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Marillion
Chord Booklet

Marillion

10 songs|34 chords used|Hard

Chords used

××Dm
F
×C
G
3fr×Cm
6fr×Eb
Bb
×B
××D
×A
E
4frAb
Fm
2frF#maj7
3frGm
×Am
Em
×Cmaj7
Gsus4
×Bm
F#m
×Bb/D
××Dmaj7
5fr×D/F
×Bbmaj7
××Dm7
3frGm7
×Am7
E7
Em7
4fr×C#m
2frF#sus4
4fr×C#sus4
Gmaj7
1.

Jigsaw

Key: FEasy
Hi there!
These are, I believe, the chords to "Jigsaw" by Marillion:
We are F# jigsaw pieces, aligned on the perimeter edge,
B Interlocked through a missing F# piece.
We are reF#naissance children, becalmed beneath the bridge of sighs,
ForBever throwing firebrands at the F# stondework.
We are Abm siamese children E related by the F# heart.
Abm Bleeding from the E surgery of iF#nitial confrontation.
Abm Holding the word E scalpels in trembling F# lips.
Stand Abm straight, E look me in the eye
and B say goodF#bye.
Stand Abm straight, we've E drifted past the point
of B reasons F# why.
Abm Yesterday start toEmorrow,
tomorrow B starts toF#day.
And the Abm problem always seems to be we're E picking up the pieces
on the B ricoF#chet C#4.
Abm This is the F# ricochet.
2nd verse: same chords
2nd chorus: same chords until:
... picking up the pieces on the B ricoF#chet.
Dm F This is the C ricoBbchet.
Are we Dm trigger happy? F Russian roulette in the C waiting room Bb.
Dm Empty chambers F embracing the C end Bb.
Dm Puzzled visions F haunt the ripples of a C trevi Bb moon.
Dm Dream coins for the fountain F or te cover your C eyes Bb.
We Am reached ignition point F from the sparks of G pleasantries.
We Am sensed the smoke adFvancing from hoGrizons.
YouAm must have known that F I was considering an eGscape.
Stand C#m straight, A look me in the eye
and E say goodBbye.
Stand C#m straight, We've A drifted past the point
of E reasons B why.
C#m Yesterday starts toAmorrow,
tomorrow E starts toBday.
And the C#m problem always seems to be we're A picking up the pieces
on the E ricoBchet.
Bm G This is the A ricochet....
I'll be Bm seeing you again G on the A ricochet....
2.

