
Chords used
C
Bb
G
D
Em
G4
Am
E7
F
Dm
A7
Dm7
Am7
A
F6
F/C
F7
Bbsus4
G7
E
D7
Eb
Gm
Bbm
Gm11
D/A
B
Bb/F
B7
Bm
A/C
E/G
G/B
Em7
C7
1.
The Stranger Song
Key: CMediumC
Bb
G
D
Em
It's trCue that all the mBben you knCew were dGealers
Who said they were through with dDealing
Every time you gave them shEmelter
I knDow that kind of man
It's hard to hEmold the hand of anyone
Who is rDeaching for the sky just to surrEmender
Who is rDeaching for the sky just to surrEmender
And then swCeeping up the jBbokers thCat he lGeft behind
You find he did not leDave you very much
Not even lEmaughter
Like Dany dealer he was watching fEmor the card
That is so high and wDild
He'll never need to deal anEmother
He was jDust some Joseph looking for a mEmanger
He was jDust some Joseph looking for a mEmanger
And then lCeaning on your wBbindow sCill
He'll sGay one day you caused his will
To wDeaken with your love and warmth and shEmelter
And then tDaking from his wallet
An old schEmedule of trains, he'll say
I tDold you when I came I was a strEmanger
I tDold you when I came I was a strEmanger
But nCow another strBbanger sCeems
To wGant you to ignore his dreams
As thDough they were the burden of some Emother
O you've sDeen that man before
His golden Emarm dispatching cards
But now it's rDusted from the elbow to the fEminger
And he wDants to trade the game he plays for shEmelter
Yes he wDants to trade the game he knows for shEmelter
Ah you hCate to watch anBbother tCired mGan
Lay down his hGand
Like he was gDiving up the holy game of pEmoker
And whDile he talks his dreams to sleep
You nEmotice there's a highway
That is cDurling up like smoke above his shEmoulder
It's cDurling just like smoke above his shEmoulder
You tCell him to come Bbin sit dCown
But sGomething makes you turn around
The dDoor is open you can't close your shEmelter
You trDy the handle of the road
It Emopens do not be afraid
It's yoDu my love, you who are the strEmanger
It's yoDu my love, you who are the strEmanger
Well, CI've been waiting, BbI was sCure
We'd mGeet between the trains we're waiting fDor
I think it's time to board anEmother
Please Dunderstand, I never had a sEmecret chart
To get me to the hDeart of this
Or any other mEmatter
When he tDalks like this you don't know what he's Emafter
When he spDeaks like this, you don't know what he's Emafter
Let's mCeet tomorrow Bbif you chCoose
UpGon the shore, beneath the bridge
That thDey are building on some endless rEmiver
Then he lDeaves the platform
For the sleeping cEmar that's warm
You realize, he's Donly advertising on more shEmelter
And it cDomes to you, he never was a strEmanger
And you sDay okay the bridge or someplace lEmater
And then swCeeping up the jBbokers thCat he lGeft behind
You find he did not lDeave you very much
Not even lEmaughter
Like Dany dealer he was watching fEmor the card
That is so high and wDild
He'll never need to deal anEmother
He was jDust some Joseph looking for a mEmanger
He was jDust some Joseph looking for a mEmanger
And lCeaning on your wBbindow sCill
He'll sGay one day you caused his will
To wDeaken with your love and warmth and shEmelter
And then tDaking from his wallet
An old schEmedule of trains
He'll say, I tDold you when I came I was a strEmanger
I tDold you when I came I was a strEmanger
I tDold you when I came I was a strEmanger
I tDold you when I came I was a strEmanger...
2.
