toca aquela
of Montreal
Chord Booklet

of Montreal

10 songs|63 chords used|Hard

Chords used

4fr×C#m
E
×B7
×A7
×B
×A
4frG#
×C
F
×Bb/A
F#m
F#m7
F#
2fr×B/F
G
××D
E/C
Fm
××Ddim
4fr×C#aug
3fr×Cm
×Bm
4fr××G#dim
××Dm
Em
3fr×C9
4fr×C#9
×Am
×A#6
×A#7
×A/G
E7
×Cmaj7
××Fmaj7
F/E
5fr×D/Db
7fr××Edim7
3fr×C/G
11fr×G#aug
2fr×B/A
4frG#m
3frGm
4fr××××C#5
××××A5
11fr××××G#5
Bb
Bbm
E/D
4frG#m7
××C#7
6fr×Ebm
××Fdim
4frAb
6fr×Eb
××D7
××F#dim
×Aaug
3fr××Cdim
F/A
××Bdim
××A#dim
6fr×D#m
3fr××Gdim
1.

Empyrean Abattoir

Key: C#mHard
4fr×C#m
E
×B7
×A7
×B
×A
4frG#
×C
F
×Bb/A
F#m
F#m7
F#
2fr×B/F
G
××D
E/C
Fm
C#mWinter isn't much here
Just a flinching centigraEde
Though the gB7rasses all look jaundiced and the
A7Poplar branches Eflayed
BOoh-o-oh, the pAoplar branches Eflayed
C#mBefore your hysterical silence,
You came rapping at my doEor
With yourB7 body as a sacrament
A7Your mind a killing Efloor
BOoh-o-oh, your mAind a killing Eflaw
Refrain 1:
G#I've been trying to quell my angG#er
And not feel bCitter about alFl the darkness you gave
But as Aalways there's that Bb/Adevice that I cannot dAisengage
Bb/AOooh
Bb/AOooh
C#mJust as a Red Terror, you tried to kill what you couldn'tE rein
B7And now you're back in Knoxville masturbA7ating your father's Epain
BOoh-o-oh, masturbAating your father's Epain
Refrain 2:
G#Stealing from his oration of filthG# ,
I repeat the Cwickedness to forFce reactions out of you
ABut it never hurts as Bb/Adeeply as I Awant it to
Bb/Ammm
Bb/Aooh
Bb/Aoooh
Bb/A
C#mI think I'll mix my medicine and explore it 'til I'm duEll
B7You made my sky a graveyard and my Amoon a funerEal
BOoh-o-oh, my Amoon a fEuneral
F#mBF#m7F#
F#mB/FAA
CNow it's just a sFystem of subtraEctioFn, oCh yGeah
E B I won't even tGurn around to nBotice your reactDioCn
CNow it's just a sFystem of subtraEctioFn, oCh yGeah
E B I won't even fGeel the hatefulB vibing of your Dfaction
CNow it's just a sFystem of subtracEtion
CWhatever GhappenGed to Cyour Gstar Gnow?
FNo one GcareFs whFo youG areF now, oFh, oh, oh, G C
F OBh-oh, G Coh-oh
B YEou were once beloved, by my people
E/CNow it's bad luck to Beven say your name
G COho, F oBho, G Coho
B EWhen I see you it feels so awkward
E/CI try to be cool but itB's such a drag
G COho, F oBho, G Coho
FmI waited for you on our feral streets
ESmelling other people's piss
DHow could you tGhink you see me bAackwards, babe
EYou ain't eAven seen the blBikk fang, babe
DIt's not acriGmonious C
Final Chorus:
'CCause now it's only syFstems of subtracEtiFon, Coh Gyeah
E IB won't even tuGrn around to loBok at your reacDtion
CNow it's just a sFystem of subtractEion
CWhatever GhappenGed toC your Gstar Gnow?
FNo oGne caFres Fwho Gyou aFre nFow
CYou uGsed Gto shaCre mGy broGken throne
FNow yGou sFing Fflat Galone Fnow, oh, oh, oh, ohC. E
2.

