toca aquela
Henry Mancini
Revistinha de Cifras

Henry Mancini

9 músicas|78 acordes usados|Avançado

Acordes usados

×A
×B
××D
E
×C
F
×Am
×Am7
××Fdim
E7
Bb
×A7
××Edim
××Dm
××Dm7
×B7
3fr××Gdim
3fr××Cdim
3frGm7
F/A
Fsus4
F/E
Em7
3fr×Csus4
×Bbsus4
6fr×Eb
G7
×Bb/C
×Bbm7
4fr×Dbm
4fr×Dbmaj7
4fr×Db/F
××Bbdim
4fr×Db/Bb
Fm7
Bbm
Fm
Gb
Gb7
4frAbm
Emaj7
×Bm
F#m
××Dmaj7
4fr×Db
6fr×Ebaug
××Dsus4
5fr×D9
G
×A6
×G/B
Em
4fr×C#
F#7
3frG/F
××D7
3frG4
3frGm
×C7
F#
4frG#
4frG#4
4frG#m
××C#7
×Bb7
6fr×Ebm
4fr×C#m
×A#m7
××D#7
5fr×Dm9
3frGm9
×Bbmaj7
×Amaj7
4frAbmaj7
4frAbm7
4fr×Dbsus4
2frGbmaj7
××Fmaj7
1.

He Shouldnt-a Hadnt-a Oughtnt-a Swang On Me

Tom: AMédio
×A
×B
××D
E
×C
F
He Asleeps out Bthere, out Dwhere the coyotes Bwail,
The Dreason he Aain't at the Ebar with the Bboys,
BMakes Equite Ba DdisAmal Ctale ...
He Ashouldn't-a, Chadn't-a, Doughtn't-a Eswang on Ame,
He Aoughtn't-a, Cshouldn't-a, Dhadn't-a, Eno sirBee.
You Cdon't get many Dcallers,
Sleeping Eon the lone praiBrie.
But he Ashouldn't-a, Chadn't-a, Doughtn't-a Eswang on Ame.
AWay out West we're wild and wooly,
AIn order to explain it fully:
We're Ctall Dgrown, Call Dgrown,
AAll the men are hairy-chested,
AAnd all the women, double-breasted.
AWe're lady-like until molested,
And Bthen we're Don our Eown!
He Ashouldn't-a, Chadn't-a, Doughtn't-a Eswang on Ame,
He Aoughtn't-a Cshouldn't-a Dhadn't-a Efelt so Bfree.
His Cwife gets the inDsurance,
And I'm Esorry as can Bbe,
But he Ashouldn't-a, Chadn't-a, Doughtn't-a Eswang on Ame.
AThis here job is mighty tryin',
ASometimes the room is fairly flyin' with
CHigh-Dballs, Ceye-Dballs.
AOne got killed, somebody got 'im,
ATore up the joint from top to bottom.
AI think I was that one that shot him,
As Bnear as DI reEcall.
He Ashouldn't-a, Chadn't-a, Doughtn't-a Eswang on Ame,
He Bmassacred Aeight or nine Bmen at the ELazy "BB".
He Athen took on the Csheriff, and the Dsheriff's Adeputy,
But he Ashouldn't-a, Chadn't-a, Doughtn't-a Eswang on Bme.
AAll you boys remember Harry,
AThe wrangler I was set to marry,
A Clong Dman, Cstrong Dman.
AOne night he yells, "I'm from Texas!"
AAnd socks me in my solar plexus.
AWell having normal, good reflexes,
I Bknocked him Don his Ecan!
He Bshouldn't-a, Dhadn't-a, Eoughtn't-a Fblacked my Beye,
I'm Ereally a Blovable, Dpeaceable Fkind of Cguy.
I Cwouldn't scare a Drabbit, and I Ecouldn't harm a Bflea,
But he Bshouldn't-a, Dhadn't-a, Eoughtn't-a Fswang on mBe.
Music 1
AIf this story has a moral,
AIt's: When you're looking for a quarrel or
CShow DDown. "CSlow Ddown."
AIf by now, you haven't mastered,
AThe gentle art of getting plastered,
AYou're just a Low-Down, you ain't mastered,
The Bmotto Dof our Etown!
You Bshouldn't-a, Dhadn't-a, Eoughtn't-a Fstart no Bfight,
Our Dburying ground is a most imFpressive Csight.
The Cmessage on them Dtombstones is as Esimple as can Bbe,
He Dshouldn't-a, Ehadn't-a, Boughtn't-a Eswang Con Fme,
He Eshouldn't-a, Fhadn't-a, Coughtn't-a Fswang Don Ame!
2.

