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Billy Joel
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Billy Joel

10 músicas|78 acordes usados|Avançado

Acordes usados

F
3frGm7
3fr×C/F
×Bb/F
×C
Bb
F/A
G7
×G/B
×Bb/D
C/E
××Fmaj7
×Bbmaj7
6fr×Ebmaj7
4frAbmaj7
G
××D
3frG9
××Dsus4
6fr×Eb
Gmaj7
×Am7
3frG/F
3frG/E
3frG/D
E7
Em
F/C
×A7
××Dm7
3fr×C/Bb
×Am
3frG/A
3fr×C/D
E
×B
×A
××Dm
3fr×Csus
3fr××××C5
3fr×C/G
××D7
F/G
3fr×C/B
F/E
3fr×Cm
Fm
4frAb
6fr×Ebm7
Em7
6fr×Eb6
F13
4frAb6
5fr×Dm11
5fr×D6
Esus4
F/D
3frG/C
×A/C
×Bm
5fr×D/F
5fr×D/G
×A/B
4frAb7
F7
3frGm
4frAb/G
6fr×Ebm
2frF#/C
4frAb/C
4fr×C#/C
Bbm
2fr×B/Bb
×Bb6
×Bb7
6fr×Eb/D
6fr×Eb/G
6fr×Ebsus4
1.

Scenes From An Italian Restuarant

Tom: FAvançado
F
3frGm7
3fr×C/F
×Bb/F
×C
Bb
F/A
G7
×G/B
×Bb/D
C/E
××Fmaj7
×Bbmaj7
6fr×Ebmaj7
4frAbmaj7
G
××D
3frG9
××Dsus4
6fr×Eb
Gmaj7
×Am7
3frG/F
3frG/E
3frG/D
E7
Em
F/C
×A7
××Dm7
F A bottle of white,Gm7 F a bottle of red
C/F Perhaps a bottle of Bb/Frose insFtead
C We'll get a table Bbnear the F/Astreet
In our old Gm7familiar Cplace
BbYou and CI--fa-a-Gm7ace Cto face BbhmmmC
F A bottle of red,Gm7 F a bottle of white
C/F It all deBb/Fpends on your appeFtite
G7 I'll meet you F/Aany ti-G/Bi-me you wCant
In our IBb/Dtalian C/E Restau-.
..sax:
rFant Gm7 F C Fmaj7 Bbmaj7 C Fmaj7
Ebmaj7Abmaj7Ebmaj7Abmaj7
G7sus4
GThings are okay with Dme these days
G7Got a good job, G9got a good office
CGot a new wife, Fgot a new life
And the Dsus4family's fDine Dsus4
GWe lost touch Dlong ago
G7You lost weight
I G9did not know
C You could ever Flook so good after
Dsus4So much ti-i-Di-meDsus4.
You reEbmember those days hanging Bbout
At the village Fgreen
EbEngineer boots, leather Bbjackets
And tight blue Fjeans
Drop a Ebdime in the box play the
BbSong about New OrFleans
Eb Cold beer, Bb hot lights
C My sweet romantic teenage
nGightsGmaj7 G7 C F Am7 D
GGmaj7G7CFAm7
2/4
D
..piano:
G
GG/FG/EG/D
GG/FG/EG/D
G oh oG/Fh oh oG/Eh oh oG/Dh oh oh oh oh
GOh oh oG/Fh oh oG/Eh oh oG/Dh oh oh oh
G Brenda and Eddie were the popular steadies
And the Dking and the queen of the prom D C
GRiding around with the G/Bcar top down and the Cradio on F C F C
G Nobody looked any fDiner D C
Or was Gmore of a hit at the CParkway Diner
GWe never knew we could Fwant more than that out of lE7ife
Surely Am7Brenda and G/BEddie would Calways know Dhow to surGvive.
Oooh Foh oh Emoh oh Doh oh oh oh Goh
Oooh Foh oh Emoh oh Doh oh oh oh oh
G Brenda and Eddie were still going steady in the sDummer of '75 D C
WGhen they decided the G/Bmarriage would be at the Cend of July F C F C
GEveryone said they were cDrazy
G"Brenda you know you're Cmuch too lazy
GEddie could never afFford to live that kind of lE7ife."
But tAm7here we were G/Bwavin' CBrenda and EDddie goodGbye.
Oh Foh oh Emoh oh Doh
They F/Cgot an apartment with deep pile carpet
And a Dcouple of paintings from SGears
A F/Cbig waterbed that they bought with the bread
They had Dsaved for a couple of Gyears
They F/Cstarted to fight when the money got tight
And Dthey just didn't count on the Emtears.
Whoa oh A7oh oh oh ohAm7 oh D
GD
GG/BCFCFC
GD
GFE7
Am7 G/B C D G F oh
EmOh oh Doh
They lF/Cived for a while in a very nice style
But it's Dalways the same in the CenGd
They F/Cgot a divorce as a matter of course
And they Dparted the closest of frCeh- Gends
Then the F/Cking and the queen went back to the green
But you can Dnever go back there aEmgain.
A7Whoa oh oh Am7oh oDh oh oh
GBrenda and Eddie had had it already
By the Dsummer of '75 D C D C
From the Ghigh to the low
To the G/Bend of the show
For the Crest of their lives F C F C
They Gcouldn't go back to the Dgreasers D C
The Gbest they could do was pick Cup the pieces
We Galways knew they would Fboth find a way to get E7by
Am7That's all I G/Bheard about CBrenda and DEddie
Am7Can't tell you G/Bmore than I Ctold you alDready
Am7And here we areG/B wavin' CBrenda and DEddie goodG
BGye. F C/E D
GFC/ED
GFC/ED
FGm7FC/FBb/FFCBb
hF/A oh oh oh Bb C F C F C
F A bottle of red, Gm7ooooFo and bottle of white
C/F Whatever kind of mood you're Bb/Fin tonFight
G7 I'll meet you F/Aany G/Btime you Cwant
In our IBbtalian CRestau-
rFant. Gm7 F
..sax:
CFmaj7Bbmaj7CFmaj7Bbmaj7
Dm7C/EFG7F/CC
Transcription and chart
Peter Kruger
email protected
2.