An Ode To The Nocturnal Muse

Key: DHard
××D
××Ddim
×B7
F
G
×A
4fr×C#aug
3fr×Cm
×Bm
4fr××G#dim
×C
××Dm
Em
4fr×C#m
3fr×C9
4fr×C#9
×Am
×A#6
×A#7
DI love to Ddimsleep I B7lovFe my bed
GAD
because it brings strange dreams to me
C#augACmF
and life's much better when I'm asleep I can see anything
CmF
don't have to worry about anything
DDdimB7F
I know you love to sleep you love your pillows
GAD
because they bring sweet dreams to you
C#augA
and life's much better when you're asleep
CmFCmF
you can do anything don't have to fuss over anything
ABmG#dim
I can't wait to be old growing senile together
DdimCDmEmCm
holding hands and both completely out of our heads
C
we won't notice when we're dead
C#mGFACCmC9CF
we'll be too busy dreaming too busy dreaming we'll be too busy dreaming
DDdimB7FGAD
C#augA
life's much better when you're asleep
CmFCmF
you can do anything don't have to fuss over anything
C
well, there's nothing quite as great
G
it's my favorite mental state
C#9DAmFA#6
subconscious stream of thought creates avant garde films in my mind
GGA#6AGG
and watching them is how I like to spend my time
DDdimB7F
I love to sleep I love my bed
GAD
because it brings strange dreams to me
C#augACmF
and life's much better when I'm asleep I can see anything
CmF
don't have to worry about anything
DDdimB7F
I know you love to sleep you love your pillows
GAD
because they bring sweet dreams to you
C#augA
and life's much better when you're asleep
CmFCmF
you can do anything don't have to fuss over anything
ABmG#dim
I can't wait to be old growing senile together
DdimCDmEmCm
holding hands and both completely out of our heads
C
we won't notice when we're dead
C#mGFACCmC9CF
we'll be too busy dreaming too busy dreaming we'll be too busy dreaming
A#7
FC
3.

Sirens Of Your Toxic Spirit

Key: BmHard
×Bm
E
×A
×A/G
F#m
×B
××D
4fr×C#m
F
E7
×B7
cool song from of Montreal's newest album, Lousy with Sylvianbriar. i basically learned
how to play this song by watching the acoustic version on Youtube. i'm pretty sure this
is how Kevin plays it on guitar. i thought someone would've uploaded it by now, but no
one has and i have some free time rn so i thought i might as well do it.
the song is arpeggiated the whole way through. i'm not going to tab it out, but it's
easy. there are also some bass notes between the chord changes, mostly descending or
ascending, depending on the root notes (for example when changing from Bm to E you play
also this little hammer on on the B string before you change from E7 to A that echoes
the vocal melody. it's pretty easy to figure out.
BmWhat I recall
ERemembered past is insanity A A/G
And the clattF#mer F#m B F#m F#m B
BmMisapprehensions are
EKilling you but not fast enouAgh A/G
To really mattF#mer F#m B F#m F#m B
BThe flume of your struggle is
DFlooded with sorrow and it
BPoisons everybody near it D A
I'm not a patrC#mon of yours anymore F
B B7 (play the 7th w/ yr pinky, 5th fret E string)
Don't want to hear it
The sirE7ens of your toxic spirit F#m B F#m
E7E7A
BmOf your addictions and
EShiftingness inheritedA A/G
From your fatherF#m F#m B F#m F#m B
BmI know you struggle to
EKeep them in check but at this point A A/G
Why even bother?F#m F#m B F#m F#m B
BThe flume of your struggle is
DFlooded with sorrow and it
BPoisons everybody near it D A
I'm not a patrC#mon of yours anymore F
Don't want to hear it B B7
The sirE7ens of your toxic spirit F#m B F#m
E7E7A
BmWell, friendships you have left
EDo not derive from love, they're jusAt a work form A/G
Of chaF#mrity F#m B F#m F#m B
BmI've wounded you and
EYou've wounded you too, at least we can feAel good A/G
About the paritiF#mes F#m B F#m F#m B
BThe flume of your struggle is
DFlooded with sorrow and it
BPoisons everybody near it D A
I'm not a patrC#mon of yours anymore F
Don't want to hear it B B7
The sirE7ens of your toxic spirit F#m B F#m
E7
E7A
4.