This strange engine

Key: DmHard
××Dm
F
×C
G
3fr×Cm
6fr×Eb
Bb
×B
××D
×A
E
4frAb
Fm
2frF#maj7
3frGm
×Am
Em
×Cmaj7
There was a boy whDmo came into this world at the hands oFf a holy woman in a holy plDmace F
He wore a Dmred coat and walked a bulldog,F saw them reflected in the mirrDmor of the lakeFs
Lived in the Dmshadow of the mountains with the smelFls of disinfectant
Dusty Dmold leather and the polished wood of his bed F
No more than a Dmbaby feeding swans on the river,F holding the hands of his mother
And the Cwax paper bag of yesterday's Gbread F C G
And his Ffather on the other side of the worlCd Gon the ship's railings and some far awaFy tide
With the siClent dry tear of home thouGghts from abroad in his faFr away eyes C
In his Gfar away eyFes F Cm Eb Bb
F The smell of the wax on the Cmwooden floor,Eb mixture of polish and soBbap
F No children to fear or to plCmay with,Eb rows of empty hooks fBbor the coats
An Fupright piano and the bCmoys in the choir Eb still remind him of just before he Bbwas born
F Remind him of just before Cmhe was breathing,Eb strange misty visions of GBbod
F Turn the cities into faCmmilies,Eb into villages of sBbouls
F Hovering in the air whCmile they're sleeping,Eb with their houses invisBbible
F Send to me the ghosts oCmf Christmas,Eb whispering, "You're the only one"
B
G
D
A
E
1 1 1
And ever since I was a boy, I never felt that I belonged
1 1
Like everything they did to me was an experiment to see
1 1
How I would cope with the illusion, in which direction would I jump
1 1
Would I do it all the same as the actors in the game
Or would I spit it back at Bbthem and not get caught up in their rFules
And live according to my Bbown and not be used, Fnot be used
To find the fundamental Ebtruths, it was gonna take some Bbtime
Thirty-five summers down the Abline, the wisdom of each passing Fyear
Seems to serve only to conAbfuse, seems to serve only to conFfuse
EbBbFmF#maj7AbFEbBbAbF#maj7AbFmEbBbFmF#maj7Ab
F#maj7AbGmCmDmF
Gm Daddycame out of the nCmavy and took us awDmay to his dirty greFy home town
Gm And he worked down a Cmcoal mine for National DmService so that he could Fbe around
Gm There was a Cmmagical purple Dm in the chrome of the exFhaust of his TriumGmph motor biCmke Dm F
And a warmth of Gmoil and metal Cm and the thrill of the hard Dmcorner FholdGming tigCmht Dm
From the horGmizoCmn came home from the DmNavy to the Fmine
Gm From the horCmizon to buDmried alFive
Took Gmhis dream uCmndergrouDmnd
Buried his Ftreasure in Gmhis faraCmway Dmeyes F
Dm And one day as the Cboy lay sleeping in the Fsunshine of a Ghalf-remembered DmafternoCon F G
Dm A cloud of bees with no parCticular aim and no Fbrain found the boGy
Decided that his Dmtime had coCme F G
Dm Came down out of the sCky, Fstung him in the face G again and aDmgain
Blue pain, scrCeaming like baptism,F intravenous, GJesus
Like being choDmsen C from something with nFo brain,G blue pain
Dm It's happening aCgain,F it's happening aGgain Dm C F G Dm C F G Dm C F G Dm C F G
AmDmEmGAmDmEmGAmDmEmGDmAmGFAmFAmEmCDEmCD
Em Oh, Mummy, CDaddy, will you Dsit a while with me?
Em Oh, Mummy, CDaddy, will you Djog my memory?
Tell me Em tall tales of CMontego DBay, Table Mountain, flying fish
Em Banana Cspiders, pots oDf paint and the Emsun on Cthe EDquator
Setting like Eman ember Cthrown to deep Dwater
FrEmom crimsCon to blDack
EmBut coming CbacDk tomorrow
Em D On the horEmizoDn Em D Cmaj7 D Em D Em D Em D Cmaj7 D
EmDEmDEmDCmaj7DEmDEmDEmDCmaj7D
Em The blue Cpain D Emfades to a Cpoint where it doesn't Dfade
It EmstayCed D Em blCue D
And Emstirred his Cred coat Dheart to this Em strCange Dengine
EmThis loCve,D this lEove,A this lGove D
This inconEvenient, blAind blooGd-diamond, this Dpuzzle
This lEove, this blAind blooGd-diamond, this Dpuzzle, I don't underEstand
That knAows no Gfaith and trDies and fEails and trAies aGgain
Stares Dat the sEea, the nAight's dark dGeep for Done last tEime
And blAeeds and blGeeds and dDies for yEou
And lAies and Gis to blDame and Eis ashAamed
And is Gnot the sDame and iEs true
IAs true, iGs true, iDs true, iEs true, iAs true, iGs true, iDs true, iEs true
3.