Take This Waltz
Key: CHardC
G4
G
Am
E7
F
Dm
A7
Dm7
Am7
A
F6
CG4G
CCAmCE7Am
Now in Vienna there`s ten pretty woman.There`s a shoulder where death comes to cry. There`s a
FGFC
lobby with nine hundread windows. There`s a tree where the doves go to die. There`s a
AmDmA7Dm
piece that was torn from the morning and it hangs in the gallery of frost
Refrain 1:
FAy Ay Ay CAy. Take this E7waltz, take this Amwaltz. Take this Dm7waltz with the clamp on it`s
Fjaws G Am7 G
Refrain 2:
FAy Ay Ay CAy. Take this E7waltz, take this Awaltz. Take it`s F6broken waist in your hand
This waltz, this waltz, this waltz this
Am waltz, with its vDmery own breath of bAmrandy and death. DF6ragging its tail in the Csea
Now in CVienna there's ten pretty Amwomen
There's a Cshoulder where E7death comes to Amcry
There's a Flobby with nine hundred Gwindows
There's a Ftree where the doves go to Cdie
There's a Ampiece that was torn from the morning
And it Dmhangs in the A7Gallery of DmFrost
Refrain 1:
FAey, aey, aey, Caey
Take this E7waltz, take this Amwaltz
Take this wDm7altz with the clamp on its Fjaws
Oh I Cwant you, I E7want you, I Amwant you
On a Cchair with a dead magaAmzine
In the Fcave at the tip of the Glily
In some Fhallway where love's never Cbeen
On a Ambed where the moon has been sweating
In a Dmcry filled with A7footsteps and Dmsand
Refrain 2:
FAey, aey, aey, Caey
Take this E7waltz, take this Awaltz
Take its F6broken waist in your Ghand
This Amwaltz, this waltz, this waltz, this waltz
With its Dmvery own breath of Ambrandy and death
F6Dragging its tail in the Csea
There's a concert hall in Vienna
Where your mouth had a thousand reviews
There's a bar where the boys have stopped talking
They've been sentenced to death by the blues
But who is it climbs to your picture
With a garland of freshly cut tears?
Refrain 1:
Aey, aey, aey, aey
Take this waltz, take this waltz
Take this waltz it's been dying for years
There's an attic where children are playing
Where I've got to lie down with you soon
In a dream of Hungarian lanterns
In the mist of some sweet afternoon
And I'll see what you've chained to your sorrow
All your sheep and your lilies of snow
Refrain 2:
Aey, aey, aey, aey
Take this waltz, take this waltz
With its, I'll never forget you, you know
This waltz, this waltz, this waltz, this waltz
With its very own breath of brandy and death
Dragging its tail in the sea
And I'll dance with you in Vienna
I'll be wearing a river's disguise
The hyacinth wild on my shoulder
My mouth on the dew of your thighs
And I'll bury my soul in a scrapbook
With the photographs there, and the moss
And I'll Fyield to the flood of your Gbeauty
My Fcheap violin and my Ccross
And you'll Amcarry me down on your dancing
To the Dmpools that you A7lift on your Dmwrist
Refrain 1:
Oh my love, oh my love
Take this waltz, take this waltz
It's yours now, it's all that there is Bridge 1 + Bridge 3/Intro
3.
Always
Key: FHardF
Dm7
C
F/C
F7
Bb
A
Bbsus4
G7
E
D7
G
E7
Eb
D
Gm
Bbm
Gm11
Dm
D/A
B
Bb/F
FOh friends... don't matter if youDm7're a maCn For a woman
FIf you're inDm7 love with somebCody, thFese are the words that you gottDm7a learn to say C F
FNow listen carefully
Here it comeDm7s... C F F/C F F7 C Bb
FI'll be loving yDm7ou alwayCs F F7 A Bbsus4
CWith a love that's truDm7e, aClwFays Dm7 C
FWhen the thing you've planned G7 A
ANeeds my helping hand F E
EI will understand, alwAays,D7 alwGays C Dm7
FDays may not be faiDm7r, alwayCs F
FYeE7ah Ebbut tDhat's when I'll be there, alwGmays Gm D Gm Bb
BbNot for just an hBbmour F
FNot for just a G7day Gm
GmNot for just a CyeGm11ar, aBblwaFys
FI said that I'll be loving yoDm7u, alwayCs F
With a love that'sC true, a love that's trDmue,C alwFays Dm7 C
FWhen the thing you've plannedG7
ANeeds my helping hand
I wEill, I will understand, alwAays,D7 alwaGys C
FF/CFF/C
FF/CFE7Eb
DD/ADD/A
GmGmDGmGmD
BBb/FBbm
FF/CG7
GmC
F
The dFays may not be fair, always
FYeE7ah Ebbut thDat's when I'll be there, alwGmays
BbNot for just a second, or a mBbminute, or an hour
NFot for just a weekend and a shG7ake down in the shower
NGmot for just the summer and the wCinter going sour
But Falways, always, always
FF/CFDm7C
FF/CFDm7C
FF/CFDm7C
FOk if you don't want to quit, let's try it one more time...
