toca aquela
Balthazar
Revistinha de Cifras

Balthazar

10 músicas|30 acordes usados|Avançado

Acordes usados

F#m
4fr×C#m
Em
××D
E
××Fmaj7
6fr×Ebmaj7
4fr×C#maj7
3fr×C/F
2frF#maj7
×Bbmaj7
F
3fr×Cm7
A#m
G
×B
×A
3fr×Cm
Fm
Bb
6fr×Eb
×C
××Dm
×Am
3frGm
Bbm
6fr×Ebm
4frAb
Gb
×Bm
1.

I'm Never Gonna Let You Down Again

Tom: F#mMédio
F#m
4fr×C#m
Em
××D
E
F#mC#mEmD
F#mC#mEmD
F#mFriday late C#mnight narratives
The Emsoft touch of your Dhand, I wonder
F#mCould I taste C#ma difference
Now I'm no Emlonger in deDmand?
F#mAnd I don't see C#mit clearly
EmMust have had too Dmuch
But IF#m don't want it C#manother way
See, I Emmust be losDing touch
If you F#msee me with C#manother
Another Emone who's in Dmy arms
Just reF#mmember not C#mto bother
I'm never gonna Emlet you down aDgain
And if you F#mcatch me with C#manother
Another Emone that's been Daround
WhatF#mever you may C#mthink of her
I could never Emlet you down aDgain
It's all about trust
F#mGirl, don't Elook back at the past C#mwhen you're feeDling low
F#mAs I might Ebe up to something C#mthat you oughtD to know
F#mGirl, it's Enot our time or C#mplace aDnymore
F#mYou just Eshould know I'm never going to C#mlet you down aDgain
F#mSaturday's C#msmooth injuries
We Emhad it coming Dsoon, I wonder
F#mCould I hear C#mthe difference
Now Emthat you've changed Da tune?
F#mI rambled on C#mso anyway
Or Emcan we call it Dquits?
And is thisF#m what I need C#mto take away?
This Emcheckmate in Dmy mind
So if you F#msee me with C#manother
Another Emone who's in Dmy arms
Just reF#mmember not C#mto bother
I'm never gonna Emlet you down aDgain
And if you F#mcatch me with C#manother
Another Emone that's been Daround
WhatF#mever you may C#mthink of her
I can never Emlet you down Dagain
It's all about trust
F#mGirl, don't Elook back at the past C#mwhen you're feeDling low
F#mAs I might Ebe up to something C#mthat you oughtD to know
F#mGirl, it's Enot our time or C#mplace aDnymore
F#mYou just Eshould know I'm never going to C#mlet you down aDgain
F#mC#mEmD
F#mC#mEmD
F#mYou're on the oC#mther side and I
EmWant to let you Dknow, girl
F#mYou're on the oC#mther side
I'm never gonna Emlet you down aDgain
F#mYou're on the oC#mther side and I
EmWant to let you Dknow, girl
F#mYou're on the oC#mther side
I'm never gonna Emlet you down aDgain
It's all about trust
F#mGirl, don't Elook back at the past C#mwhen you're feeDling low
F#mAs I might Ebe up to something C#mthat you oughtD to know
F#mGirl, it's Enot our time or C#mplace aDnymore
F#mYou just Eshould know I'm never going to C#mlet you down aDgain
2.