Incommunicado

Key: GHard
Gsus4
××D
F
Bb
×C
××Dm
G
6fr×Eb
Gsus4DFBbFGsus4DFBbFGsus4DFBbFGsus4DFBbF
CDmBbFCDmBbFGDGCDGGsus4DGDGCDGGsus4D
G I'd be Dreally pleased to Gmeet you if Conly I could remember your Dname G Gsus4 D
G But I've got Dproblems with my Gmemory ever Csince I got a winner in the Dfame gaGme Gsus4 D
G I'm a Dcitizen of GLegoland Ctravellin' incommuniDcado G Gsus4 D
G And I Ddon't give a Gdamn for the CFleet Street afficioDnados G Gsus4 D
G But I Ebdon't want to be the Fback page interview
I Ebdon't want launderette anonyFmity
I want my Ebhandprints in the concrete on FSunset Boulevard, a Ebdummy in Tussaud's you'll Fsee
IncommuniDcado,G C incommuniDcadoG Gsus4 D
InGcommuniDcado,G C incommuniDcadoG Gsus4 D
G I'm a DMarquee Gveteran, a Cmultimedia bona fide ceDlebrity G Gsus4 D
G I've got an Dallergy to GPerrier, Cdaylight and responsiDbility G Gsus4 D
G I'm a Drootin'-tootin' Gcowboy, a CPeter Pan with street crediDbility G Gsus4 D
G Always Dtaking the Gpoint with the Cdawn patrol fraDternity G Gsus4 D
SomeFtimes it Cseems Glike I've Fbeen here beCfore
When I Ghear FopporCtunitGy kicking Fin my Cdoor
GCall it FsynchronCicitGy, call it Fdéjà Cvu
I just Gput my Ffaith in CdestiGny, it's the Fway that I Cchoose
But I Ebdon't want to be a Ftin can tied to the Ebbumper of a wedding limouFsine
Or Ebcurrently residing in the "FWhere Are They Now?" file, a Ebtoupee on the cabaret sceFne
I Ebwant to do adverts for AFmerican Express cards, Ebtalk shows on prime time TFV
A Ebvilla in France, my Fown cocktail bar and Ebthat's where you're gonna find Fme
IncommuniDcado,G C incommunicaDdo G Gsus4 D
InGcommuniDcado,G C incommunicaDdo G Gsus4 D G D G C D G Gsus4 D G
DGCDGGsus4DGDGCDGGsus4DGDGCDGGsus4DG
SomeFtimes it Cseems Glike I've Fbeen here beCfore
When I Ghear FopporCtunitGy kicking Fin my Cdoor
GCall it FsynchronCicitGy, call it Fdéjà Cvu
I just Gput my Ffaith in CdestiGny, it's the Fway that I Cchoose
IncommuniGsus4cado, D F incommuniBbcado,F incommuniGsus4cado, D F incommuniBbcado, it's the only Fway
CIncommuDmnicado, BbincommuFnicado, CincommuDmnicado, BbincommuniFcado
CIncommuDmnicado, BbincommuFnicado, CincommuDmnicado, BbincommuniFcado
CIncommuDmnicado, BbincommuFnicado, CincommuDmnicado, BbincommuniFcado C Dm Bb F C
Gsus4
D
4.