Scenes from a n italian restaurant

Tom: FAvançado
F
Bb
×C
3fr×C/Bb
×Am
G
3frG/A
×G/B
3fr×C/D
C/E
6fr×Eb
××D
×Am7
3frG/F
3frG/E
E
×B
Em
×A
××Dm
FA bottle of white, Bba bottle of red
CPerhaps a bottle of roBbse insteadF
CGet a table C/Bbnear the Amstreet
In our old faAmmilBbiar Cplace
You and I, Bbface to Cface, Bbum umm
FA bottle of red, Bba bottle of white
CIt all depends on your BbappeFtite
GI'll meet you G/Aanytime G/Byou Cwant
In our IC/DtaliC/Ean ReFstaurantBb
CFBbCFBb
EbGEbGD
GThings are okay with me these days
GGot a good job, got a good office
CGot a new wife, Am7got a new life
And the Dfamily's fine D D
Oh, Gwe lost touch long ago
GYou lost weight I did not know
CYou could ever Am7look so nice after Dso much time
Do you reEbmember those days hanging Bbout at the village Fgreen
EbEngineer boots, leather Bbjackets and tight blue Fjeans
Woah you drop a Ebdime in the box play the Bbsong about New OrFleans
EbCold beer, Bbhot lights
CMy sweet roDmantic teenage Gnights
GCAmD
GCAmD
GG
GG/FG/ED
GG/FG/ED
GOh G/Foh, oh G/Eoh, oh Doh oh oh oh
GOh, oh G/Foh, oh G/Eoh, oh Doh oh oh oh
GBrenda and Eddie were the popular steadies
And the Dking and the queen of the promD C
GRiding around with the G/Bcar top down and the Cradio on
GNobody looked any DfinerD C
Or was Gmore of a hit at the CParkway Diner
GWe never knew we could Fwant more than that out of Elife
Surely AmBrenda and AmEddBie would Calways know Dhow to surGvive
Oh G/Foh, oh G/Eoh, oh Doh oh oh oh
GOh, oh G/Foh, oh G/Eoh, oh Doh oh oh oh
GBrenda and Eddy were still going steady in the Dsummer of seventy five D C
GWhen they decided the G/Bmarriage would be at the Cend of July
GEveryone said they were Dcrazy D C
GBrenda you know that you're Cmuch too lazy
GEddie could never afFford to live that kind of Elife
Oh, but Amthere we were AmwavBing CBrenda and DEddie goodGbye
Oh G/Foh, oh G/Eoh, oh Doh
Well, they Cgot an apartment with deep pile carpet
And a Dcouple of paintings from GSears
A Cbig waterbed that they bought with the bread
They had Dsaved for a couple of Gyears
They Cstarted to fight when the money got tight
And they Djust didn't count on the Emtears, woh Amoh, woh oh...yeah rock n roll
GD
GG/BC
GDDC
GC
GFE
AmAmBCD
GOh G/Foh, oh G/Eoh, oh Doh
Well, they Clived for a while in a very nice style
But it's Dalways the same in the endG
They Cgot a divorce as a matter of course
And they Dparted the closest of friendsG
Then the Cking and the queen went back to the green
But you can Dnever go back there aEmgain, oh Amoh, oh Doh
GBrenda and Eddie had had it already by the Dsummer of seventy fiveD C
From the Ghigh to the low to the G/Bend of the show
For the Crest of their lives
They Gcouldn't go back to the DgreasersD C
The Gbest they could do was pick Cup their pieces
GWe always knew they would Fboth find a way to get Eby
AmThat's all I AmheaBrd about CBrenda and DEddie
AmCan't tell you AmmorBe cause I Ctold you alDready
And Amhere we are AmwavBing CBrenda and DEddie goodGbye
Oh G/Foh, oh G/Eoh, oh Doh oh oh oh
GOh G/Foh, oh G/Eoh, oh Doh oh oh oh
GOh G/Foh, oh G/Eoh, oh Doh oh oh oh
FEDCBA
CBbAGFE
F BbYeah yeah CyeahBb F
CC/BbAmAmBbCBbCBb
FA bottle of red, Bboooh a bottle of white
CWhatever kind of mood you're Bbin toFnight
GI'll meet you G/Aanytime G/Byou Cwant
In our IC/DtaliC/Ean ReFstaurantBb
CFBbCFBb
DmEmFGC
Notes:
? Run Down: There are no chords to fit over this part, the whole band plays therun down:
3.

