
Acordes usados
G
C
A
F
D
Em
Cmaj7
D/F
Bm
C/B
Dm
Am
Bb
Gm
E
F#m
B
C#m
G#m
Esus4
F#sus4
Em7
Am7
D7
1.
Palisades Park
Tom: GMédioG
C
A
F
D
GCAACG
CG
CSomeGbody screamed and all of Jim Jeffries' dreams
Explode into a bFlack fist, he falls to the floor
CHe sGtares up at the sky and he may wish he knew why
But you can't go Fback there no more
AFuture sounds so crazy
We've all Gheard that song before
ATomorrow's the name we change from yesterday to blame
When the train just don't Gstop here anymore
CI goGt starry-eyed on the coaster ride
Andy says, "man I Fneed a break from the world outside"
These dayCs myG life just careens through a pinball machine
I could do so much better Fbut I can't get off the tilt
And there's a Aphotograph on the TV
Black and white Gand Andy says something to you
AJack Johnson straddling Reno, Nevada like
She says, "I fGorget myself sometimes too"
AOut past the doorways where we are sleeping
Well, the Dwhite queens creep
And the Tom cats peep
Now CI'm not breaking,
The Dtrain's just shaking,
I Gnever made it here before, C
CThere's a white mouse spinning the girls aDround,
G'Til they can't take it Canymore
I used to dCream in the dark
of DPalisades park
GUp over the cliffs and
Cdown among the sparks
CIt's a long life
DFull of long nights
But it was Anot what I was Dwaiting for C
FEverybody's seenF the horses diving down the Ashore
It's a mFiracle they don't make them anymAore.
GSo make up ladies, wake up baby
CYou Gwalked into the bar like some Saturday star
Stud-straight on sFpiked heels and needles and nerves,
CYou'Gre a down town pride, fully amplified Clyde,
Gin-tight and Faging but well-preserved,
Remember AAndy outside your bedroom window,
Saying "come on, let's dGrive across to the Palisades"
Keep Agoing 'til we hit Reno, Nevada
I don't see Andy aGll that much these days,
Still there are pAages in back,
Of the action stacks
Where, the wDhite queens creep
And the Tom cats peep and...
Now the tCrains not braking,
The tDrack's just shaking,
I nGever made it here before,
And there's a sCky rocket turning the wDorld around,
G'Til I can't take it anymCore
CYou can carry that spark
from DPalisades park
GDown over the cliffs and Cout into the dark
CIt's a long life
DFull of long nights
But it was Anot what I was Dlooking Cfor
FEverybody dreams of Fhorses flying round the sAhore
It's a bFad dream we're not having anymAore
GMan,
Have you sAeen Andy?
Hey mGan hey man!
Have you seen him aroAund?
Hey mGan!
Have you seen my my my my my my my AAndy?
Have you Gseen him? x 4 Hey!
Have you seen Andy aroAund?
GDressed up in our pirate best
All lAeathers and feather and pearls
Andy said,D "look at me man, I'm cooking these hands could
GFinger up this whole world"
He said, "come Doutside
DClimb out your bedroom window
CShimmy down the fire escape and say good-bye
DCome outside"
Andy says, "I'm dressed up just like AEdie
Changing all the time my leopard spots to polka dots and Gsay good-bye
DCome outside
Well maybe we could Amove to California
Just mCeet me at the subway and say good-bye
DCome outside
The cops all think we're cArazy
If you stay you'll just get married
To a girl who'll never know yGou and then say good-bye
GHey man, have you seen Andy?
I lAost her in the sun
I was Chigh as a kite on lovely and white
Man, you could Glose anyone
GHey hey man, have you seen Andy?
AI don't know where she's gone
CBut real love outlives teenage lust
We could get wet Gand it keeps us warm
DLove is like angel dust
Lovely sometimes changes us
...Gsometimes not
DHave you bee aching to trust or just...?
AHave you been waking yourself with lust...?
CHave you been making us up or just taking us Ahome?