Montreal

Key: BmHard
×Bm
×A
G
F#m
Em
F
×Cmaj7
3fr×Cm
4frAb
6fr×Eb
×Bb/D
××Dmaj7
5fr×D/F
×C
×Am
××D
Fm
3frGm
×Bbmaj7
Bm 200 fates entwined inAside the plane
A We watched as England dropped aGway from us again
A I wasn't waiting, I wasn't Bmsure what I would find
A I was preF#mpared to let it happen on its Gown this time
A Bm I had a feeling I was Afloating into time F#m spent amongst Gfriends
A Reintroduced from Bmother strange and wonderAful weekEmends
As the F#mseat belt signs announced the Gfall
I reaAlised I'd been falling for a Bmwhile
We'd been Afalling for some time Em into F#mMontreal
GBmFCmaj7
I saw Gice upon the river as the plane came Bmin to land
I heard FJoni Mitchell singin' her poems of Cmaj7isolation
The Gman at immigration said his friends all Bmknew the band
BiFzarre to come so far to an outstretched hand and Cmaj7easy conversation
We were Gwelcomed through arrivals without the usual Bmtransatlantic fuss
And Fgreeted by the fans who led us to the chilly street Cmaj7onto the bus
The Cmsnow had hung aAbround on the Ebcorners of the vacant Bb/Dlots
And CmFrance was singing Abin the air of Ebhi-rise North ABb/Dmerica
AAnd as we made our way into the hotel F#mhall
The Gman behind the desk broke a knowing smile, and Dmaj7said
"Hello sir, welcome back to Montreal."
AF#mGDmaj7
We hid aEmway for the day D/F in our iGdentical rooms A
Like we Emusually do - aD/Fnother new bed, upside Gdown in our heads A
And Emafternoon was D/Fmorning and Gnight was afterAnoon
Only the Emjet-lagged D/F know the way I Gsleep tonight A
Last time (3/4 time):
CSo I Skyped Amhome and said "It's Gme. How are you Dbabe?
CI can't be Amwith you but I can Gsee you on the Fmscreen
CTechnology is Amwonderful when it Gisn't in the Dway
CThe little one seems Amolder now with Gevery passing Fmday
I Cmhope the vibes are Abgood
I'm beEbhavin' as I Bb/Dshould
CmGoing down to Abbreakfast
What Ebtime is it now Bb/Dthere?
I'll go Cmshopping for Abshoes or whatEbever enBb/Dsues
Je Cmt'aime my darAbling
Je Ebt'aime my darBb/Dling
See Emyou soon"
Em
C, Bm (7/8 time) (2x)
We were inCvited to the circus - guests of honour if you please
By a Bmgirl with an eskimo name
And in the Ccafe of the Cirque 'Soleil we bought Easter-eggs from outer-space
Bm40 different languages are spoken in this place
And inCside the steel-glass building I gazed up at the trapeze
The Bmbuilding 30 metres tall - we watched the acrobat Cfall
He was quite Bmsafe
He was falling into MonCtreal
Into MontreBmal
EmC, BD/Fm (7/8G tiAme) (2x)
EmDown at the D/Fsports-bar the ice-Ghockey never Aends
EmDown at the D/Fsports-bar the ice-Ghockey never Aends
EmDown at the D/Fsports-bar the ice-Ghockey never Aends
GmCEbBbmaj7
GmSo up in my Croom I discovered Leonard EbCohen on TBbmaj7V
GmLive in CLondon - ain't that Ebperfect symmetBbmaj7ry?!
GmIt warmed the Cheart to watch him Ebfloat around the Bbmaj7hall
GmSoaking Cup, reflecting, EbradiaBbmaj7ting
GmJust as I Cwould, tomorrow Ebnight on the Bbmaj7outstretched tender Gmhands
Tender Chands, tender Ebhands Bbmaj7 of MontreCmal
EbGmCm
EbGmF
The fleur de Eblis Gm was always Cmkind to me
I'll make the Ebtime if Gmever you should Cmcall
The fleur de Eblis Gm was always Cmkind to me
I'll make the Ebtime if Gmever you should Fcall
EbGmCm
EbGmF
EbGmCm
EbGm
F
5.