Piano Man

Tom: CAvançado
×C
3fr×Csus
3fr××××C5
×G/B
F/A
3fr×C/G
F
C/E
××D7
G
F/G
3fr×C/B
×Am
F/E
××D
3frG/F
3frG/E
3frG/D
CCsusC5Csus
CIts nine o?clocG/Bk on a SaturdaF/Ay C/G
The reguFlar crowd shufC/Efles in D7 G
CThere?s an old man sittG/Bing next to me F/A C/G
Makin love toF his tonic and gin F/G C
CC/BAmAmGFGCCsusC5CsusC
He says, son, caCn you play me a memorC/By? Am Am G
I?m not Freally sure hoF/Ew it goes D7 G
But its sad Cand its sweet and I C/Bknew it completeAm Am G
When I wore a Fyounger manGs clothes C
AmLa la la, dAme dGe da D F
AmLa la, de dAme dGa da da D G G/F G/E G/D
SCing us a song, yC/Bou?re the piano man Am Am G
SFing us a song F/Etonight D7 G
Well, were all in tChe mood for a C/Bmelody Am Am G
And you?ve got us feelFin? alrightG C
CC/BAmAmGFGCCsusC5CsusCCsusC5Csus
Now john aCt the bar is a fC/Briend of miAmne Am G
He getsF me my drinks for fF/Eree D7 G
And he?s quick withC a joke or to ligC/Bht up your sAmmoke Am G
But there?s someplace that he?Fd rather be G C Csus C5 Csus C
He says, "Bill I Cbelieve thC/Bis is killingAm me," Am G
As the smile Fran away from hF/Eis face. D7 G
"Well I'm sure Cthat I could be C/Ba movie star,Am Am G
If FI could get out F/Gof this place.C"
And the waitressC is practicing poC/Blitics Am Am
As the businesFsmen slowly gets stF/Eoned D7 G
Yes, they?re sharing a Cdrink they calC/Bl loneliness Am Am G
But its betterF than drinkin? aloGne C
AmAmGDFAmAmGDFAmAmGDGG/FG/EG/D
CSing us a song, C/Byou?re the piano man Am Am G
SFing us a song F/Etonight D7 G
Well, were all in tChe mood for a C/Bmelody Am Am G
And you?ve got us feelFin alright G C
CC/BAmAmGFGCCsusC5CsusCCsusC5Csus
Its a pretCty good crowd for aC/B Saturday Am Am G
And the managerF gives me a smiF/Ele D7 G
cause he knows thatC its me they?ve beenC/B comin? to see Am Am G
To forget abFout life for aG while C Csus C5 Csus C
And the piano, Cit sounds likC/Be a carnival Am Am G
And the microphFone smells like a beF/Eer D7 G
And they sit at tChe bar and putC/B bread in my jarAm Am G
And say, man, what Fare you doin? here? G C
AmLa la la, dAme dGe da D F
AmLa la, de dAme dGa da da D G G/F G/E G/D
CSing us a song, C/Byou?re the piano man Am Am G
SFing us a song F/Etonight D7 G
Well, were all in tChe mood for a C/Bmelody Am Am G
And you?ve got us feelFin alright G C
CC/BAmAmGFGCCsusC5CsusCCsusC5Csus
4.