It Had Better Be Tonight

Tom: AmAvançado
×Am
×Am7
××Fdim
E7
Bb
×A7
××Edim
××Dm
××Dm7
×B7
3fr××Gdim
3fr××Cdim
AmMegAm7lio staFdim sera,Am babyAm, E7 goFdim, go,Am go
AmOr Fdim as Amwe nativesAm sBbay,Fdim va subiAmto.
AmIf you'reAm7 ever Am7going to Fdimkiss E7me Fdim E7
It had bE7etter Fdimbe tE7oniAmght
A7While theEdim mandolinsA7 are pDmlaying Dm7
And sB7tars are briE7ght;
AmIf you'veAm7 anythiAm7ng to Fdimtell E7me Fdim E7
It had bE7etter Fdimbe tE7oniAmght
A7Or, someboEdimdy A7else mayGdim tellDm me
And wAmhisper the wDm7ords just rAmight.
AmMegAm7lio staFdim sera,Am babyAm, E7 goFdim, go,Am go
AmOr Fdim as Amwe nativesAm sBbay,Fdim va subiAmto.
AmFor this Am7poor Am7 AmFdimericaE7no Fdim E7
Who knows liE7ttle of Fdimyour E7speechAm
A7Be a Edimnice A7 ItDmaliano Dm7
And Cdim start B7 to teach E7
AmShow me Am7how in Am7old MFdimilano E7 Fdim E7
Lovers hoE7ld each FdimotherE7 tiAmght
A7But, IEdim warn you sA7weet paiGdimsano Dm
It Amhad betterDm7 be Fdim tonAmight
AmMegAm7lio staFdim sera,Am babyAm, E7 goFdim, go,Am go
AmOr Fdim as Amwe nativesAm sBbay,Fdim va subiAmto.
3.

Shannon

Tom: FAvançado
F
3frGm7
F/A
×C
Fsus4
F/E
××Dm
Em7
×A7
Bb
3fr×Csus4
×Bbsus4
6fr×Eb
G7
×Bb/C
FGm7F/AGm7
FGm7F/AGm7
AFnother Gm7day is at end
CMama says she's Fsus4tired FagF/Eain Dm
NDmo oCne Em7can eA7venBb begCsus4in to tell her
FI hardly Gm7know what to say
CBut maybe it's bFsus4etter FthF/Eat wDmay
IDmf pCapaEm7 wereA7 here I'Bbm sure heCsus4'd tell her
FShannon is Gm7gone I hope she's drFifting out to Bbsus4sea Bb
FShe always Gm7loved to swim awEbay Csus4
FMaybe she'll Gm7find an island witFh a shady treBbsus4e Bb
FJust like the Ebone in oBbur backyaDmrd G7
FMama tries Gm7hard to pretend
CThings will get Fsus4betterF aF/EgainDm
DmSomCehoEm7w she's kA7eeping it alBbl inside Csus4her
But Ffinally the Gm7tears fill our eyes
CAnd I know that soFsus4mewherFe tonF/Eight Dm
ShDme kCnowEm7s how A7much we reBbally missCsus4 her
FShannon is Gm7gone I hope she's drFifting out to sBbsus4ea Bb
FShe always Gm7loved to swim awEbay Csus4
FMaybe she'll Gm7find an island withF a shady treeBbsus4 Bb
FJust like the Ebone in oBbur backyaDmrd G7
JBbust like the Ebone iBbn our backyarFd Bb
FGm7F/AGm7
FGm7
F/ABbBb/CF
4.

Lujon

Tom: BbmAvançado
×Bbm7
F
4fr×Dbm
Bb
4fr×Dbmaj7
4fr×Db/F
××Bbdim
4fr×Db/Bb
Fm7
Bbm
6fr×Eb
Fm
Gb
Gb7
4frAbm
E
Emaj7
×B
×Bm
×A
F#m
××D
××Dmaj7
4fr×Db
6fr×Ebaug
×C
Intro
Bbm7Bbm7FBbm7Bbm7F
Intrumental
Dbmno lBbyricDbmaj7s Bb Dbmaj7 F Dbmaj7 Bb
Db/Fno lyrBbdimics Db/Bb Fm7 Bb Dbmaj7 Bb
Bbmno lEbyrics Bbm Bbm Eb
Fmno Bblyrics Fm Fm Bb
Dbmno lBbyricDbmaj7s Bb Dbmaj7 F Dbmaj7 Bb
Db/Fno lyrBbdimics Db/Bb Fm7 Bb Dbmaj7 Bb
Bbmno lEbyrics Bbm Bbm Eb
Fmno Bblyrics Fm Fm Bb
Bbmno lGbyricBbs Gb Gb7 Fm7 Abm E Emaj7 B
Bmno ElyrBmicsA F#m D Dmaj7 A Fm Db Ebaug C Ebaug F
5.