GIt's a long wait
CAt aG long light
CCarsG frozen in flight
CAll Gthe traffic stops to stare
AAt a crosswalk in Reno, Nevada
CWearing nothing but air
And a pair of Agrey paper wings
Andy thinks, "man, I hCave got nothing to wear"
AWe got nothing new and
CWe got nothing to wear
CWe got nothing to wear
CWe got nothing tGo wear
2.
Possibility Days
Tom: CCapo 3AvançadoEm
G
Cmaj7
C
A
D
D/F
F
actually even though it is Charlie playing the piano.
You will notice that the intro is repeated at the end of each Chorus, until the last
few. Also, the Cmaj7 from the intro is sometimes used in the verse in place of C, but
that's really just improvisational. Sounds great of course, but it's not necessary.
There is one moment in the first Pre-Chorus where the mandola plays an A (octave), but
for the rest of the song that part is played as a D. That octave also sounds good as a 5th
if you feel so inclined (I think it's easier). It makes for a slightly jarring transition,
but it makes it quite satisfying when the song falls into the predicted I-V-VI-IV pattern.
EmGCmaj7G
EmGCmaj7
Was a Emcold 3 ACM at JFGK
I guess you Emstayed cause you Cwanted to Gstay
And we went from Emzero to Ceverything Gall in a day
And then EmKennedy Ctook you Gaway
I thought of a Gshort road that was Akeeping you warm
And the Emmoments that make up your Clife till you wake up
You Gsit on a swing and you Dtalk with the girl
She Emtells you she wanted to Ckiss you
ACnd you know that
The Gworst part of a good day is Dhearing yourself say
GoodEmbye to one more possiCbility day
It goesEm on G Cmaj7 G
And oEmn..G. Cmaj7
I go Emwest but your Cweather has Gchanged
You're just Emscared, I misCtake it for Gstrange
When you want me to Emleave then you Cstart to beGlieve I should stay
I Emgotta get Cout of L.GA.
It seems like the Gshort days are Dover
Cause you just don?t Emsleep in the daylight, so CI don?t sit up nights
I Glie on my back on Dtop of the hill
And your Embody is breaking the Csky 'cause you're shaking
And the Gworst part of a good day is Dknowing it's slipping
AwEmay, that's one more possiCbility day
It's Emgone.G Cmaj7 G
EmGCmaj7
We were Emwaiting for Cwinter this Gyear
But you Emcame and it Cnever apGpeared
Me and you we know Emtoo many Creasons for Gpeople and seasons
That Empass like they Cweren't even Ghere
Now Emliving in Csmiles is Gbetter you say
We Emcarry the Cburdens of Gall of our days
So Emscared that you?ll leave,C you?re Gscared that I'll stay
It's an EmimpossiCbility Gday
And we Emonly saw Chalf the ballGet
I said Ggood night, Dgoodbye
Seems like a Emgood thing, so you know it's a Cgood lie
You can Grun out of choices and Dstill hear a voice in your
EmHead when you?re lying in Cbed
ACnd it says that
The Gbest part of a bad day is Dknowing it's ok
The Emcolor of everything Cchanges
The sky rearGranges its shade, and the smDile doesn?t fade
Into the Emphone call and one bad deCcision we made
And the Gworst part of a good day is the Done thing you don?t say
And Emyou don?t know how but you Cwish there was some way
So you pGull down the shades, and you Dshut out the light
Because Emsomehow we mixed up "goodbCye" and "goodnight
And the Gone thing you don't say is Deveryone knows
PossiEmbility days are imCpossible
It just feelEms wronGg Cmaj7 G
SoEm wrongG..Cmaj7. G
Now you'rEme goneG Cmaj7 G
Long Emgone..D/F. C F
G
Chords:
3.