This is the time

Tom: BbAvançado
×C
×Bbmaj7
Bb
××Dm7
3fr×Cm
6fr×Eb
F
F/A
3frGm7
Fm
4frAb
G7
6fr×Ebm7
G
××Dm
×Am7
Em7
×A7
piano[Bb intro] C Bbmaj7 Bb C Bb Bbmaj7
Bb {} C Bbmaj7 Bb C Bb C
Dm7 {} Cm Eb F
Dm7 {} Cm Eb F
Dm7 We walked onCm thEbe beach beside tFhat old hotel.
Dm7 They're tearCmingEb it down now, buFt it's just as well.
Dm7 I haven't shCmownEb you everything Fa man can do
Dm7 so stay withCm meEb, baby, I've gotF plans for you. F F This is the
F/A time to reBbmember cuz it wiEbll not last foGm7reverF. These are
the
F/A days to hoBbld on to cuz we wEbon't altho' weGm7'll wFant to. This is
the
Bb time, Fm Ab but time is Gm7gonna change. G7 FYou've given me
Ebm7 the best of you Ebm7 and now I neBbed the resFt of you. G
Dm7 Did you know CmthaEbt before you camFe into my life
Dm7 it was somCme kEbind of miracle tFhat I survived.
Dm7 Someday we CmwilEbl both look backF & have to laugh.
Dm7 We lived thrCmu aEb lifetime & the Faftermath. F F This is the
F/A time to remeBbmber cuz it wEbill not las foGm7reverF. These are the
F/A days to holdBb on to cuz we wEbon't altho' weGm7'll wFant to. This is
the
Bb time buFmt tAbime is gonna chaGm7nge. G7 IF know we've got
Ebm7 to move somehow Ebm7 but I don't Bbwant to loFse you now. G
Dm Sometimes itAm7's so easy to let aBb day slip oCn by
Dm without evAm7en seeing each otheBbr at all.
Dm But this isAm7 the time you'll tuBbrn back & so will IEm7 A7
Dm and those willAm7 be the days you caBbn never reFcall.
Dm7pianoCmEbF
Dm7 {} Cm Eb F
Dm7 And so we embrCmaceEb again behind thFe dunes.
Dm7 This beach Cmis Ebcold on winter aFfternoons.
Dm7 But holding CmyouEb close is like hFolding the summer sun.
Dm7 I'm warm frCmom Ebthe memory of daFys to come. F TFhis is the
F/A time to rememBbber cuz it will notEb last forever.Gm7 F These are the
F/A days to hold Bbon to but we wEbon't altho' weGm7'll wFant to. This is
the
Bb time FmbutAb time is gonna cGm7hange. G7YouF'be given me
the
Ebm7 best of you, Ebm7 but now I need Bbthe rest oFf you. G
Dm7outroCmEbF
Dm7 {} Cm Eb F
Dm7 {} Cm Eb F
Dm7 {} Cm Eb F
Dm7 {} Cm Eb F
Dm7 {} Cm Eb F
Dm7 {} Cm Eb F
end
:
5.