Wire Bumblebee

Tom: FAvançado
××Fmaj7
6fr×Ebmaj7
4fr×C#maj7
3fr×C/F
2frF#maj7
×Bbmaj7
F
3fr×Cm7
WIRE (Bumblebee) - Balthazar
Fmaj7Ebmaj7C#maj7Ebmaj7C/F
F#maj7Bbmaj7C#maj7
See,
Fmaj7 this wasn't supposed
Ebmaj7 to C#maj7 happen to leave you
Ebmaj7 with your C/F thoughts, to leave you
at F#maj7 your Bbmaj7 wire where you bumped
C#maj7 into more.
Fmaj7 You're clinging to
Ebmaj7 tales of C#maj7 ghosts, hear them as if
Ebmaj7 they're true. C/F Although they bring
F#maj7 you things Bbmaj7 that you don't want
C#maj7 them to.
Fmaj7Ebmaj7C#maj7Ebmaj7C/F
F#maj7Bbmaj7C#maj7
Fmaj7 When I run out
Ebmaj7 of time, C#maj7 well, you freak out
Ebmaj7 your mind C/F to go care for all
F#maj7 the small things Bbmaj7 I have no
C#maj7 clue about.
Fmaj7 I have the miles
Ebmaj7 to shout at, C#maj7 but both your ears
Ebmaj7 go cold C/F and leave me at
F#maj7 my wire. Bbmaj7 Wish that I
C#maj7 was told
Inter: (2x)!
F Aaah aaah aaah Cm7 aaah
'Cause if you F leave it like this the distance's all we've Cm7 known.
Yeah if you F leave it like this the distance's all that's Cm7 grown.
C#maj7
Fmaj7 This wasn't supposed
Ebmaj7 to C#maj7 happen to not have you on
Ebmaj7 my side, C/F to lose you on
F#maj7 a wire Bbmaj7 where you stay
C#maj7 out of sight.
Fmaj7 And with your head
Ebmaj7 in your C#maj7 hands I cannot read
Ebmaj7 your face, C/F can't read between
F#maj7 the lines Bbmaj7 that this is a
C#maj7 shut case
Break: (4x)!
Fmaj7Ebmaj7C#maj7Ebmaj7C/F
F#maj7Bbmaj7C#maj7
Inter:(2x)!
Fmaj7 Aaah aaah aaah Cm7 aaah
'Cause if you F leave it like this the distance's all we've Cm7 known.
Yeah if you F leave it like this the distance's all that's Cm7 grown.
'Cause if you F leave it like this the distance's all we've Cm7 known.
Yeah if you F leave it like this the distance's all that's Cm7 grown.
C#maj7
Fmaj7Ebmaj7C#maj7Ebmaj7C/F
F#maj7Bbmaj7C#maj7
Fmaj7 x810 9108
Ebmaj7 x6 8 7 86
C#maj7 x4 6 5 64
C/F x810 9 88
F#maj7Bbmaj7 x1 3 2 31
F 13 3 2 11
Cm7 x3 5 3 43
3.

Whatchu Doin

Tom: A#mAvançado
A#m
G
F
×B
×A
A#mI know it all too well
GAlways a-coming back
FShould find the ways to tell
I'm Bwalking the very same track
A#mI want it different now
GI want a way to face it
F'Cause in a way somehow
BIt feels like so much time wasted
A#mNext time just pull the trigger
GNo dragging me around
FDon't make it any bigger
BWhen the fire has burned out
A#mAnd next man who's in line
GBetter knows what lies behind
FThat kind of smile of yours
Is Beverything as it runs its course
Baby, where is your remorse?
A#mWhatchu doin'
GGirl, you're overstepping Fit quite a lot B
A#mIf that's what you reap, then
GThen I must have been misFtaken a lot B
A#mYour grip was firm but
GYou did find a way to Flose what you got B
A#mIt's not up to me to
GLet you know what is Fright, what is not B
A#mIn between loving me
Gand some cheap thrill
FYour thrill didn't come cheap
BBut what you're sowing, you gotta reap
A#m
A
GThat you can't control
FIs a situation
BThat gets onto your very soul
A#mI'm not against it
GI recommend it
FBut the time when I was down
BYou timed to never be around
A#mNext man who?s in line
GBetter knows what lies behind
FThat vivid talk you got
It Bcosts a man an awful lot
Well baby, just an afterthought
A#mWhatchu doin'
GGirl, you're overstepping Fit quite a lot B
A#mIf that's what you reap, then
GThen I must have been misFtaken a lot B
A#mYour grip was firm but
GYou did find a way to Flose what you got B
A#mIt's not up to me to
GLet you know what is Fright, what is not B
Honey, be A#mcareful
It's time that you Gbought
Karma won't Ftreat you
Like someone you're Bnot
Honey, be A#mcareful
It's time that you Gbought
Karma won't Ftreat you
Like someone you're Bnot
Honey, be A#mcareful
It's time that you Gbought
Karma won't Ftreat you
Like someone you're Bnot
Honey, be A#mcareful
It's time that you Gbought
Karma won't Ftreat you
Like someone you're Bnot
Honey, be A#mcareful
It's time that you Gbought
Karma won't Ftreat you
Like someone you're Bnot
Honey, be A#mcareful
It's time that you Gbought
Karma won't Ftreat you
Like someone you're Bnot
4.