Mrs. Potters Lullabye
Tom: GAvançadoG
C
D
Bm
C/B
D/F
Em
GWell I woke in mid-afternoon cauCse that's when it aDll hurts the Gmost
GI dream I never know anyone at the parCty and I'm aDlways the Ghost
If drBmeams are like movies, then memCories are films about ghGosts
You can Dnever escape, you can onCly move south down the cGoast
Gwell, I am an idiot walking a tiCghtrope of fDortune and fGame
GI am an acrobat swinging trapezeCs through ciDrcles of flaGme
If you'vBme never stared off in the dCistance, then your life is a Gshame
and though I'll Dnever forget your face,
Csometimes i can't remember my naGme
BmHey MCrs. PGotter Ddon't cry
Hey Mrs. Potter I know why but
BmHey MCrs. PGotter DwonC't yC/Bou talk toG me
GWell, there's a piece of Maria in eveCry Dsong that IG sing
GAnd the price of a memory is theC memory of the sDorrow itG brings
And there is alwBmays one last light to tuCrn out and one last bell to G
ring
And the Dlast one out of the circus has tCo lock up everytGhing
GOr the elephants will get out and foCrget to remeDmber what you saGid
GAnd the ghosts of the chCilder world willD linger inside your headG
And the Bmferris wheel junkies will Cspin there forever insGtead
When I sDee you a blanket of stCars covers me in mGy bed
BmHey MCrs. PGotter dDon't go
Hey Mrs. Potter I don't know but
BmHey CMrs.G PottDer woCn'tC/B you talk tGo me
GAll the blue light reflections that cColor my minDd when I sleGep
GAnd the lovesick rejections that accCompany the cDompany I kGeep
BmAll the razor perceptions that cCut just a little too Gdeep
Hey I caDn bleed as well as anyone, but IC need someone to help me sGleep
GSo I throw my hand into the air Cand it sDwims in the beamGs
GIt's just a brief interruption of the swCirling dust sDparkle jet strGeam
Well, I Bmknow I don't know you and you're prCobably not what you sGeem
But I'd Dsure like to find out
So why don't youC climb down off that movie scrGeen
BmHey CMrs. PGotter doDn't turn
Hey Mrs. Potter I burn for you
BmHey CMrs. PGotterD wonC't yoC/Bu talk tGo me
GWhen the last king of Hollywood Cshatters his glaDss on the flooGr
and ordeGrs anothD/Fer
Well, I Emwonder what he dDid that Bmfor
That's when I knBmow that I have to get out cause CI have been there G
before
So I gavDe up my seat at the baCr and I head for the door G
GWe drove out to the desert just to Clie down beneDath this bowl ofG stars
GWe stand up in the palace like it's the Clast of the greaDt pioneer town G
bars
WeBm shout out these songs against the claCng of electric guitGars
You can Dsee a million miles tonight But Cyou can't get very fGar
Oh, you can Dsee a million miles tonight But Cyou can't get very Gfar
BmHey MCrs.G Potter DI won't touch
Hey Mrs. Potter it's not much but
BmHey MCrs. GPottDer wCon'tC/B you talk tGo me
4.
Baby, I'm a Big Star Now
Tom: DmAvançadoDm
Am
Bb
F
C
G
Gm
DmAmDmAm
Dm Da da da da
Am Da da da da
Dm Da da da da
Am Da da da da, yeah
Bb F C La la la la la, yeah
Bb F Dm Gonna get out on the roAmad tonight
Dm I've got a hollow in my Ghead
Just checkin' it Bbup, Fbaby, one more timCe for you
Checkin' it uBbp until the pieF hits thCe sky
Dm It's like I think I'm sick of Amcocaine
Oh Dmyeah, got a fever burning in myG brain
Just checkin' it Bbup, Fbaby, one more timCe for you
Checkin' it Bbup until the Fpie hits thCe sky
Even the Bbbest years leave a lotF to be desCired
When they pass you..Am. by
Bb AlCl these sAmeasons
DmAll Cthis Bbtime
Spinnin' paCst till they Amleave you
DmFar CbeBbhind
Lay me Cdown in a cirAmcle where the DmspotClight Bbshines
All this Cpleasure gets me higDmh Am Gm Bb
Dm Da da da da
Am Da da da da
Dm Da da da da, yeah
Am Da da da da
Dm Some people will cut you till you're Ambleeding
But not Dmme 'cause I just want to do it to myGself
Checkin' it Bbup, Fbaby, one more timCe for you
