
Acordes usados
Am7
D7
F
G
Am
A9
Dm
Dadd9
C
E
D
Gmaj7
Em
Bm
G7
A
Dm7
Em7
A6
G/A
F/A
A7
D/F
D9
G/B
C/E
C/F
B
F#m
F#m7
Ab7
C#m
B7
F#7
Abm7
Bb
Ab
Db
Eb
Fm
Dsus2
1.
Long Road Out of Eden
Tom: AmAvançadoAm7
D7
F
G
Am
A9
Dm
Dadd9
C
E
D
Am7Moon shining D7down through the palms
Am7Shadows moving on the D7sand
Am7Somebody whispering the D7twenty-third psalm
Am7Dusty rifle in his D7trembling hands
Am7Somebody trying just to D7stay alive
Am7He got promises to D7keep
Am7Over the ocean in AD7merica
Am7Far away and fast aD7sleep
FSilent stars Gblinking in the Fblackness of an Gendless AmskyA9 Am
FCold silver Gsatellites, Fghostly Gcaravans AmpasA9sinAmg by
FGalaxies unGfolding, Fnew worlds being Gborn
DmPilgrims and Dadd9prodigals Dmcreeping toward the dawn
CBut it's a long Eroad out of EAmden
Am7D7Am7D7
Am7Music blasting from an D7SUV
Am7On a bright and sunny D7day
Rolling down the iD7nterstate
Am7In the good ol' USD7A
Am7Having lunch at the petD7roleum club
Am7Smokin' fine cigars and swappD7in' lives
Am7He said: "gimme 'nother slice o' that D7barbecued brisket!"
Am7"gimme 'nother piece o' that D7pecan pie!"
FFreeways Gflickering, Fcell phones GchimAmingA9 a Amtune
FWe're riding to Gutopia, Froad map Gsays we'll be AmarrA9iviAmng soon
FCaptains of the Gold order Fclinging to the Greins
DmAssuring us these Dadd9aches inside are Dmonly growing pains
CBut it's a long Eroad out of AmEden
AmCGAmCDAmAmCGAmCDAm
FBack home I was so Gcertain
FThe path was very Gclear
DmBut now I have to Dadd9wonder: "Dmwhat are we doing here?"
FI'm not counting on Gtomorrow
FAnd I can't tell Gwrong from right
DmBut I'd give Dadd9anything to be there Dmin your arms tonight
Am7D7Am7D7
Am7Weaving down the AD7merican highway
Am7Through the litter and the wreckage and the D7cultural junk
Am7Bloated with entitlement, D7loaded on propaganda
Am7And now we're driving D7dazed and drunk
Am7Been down the road to Damascus,
D7The road to Mandalay
Am7Met the ghost of Caesar on the D7Appian way
Am7He said, "it's hard to stop this bingeing, D7once you get a taste."
Am7"but the road to empire is a D7bloody stupid waste."
FBehold the bitten applGe - tFhe power of the Gtools
DmBut all the knowledge Dadd9in the world is of Dmno use to fools
CAnd it's a long Eroad out of AmEden....
2.
Lyin' Eyes
Tom: GAvançadoG
Gmaj7
C
Am
D
Em
Bm
G7
A
GCity girls just seemGmaj7 to find out early C
AmHow to open doors with just a smile D
A rGich old man, and she wont' Gmaj7have to worry; C
She'll dreAmss up all in lace Cand go in styleG
You can'Gt hCide your lyin' eyGes
And your smile Emis Bma thin disguise Am D
I thought by now youG'dG7 realize C A
There ain'Amt no way to hide youDr lyin' eyes G
GLate at night a big olGmaj7d house gets lonely C
I guess everAmy form of refuge has its price. D
And it breGaks her heart to think her loGmaj7ve is only C
Given to aAm man with hands asC cold as ice. G
So she tellGs him she must go out for tGmaj7he evening C
To coAmmfort an old friend who's feelin' down D
But heG knows where she's goin' as she'sGmaj7 leavin' C
She is heaAmded for the cheatin'C side of town G
You can'Gt hCide your lyin' eyGes
And your smile Emis Bma thin disguise Am D
I thought by now youG'dG7 realize C A
There ain'Amt no way to hide youDr lyin' eyes G
GGmaj7C
AmD
GGmaj7C
AmCG
GShe gets up and pours heGmaj7rself a strong one C
And staAmres out at the stars up in the sky D
GAnother night, it's gonna bGmaj7e a long one C
She draAmws the shade and hangs her hCead to cry G
She wonGders how it ever got tGmaj7his crazy C
She thiAmnks about a boy she knew in school D
Did shGe get tired or did she jGmaj7ust get lazy? C
She's soAm far gone she feels juCst like a fool G
GMy, oh my, you sure knoGmaj7w how to arrange thingsC
You setAm it up so well, so carefully D
Ain't it fuGnny how your new life diGmaj7dn't change thingCs
You're stilAml the same old girl youC used to be G
You can'Gt hCide your lyin' eyGes
And your smile Emis Bma thin disguise Am D
I thought by now youG'dG7 realize C A
There ain'Amt no way to hide youDr lyin' eyes G
There ain'Amt no way to hide youDr lyin' eyes G
AmHoney, you can't hide yDour lyin' eyes G
3.