Berlin

Key: GmHard
3frGm
××Dm7
3fr×Cm
3frGm7
××Dm
×Am7
Em
×Bm
×C
××D
E7
6fr×Eb
Gsus4
GmDm7GmDm7GmDm7GmDm7CmGm7CmDm7CmGm7CmDm7
Gm The mascaraDm7'd blonde Gm from the BerlDm7iner bar
Gm Rises at Dm7twilight, gets Gmdressed in a daDm7ze
Cm Black leathGm7er crackles Cm and cold wGm7ater runs
Cm As she touches the Gm7walls of her Cmmemory Gm7maze
Gm And the shadDm7ows of men she Gmhas known fDm7ill her day
Gm She's held half the Dm7world in her Gmarms so thDm7ey say
Cm But she wakes up Gm7without them Cm with a hole Gm7in her heart
Cm And she puts on her Gm7clothes, lives her Cmlife behind Gm7bars
DmAm7DmAm7DmAm7DmAm7
Gm The mascaraDm7'd blonde Gm from the BerlDm7iner bar
Gm Sighs Dm7at the skylight, geGmts lost in the hDm7aze
Cm Black leathGm7er crackles Cm and cold wGm7ater runs
Cm As she touches the Gm7walls of her Cmmemory Gm7maze
EmBmEmBmEmBmEmBm
Em Someone got Bmstranded in no maCn's land D
Em Dancing in the Bmspotlight to the Csound of clapping Dhands
Em Nobody Bmknows whose side he was Con D
Em It's a risk that you Bmtake in no man's Cland D
Em Nobody Bmknows what made him Cdecide D
Em To run for Bmfreedom and to Ccertain suiDcide
Em When they turn off the Bmguns and his fingeCrs uncurl D
Em He's clutching a Bmphotograph of a CBerlin party Dgirl
E7sus4E7E7sus4E7E7sus4E7E7sus4E7E7sus4E7
E7sus4Come in from your checkpoints on your E7lonely roads
E7sus4Come in from your ditches in your E7silent fields
Where inE7sus4tensified light from a E7rifle sight
Makes the E7sus4darkness day
And the E7day too bright, too E7sus4bright E7 E7sus4 E7
And we E7sus4wake up without you E7
We E7sus4wake up without you E7
We E7sus4wake up without you E7
We E7sus4wake up without E7you
With a Gmhole in our Dm7hearts
With a Gmhole in our Dm7hearts Cm Gm7 Cm Gm7
You Gmmad dog shaven head Dm7bottle-boy freaks
In GmMartens and khaki, Dm7drunk on sake
You Cmstare at yourself in the Gm7cruel flush of dawn
CmTerrified, sunken-eyed, Gm7withered and drawn
The Gmbutcher, the baker, the Dm7munitions maker
The Gmover-achiever, the Dm7armistice breaker
The Cmfreebase instructor, the Gm7lightning conductor
The Cmpsycho, the sailor, the Gm7tanker, the tailor
The Gmblack market mailer, the Dm7quick and the dead
The Gmspotlight dancer, the Dm7quick and the dead
The Cmquick and the dead,Gm7 the Cmquick and the dead Gm7 Gm Dm7 Gm Dm7
We Cmwake up without you Gm7
We Cmwake up without you Gm7
With a GmholDm7e in our heartGms Dm7 Cm Gm7 Cm Gm7
GmDm7GmDm7CmGm7CmGm7GmDm7GmDm7
Gm The mascara'd Dm7blonde Gm from the Berliner Dm7bar
EbRises at Dmtwilight, gets Gsus4dressed in a daze
6.