Checkin Bbup until theF pie hits thCe sky
Even the Bbbest years are a Fwaste of time
But bCaby, I'm a Bbbig star noAmw. Oh, oh, oh, oh, oh
Bb AlCl these sAmeasons
DmAll Cthis Bbtime
Spinnin' paCst till they Amleave you
DmFar CbeBbhind
Lay me Cdown in a ciAmrcle where the DmspoCtlight Bbshines
All thisC pleasure gets me higDmh Am Gm Bb
Dm Da da da da
Am Da da da da
Dm Da da da da
Am Da da
Dm Da da
Am Da da
Dm Am pattern behind it>
Bb AlCl these sAmeasons
DmAll Cthis Bbtime
Spinnin' paCst till they Amleave you
DmFar CbeBbhind
Lay me Cdown in a ciAmrcle where the DmspoCtlight Bbshines
Turn your baCck on the pAmeople who Dmdraw Cthe Bbline
Put your Cfaith in the aAmnthems that yDmou Ccan Bbfind
Hit the grCound hard runnAmin' down that DmhigChway Bbline
Say a pCrayer for the oAmnes you have lDmeft CbeBbhind
All this pCleasure gets me hiDmgh Am Gm Bb
DmOh, Amoh, oh
Da da da da
Da da da da
Da da da da
Oh, da
I don't wanna give it back
I don't wanna give it back, no
Said, I don't wanna give it back,
I don't wanna give it back, no
I don't wanna give it back, no
I don't wanna give it back, no
I don't wanna give it back, no
I don't wanna
I don't wanna
I don't wanna
I don't wanna
I don't wanna give it back, no
I don't wanna give it back, no
I don't wanna give it back, no
I don't wanna
I don't wanna
I don't wanna
I don't wanna
I don't wanna give it back, no
I don't wanna give it back, no
I don't wanna give it back, no
Said NO.. NO..I don't want TOOOOOOOOOOOOOOOO, no no!!
5.
Earthquake Driver
Tom: AMédioA
D
E
G
F#m
Em
AI was born again a littlDe north Aof Disney Land
DSomewhere under WondeArland and Hollywood E
But then I had to go skAipping and diving and bouncing back to New YDork City A
Straight through the heart of America Dwhere all the wildA things grow E
DI want to Ebe an earthqAuake driver
DI want to be an Eaquarium dAiver
DI just don't wanEt to go home A G D E A
AI live alone but I am huDngry for affectiAon
DI just strugglAe with connection til the water cEalls me home
ADown into ocean among millioDns of other loneAly people
DDrowning among the only people we aAre ever going to knowE
DI want to Ebe an earthqAuake driver
DI want to be an Eaquarium dAiver
DI just don't wanEt to go home A G D E A
EI want to be like the people I see
DThey want a rover just like me
EI wanna stay but what keeps me away
DIs I'm tied into the lightning line
AAnd I wanna see if the sun is shining
F#mLong night?s just a waste of timeE I, I don't want to see people like me
Just sleeping and, waking and, hoping and, hating and
AYou look at me like I'm some kind of carnDival attractioAn
You say love is Dan abstraction, Ajust some ghost Ethat you chase
Well, I am Aa cypher and, I am a blank space D A
Filled up with words you rDemember from wheneverA you saw my face E
DI want to Ebe an earthqAuake driver
DI want to be an Eaquarium dAiver
DI just don't wanEt to go home A G D E A
EmI want to be like the people I see
AHey man, they want a rover just like me
EmI want to stay but what keeps me away
DIs I?m plugged into the lightning line
AI wanna be where the sun is shining
F#mAll night, chasing time IE, I don't want to be with people like me
Just creeping and, waking and, hoping and, hating and
ANow what is the price of this fame and self absorptioDn? A
We turn Dourselves into orphans and then spAend our nights alone E
ALiving in fear of some kind of imaginary consequence D A
DTerror incogAnito, ob-la-di liE-bi-do
DI want to Ebe an earthqAuake driver
DI want to be an Eaquarium dAiver
DI just don't wanEt to go home A G D E A
Truth is I don'tD want to be no earthquakeE driver A
And I doD not want to be an aquarium diEver, but Ahey
DI just don't wanEt to go home A G D E A
DOh man, I just dEon't want to go home A G D E A
DOh, I do not wanEt to go home A G D E A
6.