Modern Woman

Tom: FAvançado
F
6fr×Eb6
F13
×A
Bb
4frAb6
×C
5fr×Dm11
×Am7
F/A
3frGm7
×Bb/F
C/E
6fr×Eb
FYou see her sittingEb6 with her coffee and her Fpaper Eb6
FWith her high top sEb6neakers of Italian desiFgn F13 A
BbWith a long cool stare sheAb6 aggravates thBbe tension Ab6
BbMakes up her face while shAb6e makes up herBb mind C
FNow you're in troubEb6le, maybe she's an intellFectual Eb6
FWhat if she figuresEb6 out you're not very smFart F13 A
Or mayBbbe she's the quiet type whAb6o's into heavy metal Bb Ab6
BbBoy, you got to get it setAb6tled, cause shBbe's breaking your heart
CDon't try to put on an act Dm11
You can'tAm7 do that to Bba modernF/A woman Gm7 Bb/F C/E
CAnd you're an old fashioned man Dm11
She underAm7stands the tBbhings yoF/Au're doin' Gm7 F
EbShe's a modern woman
FEb6FEb6FEb6FEb6
FShe looks sleek andEb6 she seems so prFofessional Eb6
FShe's got a lot of confidencEb6e, it's easy to see F F13 A
BbYou want to make a move buAb6t you feel so Bbinferior Ab6
BbCause under that exterior Ab6is someone whoBb's free C
FShe's got style andEb6 she's got her own money F Eb6
FSo she's not anotheEb6r honey you can quicklyF disarm F13 A
She's Bbgot the eyes Ab6that make yoBbu realize Ab6
BbShe won't be hypnotized by yourAb6 usual charm Bb
CYou've got your plan of attack Dm11
That won'Am7t attract thBbe modernF/A woman Gm7 Bb/F C/E
CWhen you're an old fashioned man Dm11
She underAm7stands the tBbhings yoF/Au're doin' Gm7 F
EbShe's a modern woman
FDbM7Eb6 Eb6F DEb6bM7 FAbM7Eb6 DbMF7 Eb6Eb6 DbM7 Csus4 %
FEb6FEb6FEb6FEb6
FTime goes by and yoEb6u're sharing an Fapartment Eb6
FShe says she loves you but sEb6he doesn't know why F F13 A
BbIn the morning she leaves Ab6you with your Bbcoffee and your paperAb6
BbIt's a strange situation fAb6or an old fashBbioned guy C
FBut times have chanEb6ged things are not the saFme, baby Eb6
FYou overcame such aEb6 bad attitude F F13 A
Rock and roll justBb used to be for kicks andAb6 nowadays it's politics Bb Ab6
BbAnd after 1986 what else could Ab6be new Bb
CYou got to learn to relax Dm11
And face Am7the facts ofBb modern F/Awoman Gm7 Bb/F C/E
CWhen you're an old fashioned man Dm11
She underAm7stands the tBbhings yoF/Au're doin' Gm7 F
EbShe's a modern woman
FEb6
FEb6FEb6FEb6
6.

Big Shot

Tom: EmAvançado
Em
G
5fr×D6
×C
F/C
Esus4
3frG/F
F/D
Em7
F
3frG/C
3frG/D
××D
F/A
C/E
3fr×C/G
×G/B
××D7
EmGEmG
EmD6CF/CC
Well you went Esus4uptown riding in your Glimousine
With your Esus4fine Park Avenue Gclothes
You had the Esus4Dom Perignon in your D6hand
And the spoon up your Cnose F/C C
And when you Esus4wake up in the morning With your Ghead on fire
And your Esus4eyes too bloody to Gsee
Go on and Esus4cry in your coffee but D6don't
Come bitchin' to Cme F/C C
Because you had to be a G/Fbig F/Cshot, G/Fdidn't F/Cyou
You had to G/Fopen F/Cup your G/Fmouth
You had to be a Gbig F/Dshot, Gdidn't F/Dyou
All your Gfriends were F/Dso knocked Cout
You Em7had to have the G/Flast F/Cword, G/Flast F/Cnight
You know what G/FeveryF/Cthing's aFbout
You had to have a F/Cwhite Chot F/CspotlCight
You G/Chad to be a G/Dbig Dshot G/Dlast Dnight
Break - Same as Intro:
EmGEmG
EmD6CF/CC
They were Esus4all impressed with your GHalston dress
And the Esus4people that you knew at GElaine's
And the Esus4story of your latest sucGcess
Kept 'em so enterCtained F/C C
Aw but now you Esus4just can't remember all the Gthings you said
And you're Esus4not sure you want to Gknow
I'll give you Esus4one hint, honey you D6sure
Did put on a CshoF/Cw C
Yes, yes, you had to be a G/Fbig F/Cshot, G/Fdidn't F/Cyou
You had to G/Fprove it F/Cto the G/Fcrowd
You had to be a Gbig F/Dshot, Gdidn't F/Dyou
All your Gfriends were F/Dso knocked Cout
You Em7had to have the G/Flast F/Cword, G/Flast F/Cnight
You're so much G/Ffun to F/Cbe arounFd
You had to have the F/Cfront Cpage, F/Cbold Ctype
You G/Chad to be a G/Dbig Dshot G/Dlast Dnight Whoa...
FWhoa F/Aoh F/Coh Cwhoa C/Ewhoa C/G
GWhoa G/Boh G/Doh D7whoa whoa
FWhoa F/Aoh F/Coh Cwhoa C/Ewhoa C/G
GWhoa G/Boh G/Doh D7whoa whoa
Well, it's Esus4no big sin to stick your Gtwo cents in
If you Esus4know when to leave it alonGe
But you went Esus4over the line you couldn't D6see
It was time to go Chome F/C C
No, no, no, no, no, no, you had to be a G/Fbig F/Cshot, G/Fdidn't F/Cyou
You had to G/Fopen F/Cup your G/Fmouth
You had to be a Gbig F/Dshot, Gdidn't F/Dyou
All your Gfriends were F/Dso knocked Cout
You Em7had to have the G/Flast F/Cword, G/Flast F/Cnight
So much G/Ffun to F/Cbe arounFd
You had to have a F/Cwhite Chot F/CspotlCight
You G/Chad to be a G/Dbig Dshot G/Dlast Dnight
Fade Out on Chorus Chords:
G/FF/CG/FF/C
G/FF/CG/FF/C
GF/DGF/D
GF/DGF/D
7.