Incubus

Key: AmHard
×Am
Em7
3fr×Cm
3frGm7
Em
×Bm
××D
×A
F#m
4fr×C#m
E
2frF#sus4
F
4fr×C#sus4
×C
Oooh-wAmah, oEm7ooh-wAmah, oEm7ooh-wAmah, oEm7ooh-wAmah Em7
When Amfootlights Em7 dim in Amreverence Em7 to prescient Ampassion Em7
ForeAmwarned, my Em7audience leavAmes the stage,Em7 Amfloating ahead perEm7fumed shift
WithAmin the stammering Em7silence, the Amface that launched a Em7thousand frames
BeAmtrayEm7ed by a porceAmlain tear,Em7 a stained careAmer Em7
AmOooh-wah,Em7 Amoooh-wah Em7
You Amplayed Em7 this Amscene before,Em7 you Amplayed Em7 this Amscene before Em7
AmI, the mote in your Em7eye, I, I, I, AmI, the mote in your Em7eye
A misplaced reAmaction,Em7 reAmaction Em7
CmGm7CmGm7CmGm7CmGm7CmEm
The Amdarkroom unleashes imagination in pornographic Bmimages
In which you will always be the star, always be the star, unEmtouchable
Unapproachable, Amconstant in the darkness, in the darkness (in the darkness)
BmNursing an erection, a misplaced reaction
With no Emflower to place before this gravestone
And the Amwalls become enticingly newspaper thin
But Bmthat would be developing the negative view
And you Emhave to be exposed in voyeuristic colour
The Ampublic act, let you model your shame on the mannequin catwalk, Bmcatwalk
Let the cats walk (and the Emcat walks)
AmOooh-wah,Em7 Amoooh-wah Em7
I've Amplayed Em7 this Amscene before,Em7 I've Amplayed Em7 this Amscene before Em7
AmI, the mote in your Em7eye, I, I, I, AmI, the mote in your Em7eye
A misplaced reAmaction,Em7 satisfAmaction Em7
Am "An irritating speck of dirt that came from absolutely nowhere"
EmDA
You can't Embrush me under the cDarpet, you can't hide me under the Astairs
The cusEmtodian of your prDivate fears, your leading actor of yeAsteryear
EmWho as you crawled out of the Dalleys of obscurity
Sentenced to rejection in the Amorass of anonymity
EmYou who I directed with a Dlover's will, you who I let hypnotise the Alens
EmYou who I let bathe in the Dspotlight's glare
You who wiped me frAom your memory like a Emgreasepaint mask D
Just like a greasepaint mask A
F#mC#mDEF#mC#mDEF#mC#mDEF#mC#mDEF#mC#mDEF#mC#mDE
But now I'm the F#msnake in the grass,C#m the ghost of Dfilm reels past E
I'm the proF#mducer of your C#mnightmare and the perDformance has Ejust beF#sus4gun F
It's just beC#sus4gun C#m
F#sus4 F It's just beC#sus4gun C#m F#sus4 F C#sus4 C#m
Your perF#sus4imeter of courtiers jerk like Fcelluloid puppets
As you C#sus4stutter paralysed with rabbit's C#meyes
F#sus4Searing the shadows, Fflooding the wings
To pluck eC#sus4lusive salvation from the C#munderstudy's lips
ReF#sus4trieve the soliloquy, mainFtain the obituary
My C#sus4cue line in the last act and you C#mwait in silent solitude
Waiting for the F#sus4prompt, waiting for the Fprompt, waiting for the C#sus4prompt C#m
Waiting for the F#sus4prompt, waiting for the Fprompt, waiting for the C#sus4prompt C#m
You've F#sus4play - Fed this scene beCfore
7.

Forgotten Sons

Key: DHard
××D
E
G
×A
×Am
F
×C
××Dm
Bb
DEGA
DArmalite, Estreetlights, Gnightsights
ASearching the roofs for a Dsniper, a Eviper, a Gfighter
ADeath in the shadows he'll Dmaim you, he'll Ewound you, he'll Gkill you
For a Along forgotten Amcause on not so foreign shores
BDoys baptised iFn wDarFs, boys baptiAmsed iDn wFarsD F Am D F D F
AmMorphine, chill scream, bad dream
Serving Das numbersF on dog tagDs, flak rags, sand bags
Your Fgirl has married your Ambest friend, love's end, poison pen
Your Dflesh will Falways Dcreep F
AmTossing, turning sleep, the Dwounds that Fburn so Ddeep, burn Aso deep G A C
Your Amother sits on the edge of the world when the Gcamera starts to Croll
APanoramic viewpoint ressurGrects the killing Cfold
Your Afather drains another beer, he's Gone of the few that Ccares
ACrawling behind a Saracen's hull from the Gsafety of his Cliving room Achair
G Forgotten sons,A C forgotten sons, A G forgotten sons
AGACAGACAGACAGACAGACAGACAGAC
A And so as I patrol in the valley of the Gshadow of the tricolor, I must fear evil
DFor I am but mortal and mortals can only die
AAsking questions, pleading answers G from the nameless, faceless watchers
That parade the Dcarpeted corridors of Whitehall A
WhoG orders desecration, mutilation
DVerbal masturbation in the guarded beaurocratic wombs?
AMinister, minister care for you Gchildren
DOrder them not into damnation to eliminate those who would trespass against you
AFor whose is the Kingdom, the Gpower, the glory?
For Dever and ever, Aamen
Amen G Amen D Amen Amen A Amen
"Halt! Who goes there?" "Death" "Approach friend"
DmBbCAmBbCAmBb
You're Dmjust another coffin Bb on it's Cway down the emerald aisle Am
WheBbre the children'sC stony glances mourAmn your death in a terroBbrist's smile
The Dmbomber's arm placing Bbfiery gifts on the suCpermarket Amshelves
BbAlleys sing with Cshrapnel, detonate a Amtemporary Bbhell
Dm Bb FCorgAmotten sons, Bb C AmforgBbotten sons Dm Bb C Am Bb C Am Bb
FrDmom the dole queue Bbto the regimentC, a profession iAmn a flash
But reBbmember Monday Csignings when from Amdoor to door you daBbsh
On the Dmnews, a nation Bbmourns you, unknown Csoldier count the Amcost
BbFor a second you'll be Cfamous but Amlabelled postBbhumous
Dm Bb FCorgAmotten son, Bb C AmforgBbotten son Dm
Bb FCorgAmotten son, BbforgoCtten son Am Bb
TDmhey'reBb stillC forAmgotten
TBbhey're Cstill, stAmill forBbgotten
DmPeace on earth and Bbmercy mild CMother Brown has Amlost her Bbchild
C Just anotAmher forBbgotten Dson
8.

