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Words and Music by P. Baltes, U. Dirkschneider, J. Fischer, W. Hoffmann, S. Kaufmann and Deaffy
EADGBE
EADGBE
EADGBE
Q=135
4/4
Gtr I
| GEtr EII E E E E E E E E E E E E E E
| EGtrE IIEI E E E E E E E E E E E E E
| W W
B5D5E5
EEEEEEEEEEEEEEEE
EEEEEEEEEEEEEEEE
EEEE
G5D
EEEEEEEEEEEEEEEE
| E E E E E E E E E E E E E EPME E
| +W +H E E Q
B5D5A5
EEEEEEEEEEEEEEEE
EEEEEEEEEEEEEEEE
EEEE
A5
EEEEEEEEEEEEEEEE
| E E E E E E E E E E E E EPM-E| E E
| +W +H E E Q
B5 ~~~~~ D5 E5
W +H Q. E
EEEEEEEEEEEEEEEE
EEEE
G5D
EEEEEEEEEEEE
| E E E E E E E E E E E E E EPME E
| +W +H E E Q
B5 \1_____| D5 A5
EEEEE
EEEEEEEEEEEEEEEE
EEEE
A5 A5 A5 A5\2___/ A5
E a E S S S S S S S S S S E S +E E +Q +Q Q a
| PM
| Q. E +Q Q +E Q. E E Q a
| PM-|
| +Q. E +Q Q +E Q. E E Q a
B5Gtrs I, IIE5 A5 B5 A5
PM
EEEEEEEE
$
D5A5B5G5DB5G5D
EEEEEEEEEE
D5A5
EEEEEEEEEEEEEE
B5 G5 D E5 F B5 G5 D A5 PM|
H Q. E +Q. E E Q. H Q. E +Q. E E Q.
To Coda
B5 H G/D Q. E5 E +Q. E E Q.F B5 H G/D Q. A5 E
| Gtr III
| W W W
+W +W
| /1______________|
| ~~~~~~~~~~~~
| E Q. +H +H. Q
E5 ~~~~ PM
Q. H a E E E E E +E Q S S S
| Gtr II
| GEtr IIIE E E E E E E E E E E E E E E
EEEEEEEEEEEEEEEE
A5 E \1/ \1/ \1/
E E E E E E +E +S S E E E S S S S a Q S +S +S +S
EEEEEEEEEEEEEEEE
EEEEEEEEEEEEEEEE
E5 PM
E Q +E E Q +E E E Q S +S +S S E S S S
EEEEEEEEEEEEEEEE
EEEEEEEEEEEEEEEE
D5 A ~~~~
E. +S S S S S S S S S S S Q +W
EEEEEEEEEEEEEEEE
EEEEEEEEEEEEEEEE
B5Gtr I E5 A5
| Gtr II E E E E
EEEEEEEEEEEE
1.,2. 3.
B5 A5 PM B5 A5 PM B5
EEEEEEEE
EEEEEEEEEEEE
D.S. al Coda
B5D5E5A5B5
EEEEEE
EEEEEEEEEEEEEEEEEE
Guitar Solo 2
&
A5Gtr I
/1_____________|
E T T T T H +Q +H H
| Gtr II
| W +W
| Gtr III
| W +W
B5 E5 \1/ A5
~~~~~~~
Q. Q. Q E E E E +E. S +Q
EEEE
EEEEEEEEEEEEEEEE
S S S S S S S +S S S S S S S B5 S S
EE
EEEEEEEE
\2 A5 B5 E5
S S S S H +E E Q +E. S S S S S S S S S
| PM|
EEEE
EEEEEEEEEEEEEE
E5 ~~~~ A5 B5
E Q. Q Q S S S S S S S S S S S S E S S +Q
EEEE
EEEEEEEEEEEEEEEE
+E. S +S E S +E E E E
| +W
EEEEEEEE
G5Gtr I A5 B5 A5
~~~
| Gtrs II, EIII E E E E E E E E E
EEE
B5
EEEEEEEEEE
EEEEEE
E5 Bm Bm D B5 ~~~ A5
EEEEEEEEE
EEEEEEEE
S S S S S S S S S S S S S S S S S S
EEEEEEEE
\1__________/
~~~~~
Q. +E +Q Q
EEEEEE
Out-Chorus
B5Gtrs I,G5 IID E5 F B5 G5 D A5 B5
PM PM PM PM|
EEEEEEEEE
B5 PMG5 DPME5 B5 B5
EEEEEEE
+H.. B5E +H +E B5Q. +W B5Q Q H
Duration Legend
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
n - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
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