Sarah

Tom: CmAvançado
3fr×Cm
G
Fm
Bb
6fr×Eb
×C
Cm Sarah, onde é que você se esconde? G
Sarah, minhas cartas por que não responde? Cm Fm G
Cm Sarah, não me deixe ficar tão triste, Fm
Sem sabeCmr se você aindGa existe. Cm Fm G
Cm Sarah, onde é que você se esconde? G
Sarah, minhas cartas por que não responde? Cm Fm G
Cm Sarah, não me deixe ficar tão triste, Fm
Sem sabeCmr se você aindGa existe. Cm
Eu não sei Fmse você moBbreu na guerra, Eb Cm
Eu não sei seG você sobreviveu, Cm Eb
Eu só seiFm que não há ningBbuém na Terra, Eb Cm
Que sintGa sua falta como eu, Cm Eb
Eu só seiFm que não há ninBbguém na Terra, Eb Cm
Que sintGa sua falta como eu. Cm
C Sarah, eu sou seu melhor amigo, G
Sarah, bem que eu quis trazer você comigo, C
Mas você Fmnão me quis acoBbmpanhar, Eb Cm
E agoraG não sei onde lhe encontrar, Cm Eb
Mas você Fmnão me quis acoBbmpanhar, Eb Cm
E agoraG não sei onde lhe encontrar. Cm Eb
SerFmá que você vive Bbem Israel? Eb Cm
Ou será Gque você está no céu? Cm Eb
SerFmá que você vive Bbem Israel? Eb Cm
Ou será Gque você está no céu? Cm
CmBbFmEbG
Enviada por Enderson Valadares dos Anjos (Lord Lupercus)
Engenheiro Químico (UEAP) e músico.
5.

True Love

Tom: DmMédio
××Dm
Bb
×Am
3frGm
Dm No matter what, it Bbalways sAmeems
Dm To find its way, inBbto myAm dreams
Dm No matter what, it's Bbhow I mAmake
A Gmthousand variations of the Bbsame misAmtake
Dm No matter how, it's the Bbsame old Amthing
Dm You got me trapped in mBby freedom Amagain
Dm So get it done, however Bbthat may Ambe
Gm But anyway don't you go Bbsoft on Amme
Dm Come on
Bb Just let it Amall out tonight
Dm Come on
Bb Just let it Amall out tonight
Dm Come on
Bb Just let it Amall out tonight
Dm Come on, gBbirl Am
Dm The more precise your Bbplan has Ambeen
Dm The more chaotic when Bblust kiAmcks in
Dm But anyway we shBbouldn't be surAmprised
Gm How can true love ever be BbciviliAmzed
Dm Come on
Bb Just let it Amall out tonight
Dm Come on
Bb Just let it Amall out tonight
Dm Come on
Bb Just let it Amall out tonight
Dm Come on, gBbirl Am
DmWhy, why should we wait ?
BbWhy should we hidAme ?
DmFrom the confrontration
BbWith the lAmight
Dm Come on
Bb Just let it Amall out tonight
Dm Come on
Bb Just let it Amall out tonight
Dm Come on
Bb Just let it Amall out tonight
Dm Come on, gBbirl Am
6.

Blood Like Wine

Tom: AAvançado
×A
××D
××Dm
F#m
×B
E
F
Great song, shocked to see it was not yet tabbed! Here are the chords:
In short:
A How long since I Dgot some sleep
A How long since she grew her Dhair to keep
A The night from getting Dcolder for
A The owl living upon her Dshoulder Dm
F#m 'Cause one way or theB other she will Dm drink my Ablood like wine
F#m The only question lBeft is whether that Dmday the Ahorns will sound
F#m And one way or the B other it will Dm keep me Adragging on
For hell knows howD long
A And now the carnival bandD is gone
A This land reaching from the riverside where it beginsD to the hour where it ends
It belongs to Dmme or at least that's what she pretends
F#m 'Cause one way or theB other she will Dm drink my Ablood like wine
F#m The only question lBeft is whether that Dmday the Ahorns will sound
F#m And one way or the B other it will Dm keep me Adragging on
For hell knows howD long
F#m Like the oldest was sent ahead of the otherD
In the middle of a small townA where everybody sleeps with friend and enemy
oneE after the other F F#m
F#m Yeah baby that's where we were Dborn for each other
AEFF#m
F#m Raise your glassD to the nighttime and the wayAs
To Echoose a mood and have it replaceFd F#m
repeat 6x
Thank you!
7.

Powerless

Tom: BbmAvançado
Bbm
6fr×Ebm
Fm
4frAb
Gb
×B
BbmOh when you don't see it coming
EbmWhen it hits, you cFmannot move at Bbmall Ebm Fm
BbmAnd it all happens in a second
EbmYou find yourself Fmstaring at a wBbmall Ebm Fm
AbI look left but eGbverything is bBbmlack there, honey
AbI look right I caGbn't see what'sBbm going on
AbI look back and eGbverything is pBbmerfect, honey
But then your Blight is coming Gbon
BbmPower, Ebmless and less it Fmcomes to this
BbmPower, sEbmhut down and restFmart
BbmPower, Ebmless and less it Fmcame to this
BbmPower, it's the Ebmreset of the Fmheart
BbmOh when you don't see it coming
EbmWhen it hits, you sFmtumble and you Bbmfall Ebm Fm
BbmAnd you're reminded there's a button
EbmAnd whеn it's pushed, anFm angel makes aBbm callEbm Fm
AbI look left but eGbverything is bBbmlack there, honey
AbI look right I caGbn't see what'sBbm going on
AbI look back and eGbverything is pBbmerfect, honey
But then your Blight is coming Gbon
BbmPower, Ebmless and less it Fmcomes to this
BbmPower, sEbmhut down and restFmart
BbmPower, Ebmless and less it Fmcame to this
BbmPower, it's the Ebmreset of the Fmheart
BbmHmmmmEbmmm, HFmmmmmmmm, Hmmmmmmmm
8.