Einstein on the Beach
Tom: EAvançadoE
A
B
C#m
F#m
G#m
EAEB
EAEB
E Albert's alwayAs sincEere, he's a sensivitiBve Etype
His intentions aAre Eclear, he wanna be Bwell-lEiked
Better thinAk of notEhing, then are we BanytEhing?
Is it betterA to be Ebetter than to be anBything?
And AAlbert's vision is blooming uncontrolled E A E B
AAll his wings are slowly sinking
The C#mworld beBgins to AdisaEppear
The C#mworst thingsB come from Ainside Ehere
C#mAll the Bking's men AreappEear
For anF#m eggman, on and off the Awall
Who'll never be together again E A E B E A E B
E Einstein's down Aon the Ebeach staring into tBhe Esand
Cause everything Ahe Ebelieves in is shattered
BWhat Eyou fear in the night Ain Ethe day comes to call anBywayE-ay
AWe Eall get burned as: B
AOne more sun comes sliding down the sky E A E B
AOne more shadow leans against the wall
The C#mworld beBgins to AdisaEppear
The C#mworst thingsB come from Ainside Ehere
C#mAll the Bking's men AreappEear
For anF#m eggman, on and off the Awall
Who'll never be together agaiG#mn
Albert's Awaiting in the G#msun
On a Afield American G#m
For the Acause of some inF#mflated formB of hit and run
EAEB
EAEB
EAEB
EAEB
AOne more sun comes sliding down the sky E A E B
AOne more shadow leans against the wall
The C#mworld beBgins to AdisaEppear
The C#mworst thingsB come from Ainside Ehere
C#mAll the Bking's men AreappEear
For anF#m eggman, on and off the Awall
Who'll never be together agaiG#mn
Albert's Afallen on the suG#mn
Cracked his Ahead wide open
The C#mworld beBgins to AdisaEppear
The C#mworst thingsB come from Ainside Ehere
C#mAll the Bking's men AreappEear
For an F#meggman, fallin, fallin
The C#mworld beBgins to AdisaEppear
The C#mworst thingsB come from Ainside Ehere and
C#mAll the Bking's men AreappEear
For an F#meggman, on and off the walAl
Who'll never be together agEain A E B
EAEB
EAEB
EAEB
EAEB
EAEB
E
7.
I Wish I Was A Girl -( ver. 2)
Tom: EAvançadoE
Esus4
G#m
A
B
C#m
F#sus4
F
F#m
EEsus4EEsus4E
E The deEsus4vil's in the dreamin'.
He tells you I'Em not sleepin'
In my hEsus4otel room aElone
E With Esus4nothing to believe in.
You dive into the Etraffic rising up,
Esus4And it's so Equiet.
You're surprised, and then you wake.
G#m For all the tAhings you're losing.
You miEght as well reEsus4sign yoursEelf to try and make a change.
G#m And AI'm going down to Hollywood.
They'reB gonna make a movie from the things
That they find crawling round my brain.
A I Bwish I C#mwas a girl
So Bthat yoAu could believe me
And BI could shC#make thisB static every time
I Atry to sleep
I Bwish fC#mor all the world
That BI could say
"Hey, EElizabeth, youF#sus4 know IF'm doing all right
These Adays." B
EEsus4EEsus4E
The devil's in the dreamin'.
You see yourself descending
From the building to the ground,
And you watch the sky receding,
And you spin to see the traffic,
Rising up, and it's so quiet.
And you're surprised and then you wake.
G#m For all the tAhings you're losing.
You miEght as well reEsus4sign yoursEelf to try and make a change.
G#m And AI'm going down to Hollywood.
They'reB gonna make a movie from the things
That they find crawling round my brain.
A I Bwish I C#mwas a girl
So Bthat yoAu could believe me
And BI could shC#make thisB static every time
I Atry to sleep
I Bwish fC#mor all the world
That BI could say
"Hey, EElizabeth, youF#sus4 know IF'm doing all right
These Adays." B
E
AEnd onAe of these dreams
YEou forgive me.
It makF#mes me think of the bad decisions
That Akeep you at home.