Last Good Time In Town
Tom: DmAvançadoDm7
Em7
F
G
C
Gmaj7
A
A6
G/A
Em
Am
Dm
Am7
F/A
Dm7I like to go out every now and thenEm7
Dm7I can't wait to do it again
Dm7But I haven't had the time,F laGtely
Dm7I like to step out every once in a while Em7
Dm7I kind of like to do it in style Em7
Dm7I haven't had the time, F laGtely
LaCtely I've been staying at home (Dm7Staying at home, staying at home)
WoCrking the crosswords turn off the phone (Dm7turn off the phone, turn off the phone)F G
And I dGmaj7ream IA'm on vacaA6tion, cause I lG/Aike the way that soA6unds
It's the peG/Arfect occupatA6ion for mEme A
I dGmaj7on't mAind being byA6 myself if there's G/Ano one else aroA6und
It's the laAmst good tG/Aime, Em iAn tDmown C Dm Am7 Dm Am7 Dm
Well I could sDm7tand up straight, get a real job Em7
Dm7Stay out late with the same old mob
Dm7But it hasn't crossed my mind, F laGtely
Dm7Put on a suit, work downtownEm7
Dm7Moon come up and the sun go downEm7,
No I Dm7haven't had the time, F laGtely
LaCtely I've been staying at home (Dm7Staying at home, staying at home)
ClCosing the curtains, play jazz on trombone (Dm7Jazz on trombone, jazz on trombone) F G
And IGmaj7 dreamA I'm on vacaA6tion, Though you wG/Aon't see me aroA6und
It's a pG/Aerfect situatA6ion, for mEme A
I Gmaj7don't Amind being byA6 myself cause I kG/Anow you'll come on doA6wn
It's the laAmst good tG/Aime, Em inA townC
Gmaj7AA6G/AA6G/AA6EmA
Gmaj7AA6G/AA6AmF/AEmA
LaCtely I've been staying at home (Dm7Staying at home, staying at home)
WoCrking the crosswords turn off the phone (Dm7turn off the phone, turn off the phone)F G
And I dGmaj7ream IA'm on vacaA6tion, cause I lG/Aike the way that soA6unds
It's the peG/Arfect occupatA6ion for mEme A
I dGmaj7on't mAind being byA6 myself if if you dG/Aon't see me aroA6und
It's the laAmst good tG/Aime, Em iAn tDmown C Dm Am Dm C Dm Am
4.
The Heart Of The Matter
Tom: DAvançadoD
A
G
A7
Em7
Bm
D/F
D9
C
G/B
Am
>>Versão acústica
DI got the call today and I didn'tA want to hear
But I kGnew that it would come
ADn old true friend of ours was talkiAng on the phone
She said you?d fGound someone
And I tAhought of all the bad luck and the A7struggles we went through
How GI lost me, and you lost you
AWhat are all these voices outside loA7ve's open door?