FF/CFDm7C
FI'll be loving yDm7ou, alwaCysF F7 A Bbsus4
CWith a love that's tDm7rue,C aFlways Dm7 C
FWhen the thing you've planned A
ANeeds my helping hand
I will understEand, I will, I will understand,A alwD7ays, alwGays C
FThe days may not be fair, always... don't worry, baby
That's when DI'll be there,Gm always
BbNot for just an hBbmour
FNot for just a dG7ay
GmNot for just a yCear, but alwaysF...
4.
Alexandra Leaving
Key: FHardF
Am
Dm
C
Bb
Gm
Suddenly the night has grown colder.
F The god of love prepaAmring to depart. Dm
C Alexandra hoisted on his shBboulder, F
F They slip betwAmeen the sentries of theDm heart.
C Upheld by the simplicities of pleasure, Bb F
They gCain the light, they formlDmessly entwine; Bb
And radiaGmnt beyond your widest measure Bb . C
F They fall among the voices Amand the wine Dm
CIt?s not a trick, your senses all deceiving,Bb F
A fitful dream,Bb the morning will exChaust Dm
Say goodbye toBb Alexandra leaving. Gm . C
Then say goodbye toF Alexandra lostDm Bb
GmCF
Even though she sleeps upon your satin;
F Even though she wakes you with aAm kiss. Dm
C Do not say the moment was imagined; Bb F
F Do not stoop to strategiAmes like this. Dm
C As someone long prepared for this Bbto happen, F
Go Cfirmly to the window. Drink it in. Dm Bb
ExquisGmite music. Alexandra laBbughing. C .
F Your firm commitmentsAm tangible again Dm
ACnd you who had the honor of her evening, Bb F
And by the honor had your owBbn restored C Dm
Say goodbye to AlexandraBb leaving; Gm C
Alexandra leaving wiFth her lord. Dm Bb
GmCF
Even though she sleeps upon your satin;
Even though she wakes you with a kBbiss. C Dm
Do not say the moment was imagined; Bb C Dm
Do not stoop to strategies like Bbthis. C Dm
GmC
As someone long prepared for the occasion;
F In full command of every plan yAmou wrecked Dm
C Do not choose a coward?s explanation Bb F
F that hides behind the cause andAm the effect. Dm
CAnd you who were bewildered by a meaning; Bb F
Whose code was broken, crucifix uncrosBbsed C Dm
Say goodbye to Alexandra leaving. Gm C
Then say goodbye to FAlexandra loDmst. Bb
Say goodbye toGm Alexandra leaving. C F
Then say goodbye to AFlexandra lostDm. Bb
GmCF
5.
