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DmAmEDmAmEAmDmAmE
After intro strum A for 2 measures
F#mHarness your hopes on just one peArson
Because you know a hF#marness was only made for oAne
Don't telegraph your paF#msses, you'll end up with molaAsses
Cauterized with sF#myrup and syrup and molaAsses
AAnd I'm checking out the Basses, the assets that attrDact us
To anything that mF#moves.. we're deep inside the grAooves
AAnd it's time to shake the rBations, 'cause someone's gonna cDash in
The plot it turns aF#mgain.. the reference starts at Aten
F#mShow me a word that rhymes with pAavement
And I won't kill your pF#marents and roast them on a Aspit
And a - don't you try to F#metch it or permanently skeAtch it
Or you're gonna cF#match a bad bad cAold
AAnd the freaks have stormed the Bwhite house, I moved into a Dlighthouse
It's on a scenic F#mquay, is oh so far aAway
AFar away from the begBinning, the shroud is made of LDenin
The yearling took the pF#murse, the goth kid has a heAarse
EHeart breaking, Eearth quaking, Ekiwis they are home baking
DMinds.. Awide.. Bo-Epen.. Dtrue-Aly
F#mLeisure.. a leisure suit is notAhing
AIt's nothing to be pF#mroud of.. in this late centurAy
AAnd I'm asking you to F#mhold me just like the morning pAaper
APinched between your pF#mointer, your index and your thAumb
AIt's a semi autoBmatic.. believers are ecDstatic
You see the way they cF#mling.. the cold metallic sAting
AAnd I'm living in a cBoma.. for Donna DeVDorona
The harness made of F#mhopes.. the lovers on the rAopes
ENun is to chEurch as the pEarrot is to pEerch
And my hDeart's Awide Bo-Epen Dtrue-Aly
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