Make us Gthrow off our contentment and bAeg for something more
ID'm learning to livEm7e without you now, but I miss youD sometimes G
TDhe more I know, the less I Bmunderstand
All the thGings I thought I knew I'm learning agaAin
DI've been trying to get down to the heart of the matteEm7r
But my D/F will gets weak and my thoughts seem to scatteGr
But I think it's aboutD forgiveness, forgiveness Bm
GEven if, even if you don't lAove me anymore D
Ah these timesD are so uncertain, there's a yearning undefined A
GPeople filled with rage
DWe all need a little tenderness How can love survive iAn such a graceless age? G
Oh the trusAt and self-assurancA7e that leads to happiAness
They're the very tGhings we kill, I guess
Oh Apride and competition caA7nnot fill these Aempty arms
And the work GI put between us you know it doesn't keep me warmA
DI'm learning to live withEm7out you now, but I miD/Fss you baby G
DThe more I know, the less I undBmerstand
All the thiGngs I thought I figured out I have to learn again A
DI've been trying to get down to the heart of the Em7matter
D/FBut everything changes and my friends Gseem to scatter
But I think it's about forgiDveness, forgiveness Bm
GEven if, even if you dAon't love me anymore D D D D9 D
TChere are Cpeople in your life who've come and gone G/B
They letAm you down, you know they hurt your pride G
CYou better put it all behind you babe cuz life goes on G/B
You keep carryiAng that anger, it'll eat you up inside baby
DI've been trying to get down to the heart of the matEm7ter
D/FBut my will gets weak and my thoughts seem to scatterG
But I think it's about forgiDveness, forgiveness Bm
GEven if, even if you don't Alove me
DI've been trying to get down to the heart of the matterEm7
Because the flesh wD/Fill get weak and the ashes willG scatter
But I think it's about forgiveDness, forgiveness Bm
GEven if, even if you dAon't love me anymore
5.
Already Gone
Tom: GMédioG
D
C
C/E
C/F
F
GDCC/EC/FC/F
GDC
Well, I Gheard some people Dtalking just the Cother day C/E C/F C/F
And they Gsaid you were gonna Dput me on a sChelf
Well, let me tell you I Ggot some news for Dyou
And you'll Csoon find out it's true C/E C/F C/F
And then you'll Ghave to eat your lDunch all by yoursCelf
GDCGDC
GDCGDC
The Gletter that you Dwrote me made me Cstop and wonder why C/E C/F C/F
But I Gguess you felt like you Dhad to set things Cright
GJust remember Dthis my girl when you Clook up in the sky C/E C/F C/F
You can Gsee the stars and Dstill not see the light, C that's right
GDCGDC
GDCGDC
GDCC/EC/FC/F
GDCC/EC/FC/F
GDCC/EC/FC/F
GDCC/EC/FC/F
Well, I Gknow it wasn't Dyou who held me dowCn. C/E C/F C/F
Heaven Gknows it wasn't Dyou who set me fCree
So Goftentimes it Dhappens that we Clive our lives in chainsC/E C/F C/F
That we Gnever even Dknow we have the Ckey
But me, I'm Gal D- ready Cgone, and I'm GfeeD- ling Cstrong
I will Gsing (I will Dsing) this vict'ry Csong, coz I'm Gal-Dready Cgone
CGFCGF
I will Csi--Ging this vict'ry Fsong, coz I'm Cal G - ready Fgone
Yes, I'm CalrGeady Fgone, CalrGeady Fgone (awright, nighty night)
CAlGready Fgone, CalGready Fgone
6.
New Kid In Town
Tom: EAvançadoE
B
A
F#m
F#m7
Ab7
C#m
F
B7
F#7
Am7
C
D
G
D7
Em7
Abm7
EEBBABEE
EThere's taElk on F#mthe BstreF#met, Bit sounds so familiar;
Agreat expecBtationsE, ev'rybEody's watchin' you.
EPeople you meEet they all seem to F#mknow Byou, F#m7 B
Aeven your olBd friends treat you like you're Esomethin' new. Ab7sus4 Ab7
C#mJohnny come laFtely,
C#mthe new kid in tFown.
C#mEv'ryboFdy loves you,
F#mso don't let them dB7own.
EYou look in her eEyes, the music beF#mgins to Bplay, F#m B
Ahopeless roBmantics, here we go aEgain. E
EBut after a whEile you'rF#me lookBin' tF#m7he otBher way,
it'sA those reBstless heEarts tAb7sus4hat neveAb7r mend.
C#mJohnny come laFtely,
C#mthe new kid in tFown.
C#mWill she still lFove you
F#m7when you're not aB7round?
EEBBABEAEF#mE
B7There's so many thB7ings you should have Etold her, E
B7but night after nB7ight you're C#mwilling to hold her,
just Bhold F#7her, tAm7ears on your CshoulDder.
GThere's talk on the Gstreet, it's there to reAm7mind Dyou. Am7 D
CDoesn't really Dmatter which sGide you're Gon.
GYou're walGkin' aAm7way aDnd thD7ey're talkin' behind you,
theCy will never forget yoDu 'til somebody new Gcomes B7along.
Em7Where'veA you been lately?
Em7There's a nAew kid in town.
Em7Ev'ryboAdy loves him (don't they?)
Am7Now he's holdB7in' her andE you'reAbm7 still Aaround.
