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Blue Öyster Cult
Chord Booklet

Blue Öyster Cult

8 songs|27 chords used|Hard

Chords used

×Bm
E
F
×A
××D
3frGm
×C
Bb
G
×Bb/C
3fr×C/Bb
3fr×C/A
×Bb/A
4frAb
4fr×C#m
3fr×Cm
F#m
×B
4fr×C#m7
E/G
×Am
5fr×D/F
Em
×Cmaj7
3frG/F
6fr×Eb
××Dm
1.

Train True

Key: BmMedium
×Bm
E
F
×A
××D
BmWell, I was standing on the train tracks on a midnight blue
ETrying to remember where I left my shoes
FAnd in a natural way
My thoughts returned to Bmyou
BmSo I walked into a honky-tonk jukebox saloon
ETo reflect on my losses and rock to some tunes
FI thought it all through
Then I figured out what to Bmdo
BmI’d start working for the train, train, feedly-dang
EFeedle-otten Deeten-do Dangy-do
Feedle-otten Deeten-do Ding-Train-FTrue
I started working for the train when I was looking for Bmyou
BmSprung from the ward steel brainpan, pity-pity
ELooked you up in Freehold for a face that I could trust
FThe foreman said you’d left out
In some kind of state
BmHe pointed at the office it was already late!
BmI smoothed down my hair
And went to talk to the boss
EHe was weary, short-tempered
And had one eye on the clock
FHe said I had just seconds to make my case
BmI put one hand on his shoulder
And stuck the other in his face
BmAnd I said:\u2028“Feelings, feelings, are somewhat symptomatic of
ASocietal abrasions that conform electric static”
EHe said, “Son I don’t think you have that much of a brain”
BmI said, “You’ve got to have a brain when you’re working for the train”
BmAEBm
BmAFEDBmAFED
BmIt’s a long run to Trenton
When you start about five
ESome folks are tired and hungry
Some are barely alive
FBut when that engine starts pumping
Those familiar tones
BmI don’t care where the train is going
Cuz I’m already home
BmI spent a long year
Dancing up and down that aisle
EPestering my savior just to let me see your smile
FThe salesman was drunk
My training shot to the fore
BmI put my shoulder in his gut
FAnd knocked his samples on the floor
BmAnd I said:\u2028“Feelings, feelings, are somewhat symptomatic of
ASocietal abrasions that conform electric static”
EHe said, “Son I don’t think you have that much of a brain”
BmI said, “You’ve got to have a brain when you’re working for the train”
BmTrain, train, feedly-dang
EFeedle-otten Deeten-do Dangy-do
Feedle-otten Deeten-do Ding-Train-FTrue
I started working for the train when I was looking for Bmyou
BmThe Princeton Junction Depot
Is straight known to be staid
EThey wear Hound’s-tooth and khaki
Most have already paid
FI looked under my visor
My heart stopped like it got froze
BmLipstick like a ‘60s ‘Vette
And polish on your toes
BmYou had half of a smile
Watching me shakin’ like a hound
EAs triumpth filled my body
Missing love had been found
FI whooped and called “Metuchen”
As I stepped through the door
BmI put my hands around your hips
And kissed you then and ever more
BmAnd I said:\u2028“Feelings, feelings, are somewhat symptomatic of
ASocietal abrasions that conform electric static”
EShe said, “Son I don’t think you have that much of a brain”
BmBut youI got to have a brain cos you’re working for the train”
BmTrain, train, feedly-dang
EFeedle-otten Deeten-do Dangy-do
Feedle-otten Deeten-do Ding-Train-FTrue
I started working for the train when I was looking for Bmyou
FI started working for the
BmTrain, train, feedly-dang
EFeedle-otten Deeten-do Dangy-do
Feedle-otten Deeten-do Ding-Train-FTrue
I started working for the train
And now I’ve finally found you
BmI’vAe FfiEnaDlly found you
BmI’vAe FfiEnaDlly found you
BmI’vAe FfiEnaDlly found you
BmI’vAe FfiEnaDlly found you
2.

Mistress Of The Salmon Salt Quicklime Girl

Key: GmHard
3frGm
F
×C
Bb
×A
G
××D
×Bb/C
3fr×C/Bb
3fr×C/A
×Bb/A
4frAb
4fr×C#m
3fr×Cm
GmIn the garden dFistrict, whCere the plants grow stGmrong and tall
BehBbind the bush there lAurks a girl, who mGakes them strong and tGmall
They just call herGm, QuCicklime GBbirl, behind her backF, Gm QuCicklime BbGirl
Behind the bushF, Gm QuCicklime BbGirl, she's the mDistress of the salmon salt
QCuicklime Bb/CGirl, QC/Bbuicklime GBbirl, QuC/Aicklime Bb/AGirl Gm
GmIn the fall when plFants return, by hCarvest time, she kGmnows the score
RBbipe and ready Ato the eye, but rAbotten somehow Gmto the core
And they call herGm, QuCicklime GBbirl, behind her backF, Gm QuCicklime BbGirl
Behind the bushF, Gm QuCicklime BbGirl, she's the mDistress of the salmon salt
QCuicklime Bb/CGirl, QC/Bbuicklime GBbirl, QuC/Aicklime Bb/AGirl Gm
A hGmarvest of life, or C#mharvest of death, one bCmody of life, one bBbody of death
And wGmhen you've gone and C#mchoked to death, with lCmaughter and a lBbittle step
Gm I'll prepare the qC#muicklime, friend, for your rCmipe and ready gBbrave
For your rCmipe and ready gBbrave
It's spGmringtime now and cFares subside, and the plCanting's almost dGmone
And fBbertile graves, it sAeems, exist, within a mGile of that juke jGmoint
WFhere CGmoast Guard crews still tBbake their lCeave, quite listless in the sunF Gm
And the QBbuicklime Girl still plAies her trade, redAbuction of the many from the Gmone
And they call herGm, QuCicklime GBbirl, behind her backF, Gm QuCicklime BbGirl
Behind the bushF, Gm QuCicklime BbGirl, well she's the mDistress of the salmon salt
QCuicklime Bb/CGirl, QC/Bbuicklime GBbirl, QuC/Aicklime Bb/AGirl Gm
A hGmarvest of life, a hC#marvest of death, resCmumes its course each Bbday
Gm It comes as if by sC#mchedule, a hCmarvest of limbs, of aBbrms and of legs
The tGmoes that crawl, and the C#mknees that jerk, and nCmeck like swans that sBbeem to turn
Gm As if incC#mlined to grCmasp or pBbray
3.