Sleeping With The Television On

Tom: AAvançado
×A/C
×Bm
G
5fr×D/F
××D
×A
Em
Gmaj7
5fr×D/G
×A/B
×A7
5fr×D6
I've been wA/Catching you wBmaltz aGll night D/FDiane G
Nobody's Dfound a way behiBmnd your dAefenses D
They never nA/Cotice the zBmap gGun in your hD/Fand G
Until you're pD/Fointing it and sEmtunning their D/Fsenses
BmAll nAight loGng, all D/Fnight lEmong G
You'll shoot 'em D/Fdown because you're waitiBmng for someboAdy Bm
good to cAome on G
BmAll nAight lGong, all nD/Fight lEmong
But you'll be sleGeping with the tAelevision oGmaj7n
ABmD
AGmaj7
ABmD
AGmaj7
You say youA/C're looking fBmor somGeone soliD/Fd here G
You can't be botDhered with those `jBmust for tAhe night' boysD
Tonight unleA/Css you takeBm somGe kind of chD/Fances deaGr
Tomorrow morniD/Fng you'll wake uEmp with the whiD/Fte noise
BmAll nAight loGng, all D/Fnight lEmong G
You're only standD/Fing there 'cause somebodyBm once did A Bm
somebody Awrong G
BmAll nAight lGong, all nD/Fight lEmong
But you'll be sGleeping with theA television Bmon
Your eyes are saying tD/Galk to Gme, tD/Galk to Gme
But your attitude is "don't wA/Baste Bmmy tA/Bime" Bm D/G G
Your eyes are saying tD/Galk to Gme, tD/Galk to Gme
But you woD/Gn't heGar a word 'cause it jusBmt mAight be the sAame
oldBm liAne A7
This isn't A/Ceasy for me tBmo say GDiane D/F G
I know Dyou don't need anybBmody's proAtection D
I really wisA/Ch I was lesBms ofG a thinking D/Fman G
And more a fooD/Fl who's not afraEmid of rejectioD/Fn
BmAll nAight loGng, all D/Fnight lEmong G
I'll just be stanD/Fding here 'cause I know IBm don't have tAhe Bm
guts to cAome on G
BmAll nAight lGong, all nD/Fight lEmong
And I'll be sleGeping with the tAelevision onBm
Your eyes are saying tD/Galk to Gme, tD/Galk to Gme
But my attitude is "boy, don't waA/Bste yBmour A/Btime"Bm D/G G
Your eyes are saying tD/Galk to Gme, tD/Galk to Gme
But I won'D/Gt say Ga word 'cause it just mBmighAt be somebodyA
else's samBme oAld line A7
Instrumental verse
BmAll nAight loGng, all D/Fnight lEmong G
We're only standiD/Fng here 'cause somebody mBmight do somebAody Bm
wrAong G
BmAll nAight lGong, all nD/Fight lEmong
And we'll be slGeeping with the Atelevision oGmaj7n A Bm D
Sleeping with the AteleviGmaj7sion on
Sleeping with the tAelevisiBmon Don A Gmaj7 A Bm D
OoohhhhhAhhGmaj7, Sleeping with the tAelevision oD6n
8.