Almost Like The Blues
Key: DmMediumDm
Gm
Am
-/- Detailed version -/-
Leonard Cohen - Almost Like the Blues
I Dmsaw some people starving
There was Dmmurder, there was rape
Their Dmvillages were burning
They were Dmtrying to escape
I Gmcouldn't meet their glances
I was Gmstaring at my shoes
It was Dmacid, it was tragic
It was Dmalmost like the blues
WAmoo-oo-oGmoo It was almost like the blDmues Dm
I Dmhave to die a little
BetDmween each murderous thought
And Dmwhen I'm finished thinking
I Dmhave to die a lot
There's Gmtorture and there's killing
And there's Gmall my bad reviews
The Dmwar, the children missing
Lord, it's Dmalmost like the blues
WAmoo-oGmoo It's almost like the Dm blues Dm
So I Dmlet my heart get frozen
To Dmkeep away the rot
My Dmfather says I'm chosen
My Dmmother says I'm not
I Gmlistened to their story
Of the GmGypsies and the Jews
It was good, Dm it wasn't boring
It was Dmalmost like the blues
Am Woo-oo-oo-oGmoo It was almost like the Dm blues Dm
There Dmis no G-d in Heaven
And there Dmis no Hell below
So Dmsays the great professor
Of Dmall there is to know
But I've Gmhad the invitation
That a Gmsinner can't refuse
And it's Dmalmost like salvation
It's Dmalmost like the blues
WAmooo-oo-oo-oGmoo It's almost like the Dm blues Dm
WAmooo-oo-oo-oGmoo Almost like the Dm blues Dm
Am Woo-oo-oo-oGmoo, Almost like the Dm blues Dm Dm Dm
-/- Compact version -/-
Leonard Cohen - Almost Like the Blues
12-bar minor blues:
DmDmDmDmGmGmDmDmAmGmDmDm
I saw some people starving
There was murder, there was rape
Their villages were burning
They were trying to escape
I couldn't meet their glances
I was staring at my shoes
It was acid, it was tragic
It was almost like the blues
Woo-oo-ooo It was almost like the blues
I have to die a little
Between each murderous thought
And when I'm finished thinking
I have to die a lot
There's torture and there's killing
And there's all my bad reviews
The war, the children missing
Lord, it's almost like the blues
Woo-ooo It's almost like the blues
So I let my heart get frozen
To keep away the rot
My father says I'm chosen
My mother says I'm not
I listened to their story
Of the Gypsies and the Jews
It was good, it wasn't boring
It was almost like the blues
Woo-oo-oo-ooo It was almost like the blues
There is no G-d in Heaven
And there is no Hell below
So says the great professor
Of all there is to know
But I've had the invitation
That a sinner can't refuse
And it's almost like salvation
It's almost like the blues
Woo-oo-oo-ooo It's almost like the blues
Woo-oo-oo-ooo Almost like the blues
Woo-oo-oo-ooo, Almost like the blues
-/- End -/-
Hope you?ll enjoy!
PA
6.
The Partisan
Key: GCapo 3MediumG
Em
D
C
B7
When they pGoured across the bordeEmr
I was cauGtioned to surrendEmer,
this I cGould not dDo
C I took my gun and vanisGhed. B7
EmEmEmEm
I have chGanged my name so ofEmten,
I've loGst my wife and chiEmldren
but I hGave many friendsD,
C and some of them are with mGe. B7
EmEmEmEm
An old woGman gave us shEmelter,
kept us hGidden in the gEmarret,
then the Gsoldiers came. D
C she died without a whisGper. B7
EmEmEmEm
There were Gthree of us this moEmrning
I'm the onGly one this eveEmning
but I Gmust go on D
C the frontiers are my pri-sGon. B7
EmEmEmEm
Oh, the wiGnd, the wind is blEmowing,
through the Ggraves the wind is bEmlowing,
freedom Gsoon will come D
C then we'll come from the sGhadows.B7
EmEmEmEm
Les AllemGands étaient chez mEmoi, The Germans were at my home
ils m'onGt dit "Résigne-Emtoi" They said, "Sign yourself,"
mais je Gn'ai pas peurD; But I am not afraid
C j'ai repris mon armGe. B7 I have retaken my weapon.
EmEmEmEm
J'ai changGe cent fois de nEmom, I have changed names a hundred times
j'ai perdGu femme et enfanEmts I have lost wife and children
mais j'ai Gtant d'amis D But I have so many friends
C j'ai la France entire.G B7 I have all of France
EmEmEmEm
Un vieil Ghomme dans un greniEmer An old man, in an attic
pour la Gnuit nous a cachEme, Hid us for the night
les AllemGands l'ont pris D The Germans captured him
C il est mort sans surpriGse. B7 He died without surprise.