Fugitive Air

Key: BHard
×B
×A
×C
F
G
××D
E
××Dm
×Cmaj7
××Fmaj7
F/E
5fr×D/Db
E7
7fr××Edim7
3fr×C/G
11fr×G#aug
×Am
BACA
FGFCDE
EI do wrong, strictly speakinFg, Gjust for myself, because it
EMakes me feel like a real man to Fhold heGgemony over my business, and I
DmI refuse to Cbe abused by the Cmaj7milieu of Fmaj7wistful decay
DBesides I'm used to Eall of my scruples deFserting F/Eme D
D/DbLike they've Cdone today E7
The Blady from the block hunched over on the Astoop
With her Cwithered old titty Aout,
Sayin' I've been Frolled so Gmany Ftimes, it's just
CFeeding the pigeons
BNow her grandson swings a little rabbit by the leg
AWhile his Cmother's playing two wooden Aflutes
I want to Frepo some Gfugitive Fair
To esCcape this street'Ds vagaEry aesthetic
Has Eanybody here seen my old friend blob?
FOh, has Ganybody seen where he's gone?
What he Ethinks I owe him is his former life
But Fhow can I Gunmake someone else's mistakes?
DmI guess I was his Canti-hero
Cmaj7The bitter word Fmaj7on his lips
DI hope I never Efeel a terror like
FWhen F/Eyou've disDcovered D/Dbyour auCtonomy had E7flipped
CI feel like I possess Edim7only the Fbad aspects
Edim7Of invisiGbility,F but none of the Cgood ones E7
CAre we walking mausoleums of Edim7scented Frotting flesh?
Edim7Mother always Gliked you best
FLiked your teeth Cupon her breast
CPaint him with the oils from the Edim7eyes of Fstreet cats
Through Edim7some shitty Gwitchcraft
FAnd apply it to their Cbrows and geniE7talia
CI had no idea how Edim7deeply I Fwounded you
But I Edim7don't need no forGgiveness
FAnd no level of conCtrition will ever E7do
CEdim7FEdim7GFCE7
CEdim7FEdim7GFC
CCC/GG#augAmG#augFFmaj7Cmaj7
Notes:
The "C D E" in the intro and fourth verse is played barred
at the 3rd, 5th, and 7th frets, but it sounds great if you
drop down to the open E shape for the "E F# G" that follows.
I know the D/Db sounds weird, but I was able to isolate the
acoustic guitar track, and that's what he's playing. Focus
on the descending root notes on the A string like he does.
5.

You Are An Airplane

Key: CHard
×C
F
×B
2fr×B/A
4frG#m
G
×Bm
××D
×A
3fr×Cm
×Am
3frGm
guitar riff #2:
guitar riff #3:
CFCF
(guitar riff #1 x2)
CF
just before the afternoon creeps in
CF
just before it gets too hot to be outside
BB/AG#m
I like to lay on my back in the grass and
BB/AG#mG
watch the airplanes go by and I dream
BmFBC
that you are an airplane shooting across the sky
DG
you are an airplane
GAG#m
you?re a strong and dangerous machine
DG
when you fall you?ll fall down so fast
GACm
when you crash I want to go down with you
GA
we?ll make such a horrible mess
CFCF
(guitar riff #1 x2)
CF
just before the eyeball appears
CF
just before the little birds go to sleep
BB/AG#m
I like to stand on my head and pretend
BB/AG#mGBmF
that I am a control tower and that you are an airplane
BC
and I talk you safely to the ground
DG
you are an airplane
GAG#m
you?re a strong and dangerous machine
DG
when you fall you?ll fall down so fast
GACm
when you crash I want to go down with you
GA
we?ll make such a horrible mess
AmGF
the way you live your life makes me nervous
F
if you were to die
A
FAAAm
I?d have no reason to be alive
AmGm
'cause you are my only friend
(guitar riff #2 x2)
DG
you are an airplane
GAG#m
you?re a strong and dangerous machine
DG
when you fall you?ll fall down so fast
GACm
when you crash I want to go down with you
GA
we?ll make such a horrible mess
A
(guitar riff #3)
6.