B7There's aE new kAbm7id in tAown,
B7just anotherE new kAbm7id in tAown.Am7 E
EEv'rybody'C#ms talkin' 'C#mbout tEhe new kid in town.
EEv'rybody'C#ms talkin' 'C#mbout the new kid in town.
TheEre's a Enew kid in town, (I don't want to hear it)
C#m ThereC#m's a new kid in town, (I don't want to hear it)
7.
Busy Being Fabulous
Tom: CMédioC
Am
F
G
D
CI came home to an empty houseAm and I found a little notCe: Am
F"Don't wait up for me toniGght" and that was all shFe wrote. G
CDo you think I don't know that you're out on the town Am
Cwith all your high-rollin' friendsAm?
But whaFt do you when you come up empty? G
FWhere do you go when the party ends? G
You were just toCo busy being fabulous. Too Ambusy to think Fabout us. G
CWell, I don?t know what you were dreaming of; SomehAmow you forgot abouFt love. G
And you were just too bCusy being fabulous, uh-huh. C
AC little time in the countrAmy; A day or twCo to slow down. Am
FA bottle of wine and a walk in theG moonlight; Maybe some foolin? aroFund. G
CBut you think time is just a magazine and Ammoney?s just aC thrill. Am
FI?ve waited for so long for you to chaGnge your way of livin?,
FBut now I realize that you never Gwill.
Cause you were just too busCy being fabulous. Too busy Amto think aboutF us. G
CLookin? for something you?ll never find. AmYou?ll never kFnow what you left behind. G
Cause you were just too busCy being fabulous, uh-huh. C
CYou tell a jokAme and everyCbody?s laughing. Am That?s somethCing you know how to do. Am C Am
CYou?ve always been theAm life of thCe party. ButAm now, my baby D? The joke is on you. G
And you were just too bCusy being fabulous. Too busAmy to think abouFt us. G
CRunnin? after something that never comes. AmWhat in the world areF you runnin? from? G
And you were just too bCusy being fabulous. Too busAmy to think aboFut us. G
To drCink the wine from the winner?s cup;Am
To noFtice your children were growing up. G
And you were just too bCusy being fabulous. Too busAmy, too busy. F G
CAmFG
***************************************************************************************************
For second "fabulous" in each Chorus, I preferred "Fma7" but "Am" sounds ok too!
***************************************************************************************************
8.
The Last Resort
Tom: FAvançadoF
Bb
C
Dm
Ab
Db
Eb
Fm
(also featured on their latest release, _Hell Freezes Over_)
Note: This is how I learned the song. If you want to play
along with the recorded version, you need to drop everything
one half step (i.e. F->E, Bb->A, etc.). At the end of this post,
along with the fingerings for the listed chords, I'll list the
half-step dropped chords/fingerings also.
Corrections/Criticisms/Comments welcome
(Please mail these to
FShe came from BbProvidence C
CThe one in Rhode FIsland
FWhere the old world Bbshadows hang C
CHeavy in the Fair
FShe packed her Bbhopes and dreams C
CLike a refuFgee
FJust as her Bbfather came C
CAcross the Fsea F F F F
She heard about a place
People were smiling
Spoke about the red man's ways
How they loved the land
They came from everywhere
To the Great Divide
Seeking a place to stand
Or a place to hide
Down in the crowded bars
Out for a good time
Can't wait to tell you all
What it's like up there
They called it paradise
I don't know why
Somebody laid the mountains low
While the town got high
FFFFF
DmDmDmDmDm
FFFFF
DmDmDmDmDm
When the chilly winds blew down
Across the canyon
Through the canyons of the coast
To the malibus
Where the pretty people played
Hungry for power
To light their neon ways
Give 'em things to do
Some rich man came and raped the land
Nobody caught him
Put up a bunch of ugly boxes
And Jesus people bought them
They called it paradise
The place to be
They watched the hazy sun
Sinking in the sea
(Key Change: changes from F to Ab)
AbYou can leave it Dball behind Eb
EbSail to LahAbaina
AbJust like the missionarDbies did Eb
EbSo many years aAbgo
AbThey even brought a Dbneon sign Eb
EbJesus is CoAbming
AbBrought the white man's Dbburden down Eb
EbBrought the white man's Abreign Ab Ab Ab Ab
And we'll provide the grand design
What is yours and what is mine
'Cuz there is no more new frontier
We have got to make it here
We satisfied our endlees needs
And justified our bloody deeds
In the name of destiny
And in the name of God
And you can see them there
On sunday morning
Stand up and sing about
What it's like up there
They called it paradise
I don't know why
To call someplace paradise
Kiss it goodbye
AbAbAbAbAb
FmFmFmFmFm
AbAbAbAbAb
FmFmFmFmFm
9.