EmEmEmEm
Oh, the Gwind, the wind is bEmlowing,
through the Ggraves the wind isEm blowing,
freedom Gsoon will come; D
C then we'll come from the shadGows. B7 Em Em Em Em
7.
Going Home
Key: BmHardBm
A
D
G
Em
A/C
F
E
E/G
C
BmADGADG
I'd Dlove to speak with Leonard
He's a Emsportsman and a shepherd
He's a Glazy bastard living in a Dsuit
But he Ddoes say what I tell him
Even Emthough it isn't welcome
He just Gdoesn't have the freedom to DrefuseA/C
He will Bmspeak these words of wisdom
Like a Asage, a man Fof vision
Though he Bmknows he's really Enothing
But the Gbrief elaborE/Gation of a Atube
Going Dhome without my sorEmrow
Going Chome sometime tomorGrow
Going Chome to where it's Gbetter than beBmfore A
Going Dhome without my burEmden
Going Chome behind the curGtain
Going Chome without the coGstume that I Bmwore A
BmADGADG
He Dwants to write a love song
An Emanthem of forgiving
A maGnual for living with deDfeat A
A Dcry above the suffering
A Csacrifice recEmovering
But that Gisn't what I need Dhim to complete A
I Bmwant him to be cerDtain
That he Adoesn't have a burFden
That he Bmdoesn't need a visionE
That he Gonly has permisEsion
To Ado my instant Fbidding
Which is to Bmsay what I have Etold him to reApeat
Going Dhome without my sorEmrow
Going Chome sometime tomorGrow
Going Chome to where it's Gbetter than beBmfore A
Going Dhome without my burEmden
Going Chome behind the curGtain
Going Chome without the coGstume that I Bmwore A
BmADGADG
I'm going Dhome without my sorEmrow
Going Chome sometime tomorGrow
Going Chome to where it's Gbetter than beBmfore A
Going Dhome without my burEmden
Going Chome behind the curGtain
Going Chome without the coGstume that I Bmwore A
BmADGADG
No chords for two measures, strum chords only once on outro.
I'd Dlove to speak with Leonard
He's a Emsportsman and a shepherd
He's a Glazy bastard
Living in a Dsuit
8.
Stories Of The Street
Key: AmHardAm
C
Em
Bm
F
G
B
E
A
D
The stAmories of the stCreet are mine, the SpaEmnish voices lBmaugh.
AmThe Cadillacs go cCreeping now through the nEmight and the poison Bmgas,
and AmI lean from my wFindow sill in this Gold hFotel I chBose,
yes Eone hand on my sAuicide, oEne hand on the rDose. A Am
I kAmnow you've heard it's Cover now and Emwar must surely Bmcome,
Am the cities they are bCroke in half and the mEmiddle men are Bmgone.
But Amlet me ask you oFne more time, O chGildren Fof the dBusk,
All these hEunters who are shrAieking now oh dEo they speak for Dus? A Am
And wAmhere do all these hCighways go, Emnow that we are fBmree?
AmWhy are the armies Cmarching still that Emwere coming home to Bmme?
O lAmady with your lFegs so fine OG strangFer at your Bwheel,
You are lEocked into your sAuffering and your plEeasures are the sDeal. A Am
The Amage of lustC is giving birth, and Emboth the parents Bmask
Am the nurse to tell themC fairy tales on Emboth sides of the gBmlass.
Am And now the infantF with his cord is hGauled in Flike a kBite,
and oEne eye filled with bAlueprints, oEne eye filled with nigDht. A Am
O cAmome with me my Clittle one, Emwe will find that Bmfarm
and grAmow us grass and Capples there and Emkeep all the animals Bmwarm.