An Accidental Man

Key: AmCapo 1Hard
×Am
G
F
3fr×Cm
Bb
4frAb
××Dm
Em
×C
Gmaj7
×A
6fr×Eb
AmGFGAmGFG
AmI was taught from Gmuch too young F G
To never gAmive myself aGway F G
Yes, I was tAmaught for every Gsecret F G
There's a prAmice you have to GpaFy G
An Amaccident of Ggender, an Faccident of Gbirth
That Amholds me to this Gpoint of view
This Ftime and place on GEarth
This time and Amplace on EarGth F G
You Amask me how I'm GfeelFing G
Well, I Amonly wish you Gknew F G
How Amhard it is for Gme to shaFre G
Share those Amkinds of things with GyoFu G
It's Cmnot that I don't Bblove you
It's Abjust I can't conBbnect
'Cause CmI was taught from Bbmuch too young
To Abshine and not reBbflect
DmEmFG
I'm aDmn acciCdental Gmaj7man
I'm aDmn acciCdental Gmaj7man
I'm aDmn acciCdental Amman G F G
You Amask me if I'm Ghappy F G
I Amonly wish I Gknew F G
'Cause Amhappiness is Gnot someFthing G
That I Amever learned to Gdo F G
It's Cmnot that I'm comBbplaining
It's Aball the same to Bbme
If DmeveryEmthing that Fhappens, Ghappens DmacciEmdentalFlyG
I'm aDmn acciCdental Gmaj7man
I'm aDmn acciCdental Gmaj7man
I'm aDmn acciCdental Gmaj7man
I'm aDmn acciCdental Amman
GAEm
I was Amtaught for every Gsecret
There's a Aprice you have to Empay
I was Amtaught from much too Gyoung
To never Agive myself Emaway
I was Amborn to worthy Gcauses
I was Aborn to take the Emreins
I was Amtaught from much too Gyoung
To never Agive myself Emaway
CmDmEbFCmDmEbDmCmDmEbFGABbA
CmDmEbFCmDmEbDmCmDmEbFDmEmFG
AmGFGAmGFG
An Amaccident of Ggender, an Faccident of Gbirth
That Amholds me to this Gpoint of view
This Ftime and place on GEarth
This time and Amplace on EarGth F G
An Amaccident of Ggender, an Faccident of Gbirth
That Amholds me to this Gpoint of view
This Ftime and place on GEarth
This time and Amplace on EarGth F G
So Amtry to underGstand
If I Fdon't say all I Gcan
A Amstranger to myGself I am
A Fstranger to myGself I am
A Amstranger to myGself I am F G
I'm an AmacciGdental Fman (I was taught from Gmuch too young)
An AmacciGdental Fman G (to never Amgive myself aGway) F G
(You Amask me how I'm Gfeeling) F G Am G F G
9.