I Felt Like Smashing My Head Through A Clear Glass Window

Key: C#Hard
4fr××××C#5
××××A5
11fr××××G#5
×C
F
G
Bb
××D
Bbm
All day long C#5
I felt like A5
SmashC#5ing my head through a cA5lear glass wiG#5ndow
But instead C#5
I went out A5
And smasC#5hed up a phone booth arA5ound the coG#5rner
C
CI never had the chance to chFoose my own parents
CI never knew why I should Gbe stuck with mine
CMommy's always trying Bbnot to eat
GAnd Daddy's always smelling like he's piCckled in booze
C
CI never had the chance to chFoose my own name
FI never knew why I should Dbe stuck with mine
CMommy's always talking about fBbamily pride
GAnd Daddy's always hiding from Chis weekend bride
All day long C#5
I felt like A5
SmashC#5ing my head through a cA5lear glass wiG#5ndow
But instead C#5
I went out A5
And smasC#5hed up a station wagon A5around the G#5corner
C
CI looked in the mirror aFnd told myself
C"At least I don't look like tGhem, at least"
CMommy's like a filmstar in a diBbstorted mirror
GDaddy's like a guy who lost his stComach in the war
CI went to shake hands with the PreFsident in Miami
FI went to a rock show to see MDick Jagger
CYou'll never beGlieve it, the suBbmrprise of my lFife
DThey had paint on their faces just like my MCommy
CAm I going crazy, or is it just you, DGaddy?
BbmAm I going nuts, or is it just you, MoFmmy?
CAm I plain gGone, or is it jBbmust the wForld?
DDaddy, I'd rather have you dFead than cCrazy
BbmTrying to talk to them is like eFating chicken dinner when you're
aGngry
BbmTrying to get their love is like watFching ice cream melt when
you're hGungry
BbmThey gave me a watch that's guaGranteed not to break
But my MFommy and DBbmaddy broke Gup last fCall
CAm I going crazy, or is it just you, DGaddy?
BbmAm I going nuts, or is it just you, MoFmmy?
CAm I plain Ggone, or is it jBbmust the wForld?
DMommy, I'd rather have you dFead than cCrazy
All day long C#5
I felt like A5
SmashC#5ing my head through a cA5lear glass wiG#5ndow
But instead C#5
I went out A5
And smasC#5hed up a church arA5ound the coG#5rner
7.

In The Army Kid

Key: EHard
E
E/D
4fr×C#m
×A
×B
G
××D
×C
EE/DC#mEE/DC#mABEE/DC#m
EE/DC#m
riding to the station on the bus
EE/DC#m
'cause I want to pick out some books
AB
but Jen, she's a librarian
EE/DC#m
and she hunts my butt to this day
EE/DC#m
usually the bills make me stay
AB
the night at banks so
EE/DAGEA
AD
sorry, but you're just not my type
GC
you know I'll walk you home anyway
AD
did you know I had a funny dream
GC
and in it I was in the army
EE/DC#mEE/DC#mAB
EE/DC#m
riding to the station on the bus
EE/DC#m
'cause I want to pick out some books
AB
but Jen, she's a librarian
EE/DC#m
and she hunts my butt to this day
EE/DC#m
usually the bills make me stay
AB
the night at banks so
EE/DAG
it's time to get down, spin on the ground
EA
and say I want to turn the daytime into dusk
EE/DAG
if you're very tired, we can simply retire
EA
and say "I want to turn the nighttime into day"
AD
sorry, but you're just not my type
GC
you know I'll walk you home anyway
AD
did you know I had a funny dream
GC
and in it I was in the army
EE/DAGEAADGCADGC
EE/DC#m
8.

Triumph Of Disintegration

Key: G#mHard
4frG#m7
××C#7
F
6fr×Ebm
4frG#m
×C
×B
××D
××Ddim
××Fdim
G#m7 The last ten dC#7ays have been a motherfucker,
F I didn't know if EbmI'd survive.
G#mOoh ooh, ooh Cooh ooh, ooh Fooh ooh ooh ooh Ebmooh.
G#mOoh ooh, ooh Cooh ooh, ooh Fooh ooh ooh ooh Ebmooh.
G#mThe voice with the synapse that Ccalls,
Blood bats into action has nowF entered the tablelandEbms.
G#m It's only natural to Cfeel a little imbalanced,
It's a F symptom of your hyEbmsterical need to be understood.
G#mOoh. C F Ebm
You had to forgive your enemy 'cause,
It was making you psychotic to keep fighting him inside of your head.
But how could you allow these people that you don't even respect,
To rape your self-concept and make your inner world an ugliness?
Ooh.
G#mOoh. C F Ebm
G#mC
FThrashed through the forest like a Btormented Cbrute,
I had to Dmake myself a Bmonster just to Dfeel something,
Ugly eFnough to be tBrue.
And then scratching G#mwildly at the mirror in my Cheart to see their doleful faces.
FWhat is the flaw in just Brunning aCway?
DRunning aBway fixes Deverything,
How can I, Fwhy should I stBay?
Just to view the G#mtriumph of disintegration?
G#mCFEbm
To live beneath language, or far above,
It's really not that different.
At least now that the one thing that is good about me,
Has begun to express itself in malicious ways.
Ooh.
G#mOoh. C F Ebm G#m C
FThrashed through the forest like a Btormented Cbrute,
I had to Dmake myself a Bmonster just to Dfeel something,
Ugly eFnough to be tBrue.
And then scratching G#mwildly at the mirror in my Cheart to see their doleful faces.
FWhat is the flaw in just Brunning aCway?
DRunning aBway fixes Deverything,
How can I, Fwhy should I stBay?
Just to see the G#mtriumph of disintegration?
CVictories of devastation?
FBCDBDFB
G#mFBCDBD
FBG#mCDdimFdimF
9.