And Amif by chance I wFake at night and I aGsk you Fwho I amB,
O taEke me to the slAaughterhouse, I will wEait there with the lDamb. A Am
With oAmne hand on the Chexagram and oEmne hand on the Bmgirl
I bAmalance on aC wishing well that aEmll men call the wBmorld.
We aAmre so small betwFeen the stars, so Glarge aFgainst the sBky,
and loEst among the sAubway crowds I tEry to catch your Deye. A Am
9.
Halleluya
Key: CMediumC
Am
F
G
G/B
Em7
IC've heard there was a sAmecret chord
That CDavid played, and it pAmleased the Lord
But Fyou don't really cGare for music, dCo you? G
Well it gCoes like this, the fFourth, the fGifth
The mAminor fall and the Fmajor lift
The bG/Baffled king compEm7osing HalleAmlujah
HalleFlujah, HalleAmlujah
HalleFlujah, HalleClu-uuGu-uujCah G
Your fCaith was strong but you neAmeded proof
You sCaw her bathing onAm the roof
Her bFeauty and the mGoonlight overCthrew you G
She tCied you to a kFitchen chGair
She bAmroke your throne and she Fcut your hair
And frG/Bom your lips she drEm7ew the HallelAmujah
HalleFlujah, HalleAmlujah
HalleFlujah, HalleClu-uuGu-uujCah G
BCaby I've been hAmere before
I knCow this room, I've wAmalked this floor
I Fused to live alGone before I kCnew you. G
I've sCeen your flag on the MFarble GArch
But lAmove is not a vFictory march
It's a cG/Bold and it's a brEm7oken HallelAmujah
HalleFlujah, HalleAmlujah
HalleFlujah, HalleClu-uuGu-uujCah G
There wCas a time you lAmet me know
What's rCeally going Amon below,
But nFow you never shGow it to me, Cdo you? G
I remCember when I Fmoved in Gyou,
And the hAmoly dove was mFoving too,
and G/Bevery breath we dEm7rew was HalleAmlujah.
HalleFlujah, HalleAmlujah
HalleFlujah, HalleClu-uuGu-uujCah G
Now, mCaybe there's a AmGod above,
As for mCe, all I ever lAmearned from love
Is hFow to shoot at someGone who outdrCew you. G
It's nCo complaint you hFear tonGight,
It's nAmot some pilgrim who's sFeen the light
It's a cG/Bold and it's a very lEm7onely HallelAmujah.
HalleFlujah, HalleAmlujah
HalleFlujah, HalleClu-uuGu-uujCah G
10.
Iodine
Key: DmHardDm
Gm
C7
F
A7
Bb
A
C
B
E
D
DmDmGmC7
I nFeeded you,A7 I knew I was in dDmanger
Of lFosing what I A7used to think was mDmine
BbYou let me lFove youBb till I was a fFailure
BbYou let me lFove youBb till I was a fFailure
YourA beauty on my bruise lDmike CiodiCne B Gm F F E
I Fasked you if a mA7an could be forgivenDm
AndF though I failed at lA7ove, was this a criDmme?
BbYou said, Don't worrFy, dBbon't worry, darliFng
BbYou said, Don't woFrry, dBbon't you worry, daFrling
TherAe are many ways a man Dmcan CservCe hBis timGme F F E
You Fcovered up that A7place I could not masteDmr
ItD wasn't dark enoA7ugh to shut my eyesDm
BbSo I was with yFou, OBb sweet compassioFn
BbYes I was with Fyou, OBb sweet compassioFn
CompAassion with the sting Dmof iCodinCe B Gm F F E
YourA saintly kisses reekedDm of CiodiCne B Gm F F E
YourA fragrance with a fumeDm of CiodiCne B Gm F F E
And Apity in the room like DmiodiCne C B Gm F F E
Your sAister fingers burned lDmike CiodiCne B Gm F F E
And Aall my wanton lust wasDm iodCine C B Gm F F E
My mAasquerade of trust wasDm iodCine C B Gm F F E
And Aeverywhere the flare oDmf ioCdineC B Gm F F E