Hotel California (Acoustic)
Tom: BmAvançadoBm
F#7
A
E
G
D
Em
BmF#7AEGDEmF#7
BmF#7AEGDEmF#7
On Bma dark desert highway, cool wind in my F#7hair
AWarm smell of colitas, rising up tEhrough the air
GUp ahead in the distance, I saw a shimmDering light
EmMy head grew heavy and my sight grew dim, I had to stop for the nighF#7t
BmThere she stood in the door way, I heard the missF#7ion bell
AAnd I was thinking to myself this could heaven or this could Ebe hell
GThen she lit up a candle, and she shDowed me the way
EmThere were voices down in the corridor, I thought I heard thF#7em say
GWelcome to the Hotel California D
F#7Such a lovely place (such a lovely place), such a lovely face Bm
GThey're living it up in the Hotel California D
EmAnytime of year (anytime of year) you can find it here F#7
BmHer mind was tiffany twisted, she got the mF#7ercedes benz...uh...
AShe had a lot of pretty, pretty boys, who she calls frEiends
GHow they dance in the courtyard, sweet summer sweatD
EmSome dance to remember, some dance to foF#7rget
BmSo I called up the captain, pleeeease bF#7ring me my wine...he said
AWe haven't had that spirit here since 1969 E
GAnd still those voices are calling from faaaaaaaar awaaaaaDay
EmWake you up in the middle of the night, just to hear them sF#7ay
GWelcome to the Hotel California D
F#7Such a lovely place (such a lovely place), such a lovely face Bm
GThey're living it up at the Hotel California D
EmAnytime of year (anytime of year) you can find it here F#7
BmMirrors on the ceiling, the pinkF#7 champaign on ice...and she said
AWe are all just prisoners here of our own deviEce
GAnd in the master's chambers, they gathered forD their feast
EmThey stab it with their steely knives but they just can't kill theF#7 beast
BmLast thing I remember, I was running for thF#7e door
AI had to find the passage back to the place I was before E
GRelax said the night man, we are programmed to recDeive
EmYou can check out anytime you'd like, but you can't neverF#7 leave
BmF#7AEGDEmF#7
BmF#7AEGDEmF#7
10.
Hotel California
Tom: EmAvançadoEm
B7
Dsus2
A9
C
G
Am7
Am
D
EmOn a dark desert highway, cool wind B7in my hair,
Dsus2 Warm smell of 'colitas' A9 rCising up through the air, C
C Up ahead in the distance I saw a shiGmmering light.
Am7 My head grew heavy and my sight grew dim,
B7 I had to stop for the night.
Em There she stood in the doorway. I heard the mB7ission bell,
Dsus2 And I was thinking to myself "This could be heaven or this could bA9e hCell." C
C Then she lit up a candle, and she sGhowed me the way.
Am7 There were voices down the corridor; I thought I heB7ard them say:
C"Welcome to the Hotel California G
Such a lovely B7place, such a lovely face. Em C
C Plenty of room at the Hotel California. G
Any timeAm of year you can find it here."B7
Em Her mind is Tiffany-twisted, she got B7the 'Mercedes bends'. uh!
Dsus2 She got a lot of pretty, pretty boys that A9sheC calls 'friends'. C
C How they dance in the courtyard, sweet summer sweat! G
Am7 Some dance to remember, some dance tB7o forget.
Em So I called up the captain, "Please brB7ingD me my wine." He said
Dsus2 "We haven't had that spirit here since nineteen sixty-niA9ne,C"
C And still those voices are calling from far away, G
Am7 Wake you up in the middle of the night, just to hear thB7em say:
"WCelcome to the Hotel California, G
Such a lovely pB7lace, such a lovely face. Em
C Livin' it up at the Hotel California. G
What a nice sAmurprise! Bring your alibis. B7
Em Mirrors on the ceiling, the B7pink champagne on ice, and she said,
Dsus2 "We are all just prisoners here, of ouA9r oCwn device." C
C And in the master's chambers, they gathered fGor the feast.
Am7 They stab it with their steely knives, but they just can't kill the B7beast.
Em Last thing I remember, I was B7running for the door.
Dsus2 I had to find the passage back to the place I was beforA9e. C C
C "Relax," said the night man, "We are programmed to receive.G
Am7 You can check out anytime you like, but you can nevB7er leave."