Captain jack

Tom: FMédio
F
×Bbmaj7
×Am
×C
××D
G
FBbmaj7FBbmaj7
FSaturday night and you're still Bbmaj7hangin' around
FTired of livin' in your Bbmaj7one-horse town
You'd Flike to find a little Bbmaj7hole in the ground
For a Amwhile u-hm-Chm
FSo you go to the village in your Bbmaj7tie-dye jeans
FAnd you stare at the junkies Bbmaj7and the closet queens
FIt's like some pornographic Bbmaj7magazine
And you Amsmile u-hm-Dhm
GCaptain DJack will get you Chigh tonight D
GAnd take you Dto your special Cisland
GCaptain DJack will get you Cby tonight D
GJust a little Dpush and you'll be Csmilin'
FBbmaj7FBbmaj7
FYour sister's gone out, Bbmaj7she's on a date
FYou just sit at home Bbmaj7and masturbate
FThe phone is gonna ring soon but you Bbmaj7just can't wait
For that Amcall u-hm-Chm
FSo you stand on the corner in you Bbmaj7New English clothes
FAnd you look so polished from your Bbmaj7hair down to your toes
Oh Fbut still your finger's gonna Bbmaj7pick your nose
After Amall u-hm-Dhm
FBbmaj7FBbmaj7
FSo you decide to take a Bbmaj7holiday
FYou got your tape deck and your Bbmaj7brand new chevrolet
FAh there ain't no place to Bbmaj7go anyway
And what Amfor u-hm-Chm
FSo you've got everything, ah Bbmaj7but nothing's cool
FThey just found your FatherBbmaj7 in the swimming pool
FAnd you guess you wont be going Bbmaj7back to school
Any Ammore D
GCaptain DJack can get you Chigh tonight D
GAnd take you Dto your special Cisland
Oh, GCaptain DJack will get you Cby tonight D
GJust a little Dpush and you'll be Csmilin' la la la
FBbmaj7FBbmaj7
FSo you play your albumsBbmaj7 and you smoke your pot
FAnd you meet your girlfriend in the Bbmaj7parking lot
FOh but still you're aching for the things you Bbmaj7haven't got
What went Amwrong u-hm-Chm
FAnd if you can't understand why your Bbmaj7world is so dead
FWhy you've gotta keep in style Bbmaj7and feed your head
FWell you're twenty one and still your Mother Bbmaj7makes your bed
And that's too Amlong DWhoa-whoa-whoa-yeah-yeah
GWell Captain DJack can get you Chigh tonight D
GAnd take you Dto your special Cisland
GWell now Captain DJack will get you Cby tonight D
GJust a little Dpush and you'll be Csmilin'
GOh Captain DJack will get you Chigh tonight D
GAnd take you Dto your special Cisle
GWell now Captain DJack will make you Chigh tonight D
GJust a little Dpush and you'll be Csmilin'
GYeah Captain DJack will get you Chigh tonight D
GAnd take you Dto your special Cisland
GCaptain DJack will Cmake Dyou high tonight
GDCDGDC
GDCDGDC
9.

She is always a woman to me

Tom: BbAvançado
Bb
6fr×Eb
4frAb
4frAb7
4frAb6
G
3fr×Cm
×Bb/D
F7
×A
F
××Dm
3frGm
4frAb/G
Fm
6fr×Ebm
2frF#/C
4frAb/C
×C
4fr×C#/C
Bbm
×B
2fr×B/Bb
×Bb6
×Bb7
6fr×Eb/D
6fr×Eb/G
6fr×Ebsus4
She can kill wBbith a smile, sEbhe can wound with herBb eyes Eb
She can ruin yEbour faith witAbh her casual lies. Ab7 Ab6 Ab7
And she only rBbeveals whEbat she wants you to seBbe G
She hidCmes like a childCm, bBbut she's always Aba woman to mBbe Eb Ab Eb
She can lead yBbou to love, she cEban take you or leaveBb you Eb
She can ask for the truth, but sAbhe'll never believe Ab7 Ab6 Ab7
And she'll take Bbwhat you give her as Eblong it's free Bb G
She steCmals like a thiefCm, bBbut she's always Aba woman to mBbe Eb Ab Eb Bb/D
CmOhhhCm...Bb F7 A she takeFs care of herselBbf. Dm A Gm
She can wait iEbf she wants, Ab Ab/G Fm she's ahead ofBb her time. Eb Ab Eb
EbmOhhh.F#/C.. Ab/C and sAbhe never gives ouCt, C#/C Bbm
and she never BbmgiveFs in, B B/Bb F7 A she just chaFnges her mind. Bb Bb6 Bb7
And she'll promiBb6se you more than tEbhe garden of Eden Bb Eb
Then she'll carelessly cut you and Ablaugh while you'rAb7e bleeding. Ab6 Ab7
But she?ll bringBb out the best and Ebthe worst you can Bbbe G
Blame it all Cmon yourself 'CmcauBbse she's always a wAbomen to me. Bb Eb Ab Eb
Hum this last part of verse
BbEbBbGCmCmBbAbBbEbAbEbEb/D
CmOhhhCm...Bb F7 A she takeFs care of herselBbf. Dm A Gm
She can wait iEbf she wants, Ab Ab/G Fmshe's ahead ofBb her time. Eb Ab Eb
EbmOhhh.F#/C.. Ab/C and sAbhe never gives ouCt, C#/C Bbm
and she never gBbmivesF in, B B/Bb F7 A she just chaFnges her mind. Bb Bb6 Bb7
She's freqBb6uently kind aEbnd she's suddenly crueBbl. Eb
She can do as Ebshe pleases, sAbhe's nobody's fool. Ab7 Ab6
But she can'tBb be convicted, sEbhe's earned her degrBbee. G
And the most Cmshe will do is thrCmow Bbshadows atAb you, Eb/G
but she's alwayFms a woman tBbo me Eb Ebsus4 Eb
Hum the last part of verseââ. Retard and out
BbEbBbGCmCmBbAbBbEbEbsus4Eb
10.