HowE couldA anyone else have changed,
F#m But these are wrong conclusions
That Aleave you alone.
HowE coAuld everyone rearrange?
HowE could eAveryone else have changed?
What I F#msee I beAlieve.
EFor all the things I'm losing
I might as well rEesign myself to Esus4try and make a Echange.
G#m And AI'm going down to Hollywood.
They'reB gonna make a movie from the things
That they find crawling round my brain.
A I Bwish I C#mwas a girl
So Bthat yoAu could believe me
And BI could shC#make thisB static every time
I Atry to sleep
I Bwish fC#mor all the world
That BI could say
"Hey, EElizabeth, youF#sus4 know IF'm doing all right
These Adays." B
F#mAB
F#mAB
F#mAB
Well IF#m can't slAeeBp at night.
Well IF#m can't slAeeBp at night.
Well IF#m can't slAeeBp at night.
Well IF#m can't slAeeBp at night.
Odd Chords
Esus4
F#sus4
8.
Round Here
Tom: CAvançadoC
D
Em7
G
Em
A
Am7
D7
Step oCut the front door like a ghost D
Into the fog where no-one Em7notices
The contrast of wGhite on white.
And in in betwCeen the moon and you
AngDels get a better view
Of the cEm7rumbling difference between wGrong and right.
I walk iCn the air between the rain
DThrough myself and back again.
Em7Where? I don't know. G
CMaria says she's dying.
Through the door I hDear her crying?
Why? Em7I don't know G
Round hereC we alDways stand up straightEm G
Round hereC, someDthing radiates. Em G
MCaria came from Nashville with a Dsuitcase in her hand
She said she'd lEm7ike to meet a boy who looks like GElvis
SChe walks along the edge where the Docean meets the land
Just like she's Em7walking on a wire in the circuGs
She Cparks her car outside of my house Dtakes her clothes off,
Em7She say's she's close to understanding GJesus
She knows she's mCore than just a little misuDnderstood
She has Em7trouble acting normal when shes Gnervous
Round hCere we're cDarving out our nEmames G
Round hCere we all Dlook the samEme G
Round hereC we talk just like lions D
But we sEmacrifice like lambs G
Round hereC she's slippiDng through my hanEmds
ADGAG
A SleAm7eping children beD7tteAr run like the wiAnd G A
Am7Out of the lD7ightning dreamA G A
MaAm7ma's little baby D7betAter get herselfA in G A
OCut of the lDightning
She sCays, "It's oDnly in my heEm7ad." G
She sCays, "shh...I know it's oDnly in my hEm7ead." G
But the Cgirl on the street by the parking lot
says:"DMan, you should try to Take a shot
Em7Can't you see my walls are crumbling?"G
Then she Clooks up at the building
Say's she's thDinking of jumping
She says she's tEm7ired of life;
She must be tiGred of something.
Round hereC she's alDways on my miEmnd G
Round hereC I got loDts of time Em G
Round hereC we're never sent to bed earDly
Man, noEmbody makes us waiGt
round hereC we stay up Dvery, very, Emvery, very laGte.
I can't see noCthin', nothDin'
Around heEmre
G You catch me if I'm fCalling,
You catch me if I'm fDalling,
Will you catch me cause I'm fEmalling down on you
G I said I'm uCnder the gun D
Around Em7here G
Oh, man I said I'm Cunder the gun D
Around hEm7ere
G And I can't see nothin', C
NothiDn'
Round heEmre.
9.