Dour Percentage

Key: CHard
×C
Em
F
××Dm
E
G
×Am
3fr×Cm
Fm
6fr×Ebm
4frAb
6fr×Eb
Bbm
CWe've woken up alone, Emno song to sing us off the edge;
Fthe speakers have blown. DmThis planet is an Forphanage.
CDeep abandonment issues Eat our core
but if Dmnot each other
there's ****-all Gto really keep hustlin' for.
CAin't got no ride
Emleast not one that returns our message
Four parents aside, Dmthis planet is an Forphanage.
CAnd it Emcheapens Amus the way Fyou and i
GTorment each other
DmIt's just the way we Gcombine.
CmTime for you to decide here on the concrete
you a winter soldier or just Fmplaying yourself and me too?
CmI got your letter and it Ebmhurt me so many ways
Abhad no breath to respond.
FmBoy, you let your brothers down!Cm
EbYou inhabit your own personal Abghetto,
but no one's forcing you Ebto stay there.
Our Abcircle's not so Gcannibalistic, baby.
CWe've woken up alone, Emno song to sing us off the edge;
Fthe speakers have blown. DmThis planet is an Forphanage.
CDeep abandonment issues Eat our core
but if Dmnot each other
there's ****-all Gto really keep hustlin' for.
CAin't got no ride
Emleast not one that returns our message
Four parents aside, Dmthis planet is an Forphanage.
CAnd it Emcheapens Amus the way Fyou and i
GTorture each other
DmIt's just the way we Gcollide.
CmIt's time too make up your mind here in this cellar.
Are you gonna betray yourself Fmor come join us up on the dais?
CmThe conspiracy that's forever Ebmunfolding in your head,
it's just Abnot real.
FmBoy, you let your people down!Cm
EbI murdered so much of Abmyself here
just to try and Ebaccommodate you.
AbYou know I saved your Glife a little, too, hey brother.
FGFG
CmI don't resent you but i Abcan't settle the debt of our
Bbmserrated history and Cmblows i haven't got over yet.
CAnd it Emcheapens Amus the way Fyou and i
GTorment each other.
CEmFDmF
CEmFDmF
CEm
FGC
10.

Y The Quale And Vaguely Bird Noisily Enjoying Their Forbidden Tryst Id Be A Yellow Feathered Loon

Key: CHard
×C
××D7
F
××F#dim
11fr×G#aug
×Aaug
3fr××Cdim
G
×A
××D
F/A
××Bdim
××A#dim
×B
6fr×D#m
4fr××G#dim
E
4fr×C#m
3fr××Gdim
I'd be a yellow feathered ClooD7n for you Fbaby
be a F#dimGerman shepherd on the G#augmoon Aaug for you Cdimbaby
be a Ggranulated Aspoon for you Dbaby
FF/AD
I'd be a camper in a photograph for you
G
then when the sun has set
BdimA#dimF
romantic times have passed and our conversations are a bore
ABD#mCBAD#m
I'll become a different man so you can get to know me again
GG#dim
CD7F
I'd be a rubber banded flute for you baby
F#dimG#augAaugCdim
be an union parachute for you baby
GAD
be a baby that's a mute for you baby
FF/AD
I'd be an insecurity in a Tibetan's head for you
G
then when the sun has set
BdimA#dimF
romantic times have passed and our conversations are a chore
ABD#mCBAD#m
I'll become a different man so you can get to know me again
GG#dim
AG#dimDED
I'd be a uniform on an imbecile for you
C#mDBGdimC
if you want me to die trying I will die to please you I will
GG#dim
CD7F
I'd be a pepperminted rook for you baby
F#dimG#augAaugCdim
be an unhappy organ donor's book for you baby
GAD
be a straw covered in scum and gook for you baby
FF/AD
I'd be a wrestler in a tuxedo shirt for you
AG#dimDADED
I'd be an antacid with a brown wig on for you