World War II wasC over
GThough the slate was neverD wiped clean
We coulEmd have picked over them broCken bones
G We could have been fDree
But we cEmhose to adhere to abCundance
We Gchose the ACmerican DrDeam
And Emoh Dmistress lCiberty
DHow we abanGdoned tEmhee
How wCe abandEmoned Dthee
AndEm ohD Mistress CLiberty
DHow we abanEmdoned tGhee
GCould have been born in SChreveport
Or heG could have born in TeDhran
ItEm don't much matter wCherever you're born
Little Gbabies mean us no Dharm
They hEmave to be taught to deCspise us
To buEmlldoze our homes to the Dground
To bEmelieve their Dfight is for Cliberty
To bDelieve their God will keep them safe and Emsound
EmSafe and sCound
Em Safe and Dsound
EmDC
DG
GWe cannot turn back the Cclock
GCannot go back in tDime
But we Emcan say "fuck you"
We will nCot listen to D
Your bullshit and Emlies
CEmD
EmDC
Your Dbullshit and lEmies
9.
Every strangers eyes
Tom: CMédioC
Em
Dm
G
Am
F
In Ctruck stops, and hamburger joints,
Em In Cadillac limosuines, in the company of
DmHas-beens and bent-backs
G And sleeping forms on pavement steps,
In Clibraries and railway stations,
Em In books and banks,
Dm In the pages of history
And Gsuicidal cavalry attacks I recognizeC Am
F Myself in Gevery stranger's Ceyes.
And in Cwheelchairs by monuments,
Em Under tube trains, commuter accidents,
Dm In council care and county courts,
G At Easter fairs and sea-side resorts,
C In drawing rooms and city morgues,
In award-winning Emphotographs of life-rafts on the China Seas,
In Dmtransit camps, under arc lamps, on unloading ramps,
G And faces blurred by rubber stamps I recognizeC Am
F Myself in Gevery stranger's Ceyes.
And Cnow, from where I Emstand, upon this hDmill I've
plundered from the Gpool
I look aCround, I search the Emsky, I shade mDmy eyes so
nearly bGlind
And I've seen Csights of half-rememberAmed days, I
hear bells that cFhiEmme Dm in strange, familiaGr ways
I recoCgnAmize tFhe hope you kindGle in your eyCes
CFEmGCFG
C It's oh, so easy now, as we Flie here in the Emdark
Nothing Ginterferes, it's obvious how to beat thCe
tears that thFreaten to snuff out the smGoke of our
loCve.
Contribuição: Francisco Tanure(email protected)
10.
Folded Flags
Tom: DAvançadoD
Dmaj7
D7
G
A
Bm
C
Em
F#m
Fm
Dm
DRock-a-bye babyDmaj7 on the treetop
When the wind D7blows the cradle will Grock
Oh Dbabe, hate to see you Afall that way
BmBetter speak to the Powers That ABe toGday
DHey Joe where you goin' with thatA gun in your hand?
You can Bmtake your revenge, but you'll Astill feel Gbad
There must beD more to life than Lucky Strikes and Asome unlucky ones,
CFolded flags and Gpipes and Ddrums
DI stood in the wings with you, our Dmaj7lives in the hands of a second-rate actor
D7Held on the high ground of some big Gstage
Oh Dbabe, how do these Ajaded stars get so far away?
BmWill they catch what the other Aactors Gsay?
DHey Joe where you goin' with that Adogma in your head?
You can Bmprove your point but your kids will sAtill be dGead
DBring down the curtain, this soap Aopera must surely close
CBefore the Gcold wind bDlows
GHey Joe where you goin' with that Dgun in your hand?
You can Gtake your revenge, but you'll still feel Dbad
EmBring down the Acurtain, this soap Emopera must surely Aclose
F#mBefore the Fmcold wind Emblows
DSo rock-a-bye babeDmaj7 on the treetop
When the wind D7blows the cradle will Grock
There must beD more to life than Lucky Strikes and Asome unlucky ones,
BmFolded flags and Dmpipes and Emdrums D
Contribuição: Francisco Tanure(email protected)