I Dont Want To Be Alone

Tom: AbAvançado
4frAb
Bb
3fr×Cm
6fr×Eb
××Dm7
G
4frAb/C
G7
×B
4frAb6
Fm
AbShe said she'd Bbmeet me in the Cmbar at the BbPlaza Hotel
Ab "Wear a Bbjacket and a Ebtie" Bb Ab
"What's the oc-ca-Bbsion?" She just smiled
Cm And she wouldn't say Dm7why G
AbSo here I Bbam standing, Cmwaiting in the lobBb-by sweating
AbBullets in this Bbstupid old Ebsuit Bb Ab
And when she Bbsees me she busts Cm out laughBbing, "You're a
AbSad sight honey, Ab/Cbut you Bblook so cute and
EbI don't want to be a-Bblone anymore, I was
EbChecking you out, I was Bbjust making sure
EbNo, I don't want to be a-Bblone anymore, and I
EbWant you tonight, although you Bbhurt me before."
G7 It didn't G7matBter that I Cmfelt like Bba Abfool, cause I for-
Ebgot when she walked through the Dm7door
G7I said I'm G7sorBry, but she Cmsaid it Bbwas Abcool, and I don't
CmWant to be Bbalone anymore
EbAb6FmAbCmBb
AbIt's so con-Bbfusing choosing Cmsides in the heat Bbof the mo-
Ab ment just to Bbsee if it's Ebreal Bb Ab
It's so e-Bbro-tic having
CmYou tell me how it should feelDm7 G But I'm avoiding all the
AbHard cold Bbfacts that I've Cmgot to face, Bbso ask me
AbJust one Bbquestion when this Ebmagic night is through Bb Ab
Could it have Bbbeen just any-Cmone or did it have Bbto be you
Ab Ab/C Bb And will you still be saying
EbI don't want to be a-Bblone anymore, I was
EbChecking you out, I was Bbjust making sure
EbNo, I don't want to be a-Bblone anymore, and I
EbWant you tonight, although you Bbhurt me before
G7 It didn't G7matBter that I Cmfelt like Bba Abfool, cause I for-
Ebgot when she walked through the Dm7door
G7I said I'm G7sorBry, but she Cmsaid it Bbwas Abcool, and I don't
CmWant to be Bbalone anymore Eb
AbBbCmBb
AbBbEbBbAb
BbCmDm7
GBut, don't you know that it's
AbWrong, it's wroBbng, it's wrong Cm But like the soBbng, being
AbCaught by the Bbwink of an eEbye Bb Ab
I can't be Bbsure we'll get a-Cmlong
But I'm wil-Bbling to try
Ab Ab/C Bb As long as you can tell me
EbI don't want to be a-Bblone anymore, I was
EbChecking you out, I was Bbjust making sure
EbNo, I don't want to be a-Bblone anymore, and I
EbWant you tonight, although you Bbhurt me before
G7 It didn't G7matBter that I Cmfelt like Bba Abfool, cause I for-
Ebgot when she walked through the Dm7door
G7I said I'm G7sorBry, but she Cmsaid it Bbwas Abcool, and I don't
CmWant to be Bbalone anymore. Eb