John Appleseeds Lament
Tom: BbMédioBb
D
C
BbI stepped out the front door into winter anDd the world outside Bb D
DI stepped out the door to New York City, my hair was barely dry Bb D
DI could not remember where I was goinCg, so I went back inside Bb D Bb D
BbNothing happening in the elevator, notDhing happening on the stairs Bb D
DNothing ever happen when I am sleeping, I cannot stay therBbe D Bb D
DHow'd you find a party when you're in your rDoom
CHow'd you find the action man, the action is everywhere Bb D Bb D
BbIf you decide to climb outside your bedroom window,D paint a picture on a Bbcloud D
DOh if you decide that you can't hide inside your mind
Provide the slide to get you outBb D
DFeels just like you're falling and you're goDing down
CBut everybody loves you when you hit the ground D
BbD
BbI say a prayer, I say a prayer,D I say a prayer to Pocahontas
I pray to John Appleseed Bb D
ODh I cigarette the winter air, then I Fred Astaire my way down seventh sBbtreet D Bb D
DSome chick yells Jesus love me more than I kCnow but less than I neDed Bb D Bb D
BbI parade down the valley to the batteryD and then I step off into the airBb D
DPoint my sunglasses east towards Jerusalem and then follow all the Pharaohs therBbe D
DThey're building pyramids in LeicestDer Square
CDriving in circles round the circus 'til the circles in Bbthe air D Bb D
MBby love says come on Adam tell me what tDhe hell is wrong with yoBbu D
DShe says, come on Adam tell me, what the hell am I supposed to do? Bb D Bb D
She says, I could lDove you, I could leave you, I can't liveC what you put me through D
BbD
BbI call the wind Maria because DI do not know her Bbface D Bb D
DI call the endless sky Emilia because she stays with me from place to plaBbce D Bb D
I cCall the sun my love EBbmmanuel because she cradle me in her embrace Bb D Bb D
BbOh no, nothing happening in the kitchen,D nothing happening on thBbe floor D
DNothing happening in my bed, she don't sleep there no more Bb D Bb D
DHow?d you find the bottom when you're in theD air?
CHey man, how?d you find a circus man, the circus is Ceverywhere
BbD
End on Bb
10.
Mr.Jones (acústico)
Tom: AmMédioAm
F
Dm
G
C
Am F Dmsha Gla la la la la la Am F uh hGuh... G
AmI was down at the New FAmsterdam Dmstaring at this Gyellow-haired girl
Mr. AmJones strikes up a converFsation with this Gblack-haired flamenco dancer
AmShe dances while his Ffather plays Dmguitar. She's suddenly Gbeautiful
We Amall want something Fbeautiful GI wish I was beautiful
So come Amdance this silence Fdown through the morning
Dm sha la la Gla la la la Amla yeah F G uh huh...
AmCut up, FMaria! DmShow me some of them GSpanish dances
AmPass me a Fbottle, Mr. GJones
AmBelieve in Fme DmHelp me believe in Ganything
(cause) AmI want to be Fsomeone who beGlieves
CMr. JFones and me Gtell each other fairy tales
CStare at the beautiful Fwomen
G"She's looking at you. Ah, no, no, she's looking at me."
CSmiling in the Fbright lights GComing through in stereo
When Ceverybody Floves you, Gyou can never be lonely
AmI will paint my Fpicture DmPaint myself in Gblue and red and black and gray
AmAll of the beautiful Fcolors are very Gvery meaningful
(you know) AmGray is my favorite Fcolor I Dmfelt so symGbolic yesterday
AmIf I knew PiFcasso I would Gbuy myself a gray guitar and play
CMr. FJones and me Glook into the future
CStare at the beautiful Fwomen
G"She's looking at you. Uh, I don't think so. She's looking at me."
CStanding in the Fspotlight GI bought myself a gray guitar
When Ceverybody Floves me, GI will never be loneAmly
I will never be Flonely
I will never Amgonna be loneGly
AmI want to be a lion FEverybody wants to pass as cats
AmWe all want to be big big stars, but Gwe got different reasons for that.
AmBelieve in me because I Fdon't believe in anything
and AmI want to be someone to believe, Gto believe, to believe.
CMr. FJones and me Gstumbling through the barrio
Yeah we Cstare at the beautiful Fwomen
"She's Gperfect for you, Man, there's got to be somebody for me."
CI want to be Bob FDylan
Mr. GJones wishes he was someone just a little more funky
When Ceverybody Floves you, Gson, that's just about as funky as you can be.
CMr. JFones and me Gstaring at the video
When I Clook at the teleFvision, I want to Gsee me staring right back at me.
CWe all want to be Fbig stars, but we Gdon't know why, and we don't know how.
But when Ceverybody loFves me, I'm going to Gbe just about as happy as I can
be.
CMr. FJones and me, Gwe're gonna be big stars.....