Beautiful

Key: CCapo 3Medium
×C
Em
×Am
G
F
××D
CEverybody Emknows we live in aAm world where they giveG bad names toF beaCutiful thFingsG
CEverybody Emknows we live in aAm world where we don't Ggive beautiful tFhingCs a secFond glanGce
CHeaven only Emknows we live in a Amworld where what weG call beautifuFl is jCust someFthing on sGale
CPeople lauEmghing behind their Amhands As the fragile aGnd the sensitiFve Care giveFn no chanceG
CAnd the leaves tEmurn from Amred toG brown
FTo beC trodden Fdown
GTo be trodden down
CAnd the leaves Emturn from Amred to Gbrown
FFall Cto the Fground
GFall to the ground
CWe don't have tEmo live in a Amworld Gwhere
We gFive bCad namesF to beauGtiful things
CWe should Emlive in a AmbeautifulG world
FWe Cshould give Fbeautiful aG second glance
CAnd the leaves Emfall fromAm red toG brown
FTo beC trodden Fdown
GTrodden down
CAnd the leaves Emturn greeAmn to redG to brown
FFall tCo the grFound
GAnd get kicked around
AmYou strong Denough to Fbe
AmHave you the Dfaith to Fbe
AmSane Denough to Fbe
FHonest enough to Amsay
AmDon't haveD to be the Fsame
AmDon't have Dto be this Fway
AmC'mon andD sign your Fname
FYou wild enough Gto remain Embeautiful?
FBeautifulG Em
CAll the leaves Emturn fromAm red toG brown
FTo beC trodden Fdown
GTrodden down
CAnd we all faEmll green tAmo red tGo brown
FFall Cto the Fground
GBut we can turn it around
AmYou Dstrong Fenough to be
AmWhy Ddon't yoFu stand up and say
AmGiveD yourFself a break
AmTheyD laugh Fat you anyway
FSo GwhyEm don't you stand up and be
FBeaGutiEmful
CBlack, white, Emred, gold, Amand brGown
FWe're Cstuck inF this world
GNowhere to go
CTurnin' aroundEm Am G
FWhat Care you sFo afraid of?
GShow us what you're made of
CBe yourself anEmd be beauAmtifulG
FBeautifCul F
10.

Garden Party

Key: DMedium
××D
×A
×Am
G
×C
DAAmGDAAmG
DGarden party held today
AInvites call the debs to play
AmSocial climbers polish ladders
GWayward sons again have Dfathers
"AHello, Dad, Amhello, Dad" G
DEdgy eggs and queuing cumbers
ARudely wakened from their slumbers
AmTime has come again for slaughter
GOn the lawns by still Cam Dwaters
A Cam Amslaughter, Cam Gslaughter
AChampagne corks are firing at the Gsun aDgain G
ASwooping swallows chased by vioGlins aDgain G
AStrafed by Strauss they Gsulk in crumbling Deaves aGgain
A AGgain,D G oh God, not again D A Am G
DAperitifs consumed en masse
DisAplay their owners on the grass
AmCouples loiter in the cloisters
GSocial leeches quoting DChaucer A Am G
DDoctor's son, a parson's daughter
AWell, why not and should they oughta?
AmPlease don't lie upon the grass
GUnless accompanied by a Dfellow
"AMay I be so bold as to perhaps suggest Othello?" Am G
"APunting on the Cam is jolly Gfun," they Dsay G
"ABeagling on the downs, oh, please do Gcome," they Dsay G
"ARugger is the tops, a game for Gmen," oh, Dthey Gsay
They AsaGy, D G good God, they say
DCGCDCGCDCGCDCGCDCGCDCGC
D I'm punting,C I'm beagling,G I'm wining,C reclining,D I'm rucking,C I'm fucking
G So welcome,C it's a DpaCrtGy C D C G C
DAngie chalks another blue
CMother smiles she did it too
GChitters chat and gossips lash
CPosers pose, pressmen Dflash (flash, flash) Cflash (flash flash) Gflash C
DSmiles polluted with false charm, Clocking on to Royal arms
GSociety columns now ensured, reCturn to mingle with the Dcrowds C
Oh, what a Gcrowd C
"Oh, Dpunting on the Cam, oh, please do Ccome," they say
"GBeagling on the downs, oh, please do Ccome," they say
"DGarden party held toCday," they say
"Oh, Gplease do come, oh, Cplease do come," they Dsay