How Soon

Tom: AAvançado
×A7
××Dsus4
××D
5fr×D9
Em7
×A
G
×A6
×G/B
×Am7
×B7
3fr××Cdim
Em
×B
3frGm7
3fr××Gdim
4fr×C#
F#7
3frG/F
××Fdim
××Edim
F#m
How soA7on tDsus4he flaDme of lovDe caD9n diDe, Em7 A
HGow sA6oon "goAod nEm7ight" A7becomG/Bes "A7goodbyeD."Am7 B7
CdimYou're Em7gone B7now, and Cdimlife gB7oesEm7 on nEmow, B
And ev'rEm7ythiCdimng sB7eems Am7out B7of tGm7une. Gdim
A7But Dsus4time cDan bring Da chD9ange Dof Em7heart, A
AGnd lA6ove cAan Em7make A7 anG/BotherA7 stC#art, F#7
SB7ome daGy, G/Fyou mFdimay come bEdimack to mDe tF#mo stB7ay,
CdimBut wGhoG/F can Em7say Gdimhow soDon?
6.

Darling Lili

Tom: CAvançado
×C
4fr×C#
××Dm
G
×Am
××D7
3frG4
3frGm
×C7
F
F#
4frG#
Bb
×A7
4frG#4
4frG#m
××C#7
×B
×Bb7
6fr×Ebm
Darling CLili, is an angel from heaven
Come to see us C# a little Dmwhile G
Stage door DmJohnnies wait Gfor her
COur voice enAmcore her
D7They just adore her sDmtyle.
G4DarGling CLili, doesn't dream of the heart
She keeps on Gmbreaking C7with just a sFmile F#
But you'd Cbetter just forG#get her
Toddle Coff and let her Bbbe A7
Leave that Dmdarling, darling GLili, to Cme. G
(solo do meio = harmonia 1ª parte c/ 1/2 tom acima)
G#4DarlGing LCili, doesn't dream of the heart
She keeps on G#mbreaking C#7with just a sFmile
But you'd Cbetter just forget her
Toddle Coff and let her Bbe Bb7
Leave that Ebmdarling, darling GLili, to Cme.
Acordes finais: A - F#m - C#.
cifras: email protected
7.

Charade

Tom: BmAvançado
×Bm
F
Em
F#7
×A7
F#m
×A
×B7
4fr×C#m
When weBm played our chFarade Bm
We were like children pFosing
PEmlaying at Fgames, Emacting out Fnames
GEmuessing the F#7parts we Bmplayed F
BmOh what a Fhit we Bmmade
We came on next to Fclosing
BEmest on the Fbill, lEmovers unFtil
LEmove left the F#7mas...queBmrade
FEmate sA7eemed to F#mpull the sBmtrings
I Emturned Aand you were F#mgone B7
WEmhile fA7rom the F#mdarkened Bmwings
The C#mmusic box played Emon F
SBmad little FsereBmnade
Song of my heart's comFposing
EmI hears it Fstill, EmI always Fwill
BEmest of the F#7bill, chaBmrade.
8.

Days of wine and roses

Tom: EAvançado
E
××D7
×C
F#m
×Am
4frG#m
4fr×C#m
×B
G
F
×B7
×A#m7
××D#7
The days ofE winD7e and roses C
Laugh and F#mrun away, like a Amchild at play D7
Through a G#mmeadow land toC#mward a closing F#mdoor
A dBoor marked "neverGmore" that Fwasn't there beF#mfore B7
The lEone...D7ly night discCloses
Just a F#mpassing breeze, filled with Ammemories D7
Of the G#mgolden smile that C#mintroduce me A#m7to D#7
The dG#mays of C#mwine and F#mroses B7and Eyou.
9.

Slow Hot Wind

Tom: DmAvançado
5fr×Dm9
3frGm9
×Bbmaj7
×Amaj7
4frAbmaj7
4frAbm7
4fr×Dbsus4
2frGbmaj7
××Fmaj7
Em7
×A7
Dm91.Her gaze, swept over me like, a Gm9slow hot Dm9wind.
Some days it's too warm to fight, a Gm9slow hot Dm9wind
Refr.
Bbmaj7There in the shade like a Amaj7cool drink Abmaj7waiting,
she sat with Abm7slow fDbsus4ire in herGbmaj7 eyes, just Fmaj7waiting Em7 A7
2. Dm9Some days it's too warm to fight, a Gm9slow hot Dm9wind, a sGm9low hot wDm9ind