Leipzig

Tom: EmCapo 3Médio
Em
×Bm
G
×A
OoooEmooooooooooh
BmG
BmG
BmThere's a place
EmI think that you could take me there
BmIf you only showed me where
EmCause I've been waiting in despair
BmIf there's a need
EmTo lose my rags and change my name
BmIt is agreed
EmCause these rooms starts to feel the same
GWhen the fire comes to cEmlose
Don't bother Bm(ooooooohhh)
GCause the tides swallows Emone after another (Bmooooooooh)
BmSometimes your shadow
EmAnd I will hold it by the hand
BmCause when darkness fell
EmI picked it up and did first hand
GAnd the fire comes to Emclose
Don't botherBm (ooooooh)
GCause the tides swallows Emone after another Bm(oooooh)
GIf the freezing starts to Emwin
Don't bother Bm(oooooooh)
GCause I'm your follower andEm you're my lover
BmPicking up the card my lGover
BmRoll the curtains and the cGover
AI will line up in your sGhadow
ASweep the dirty road I foGllow
BmPicking up the card my lGover
BmRoll the curtains and the cGover
AI will line up in your sGhadow
ASweep the dirty road I foGllow
GAnd the fire comes to Emclose
Don't botherBm (ooooooh)
GCause the tides swallows Emone after another Bm(oooooh)
GIf the freezing starts to Emwin
Don't bother Bm(oooooooh)
GCause I'm your follower andEm you're my lover Bm
9.

I Looked For You

Tom: CmAvançado
3fr×Cm
3frGm
Fm
I looked for youCm in everyGmone
I looked between the Cmmoon and the sGmun
I look for you in Fmgirls that are Gmnot
Even reFmsembling the picture I've Gmgot
I asked ifCm you were seen down the pGmark
Old men on Cmbenches, they had Gmnot
I looked in Fmchurches, cemeteries and Gmbars
I looked in the Fmvoid between the sGmtars
All the while, Cmah, ah, ah, ah-Gmah
I Fmmight have known, you were waiting home yeah
CmAh, ah, ah-Gmah, ah
You get Fmtired of waiting for me baby
CmAh, ah, ah-Gmah, ah
I Fmmight have known, you were waiting home yeah
CmAh, ah, ah-Gmah, ah
You get Fmtired of waiting
I asked ifCm you were seen down in Gmhell
prophets of Cmbad weeather couldn't Gmtell
I searched in Fmbrothels, and I Gmlooked
for your name in Fmevery library Gmbook
I showed your Cmpicture to the Gmman
working at thCme newspaper Gmstand
been looking every Fmwaitress in the Gmeye
I looked from the Fmgutter right up to the Gmsky
All the while, Cmah, ah, ah, ah-Gmah
I Fmmight have known, you were waiting home yeah
CmAh, ah, ah-Gmah, ah
You get Fmtired of waiting for me baby
CmAh, ah, ah-Gmah, ah
I Fmmight have known, you were waiting home yeah
CmAh, ah, ah-Gmah, ah
You get Fmtired of waiting
10.

Nightclub

Tom: AMédio
×A
F#m
××D
×Bm
A
F#mDA
F#mCrippled by this Draw deAsire
I F#mkeep on reaching Dhigh and Ahigher
And now the sF#mtars replaced the Dsun
And there'sA a woman's face
In each and everyF#mone
And it's Dall so blAinding
A little goF#mes a long wAay
A lot of it a Dlong way fBmurther
A little goF#mes a long wAay
A lot of it a Dlong way fBmurther
At F#mfirst it just afDfects your sAkin
But then it F#mtakes you over Dfrom withAin
It sF#mhines out through yoDur eyes
It starts to Ashine out past the drought
Inside of your F#mmouth
And it's Dall so blAinding
A little goF#mes a long wAay
A lot of it a Dlong way fBmurther
A little goF#mes a long wAay
A lot of it a Dlong way fBmurther
A So I'm not going hF#mome Babe A D Bm
Why should I F#m A D Bm
A little goF#mes a long wAay
A lot of it a Dlong way fBmurther
A little goF#mes a long wAay
A lot of it a Dlong way fBmurther
F#mADBm
F#m
A
F#mDA
F#mADBm
F#m