Dominance And Submission

Key: F#mHard
F#m
×A
×B
×C
G
4fr×C#m7
E/G
4fr×C#m
It's bF#meen ten yAearsF#m, hBalf my lF#mife,A F#m B jF#must getting rAeadyF#m, but tBhen it was tF#mime A F#m B
F#mWarpage in the fAiguresF#m, rBadios apF#mpearA, F#m B mF#midnight was the bAarriF#mer, back in B19F#m-63 C G C#m7
EBach nAight, the F#mcovers were unfolded, eBach nAight, it's SF#musy's turn to ride
WhBile ChAarles, the F#mone they call her brother, cBovAersF#m on his eyes, mE/Gurmurs in the backgrC#mound, it will be time
SF#musan and her bArotherF#m, ChBarles the grinning F#mboy,A F#m B F#mput me in the bAackseaF#mt, and they tBook me for a F#mride
AF#mB
Yeah, the F#mradio was Aon, F#mcan't you dBig the locoF#mmotionA, F#m B F#mkingdoms of the rAadioF#m, 45B F#m RPCM
TGoo much revoC#m7lution then
EBach nAight, the cF#movers were unfolded, eBach nAight, it's SF#musy's turn to ride
WhBile ChAarles, the F#mone they call her brother, cBovAersF#m on his eyes, mE/Gurmurs in the backgrC#mound, it will be time
It's pCast midnight said Charles the grinning bBoy, and lCooking at me greedily, said it's 19F#m64
AF#mBF#mCGC#m7
(slow now)
In TF#mimes Square now, the pBeople do the polka, dF#mominance, submission, raBdios appear
F#mNew Year's Eve, it wBas the final barrier, F#mdominance, submission, rBadios appear
We F#mtook you up, and pBut you in the back seat, F#mdominance, submission, rBadios appear
From F#myear-to-year, we loBoked out for the venture, dF#mominance, submission, raBdios appear
DF#mominanceB, submF#mission B (repeat)
4.

The Machine

Key: AmMedium
×Am
G
5fr×D/F
F
×C
××D
The riff during the Intro & Outro
AmGD/FF
The short transistion riff during the Verses
I reAmmember the first time I saw you, I couldn't believe my own eyes
You were Gcold to the touch, but I D/Fneeded you so much in my Flife
Oh, you Amshowed me a world full of wonder, your voice held all the answers I sought
When I Glost my way you never D/Flead me astray or so I Fthought
But when I Gtake a look around and everyAmbody's looking down
And I Fthink they're nothing like Cme
And when I Gtried to turn you off, you just reAmmind me you're the boss
And I Fcave, I'm a Gslave to the maAmchine
You're the Amfirst thing I see every morning, your soft glow bids me goodnight
You Gsing to me and in D/Fdarkness, you bring me the Flight
Oh, you Amsend a little chill through my body, just to remind me you're there
If I Gleft you behind I would move D/Fmountains to find you anyFwhere
But when I Gtake a look around and everyAmbody's looking down
And I Fthink they're nothing like Cme
And when I Gtried to turn you off, you just reAmmind me you're the boss
And I Fcave, I'm a Gslave to the maAmchine
FNow we're living the Ddream, Geyes never leaving the Amscreen
FFloating away in a DstreamG, to the maAmchine
Instrumental
AmGD/FF
But when I Gtake a look around and everyAmbody's looking down
And I Fthink they're nothing Clike me
And when I Gtried to turn you off, you just reAmmind me you're the boss
And I Fcave, I'm a Gslave to the maAmchine
FNow we're living the Ddream, Geyes never leaving the Amscreen
FFloating away in a DstreamG, to the maAmchine
FNow we're living the Ddream, Geyes never leaving the Amscreen
FFloating away in a DstreamG, to the maAmchine
AmG
D/FF
5.

Deadline

Key: EmMedium
Em
×Bm
×Am
×Cmaj7
EmEm
BmBmBmBm
Bm You said you'd be here at a quarter to five
Bm I didn't know if you were dead or aliveEm Bm
Bm How long you think that I can sharpen my knife
Bm I've got better things to do with my lifeEm Bm
Am It's almost the BmdeadlineAm. Don't miss the Bmdeadline, darling
Am When all your Bmbad dreams will come Cmaj7true
Am Don't miss the BmdeadlineAm. It's almost the Bmdeadline, darling
Am I wouldn't Bmwant it to happen toCmaj7 you
BmBmBmBm
BmPhil screamed at him, and he hung up the phone
Bm I wonder if he ever felt more aloneEm Bm
Bm He never finished his coffee that night
BmThe photo they showed David was a terrible sightEm Bm
Am He missed the BmdeadlineAm. He passed the Bmdeadline, darling
Am And I beBmlieve that somehow he Cmaj7knew
Am He crossed the BmdeadlineAm. He passed the Bmdeadline, darling
Am There wasn't a Bmthing anybody couldCmaj7 do
EmEm
BmBmBmBm
BmBmBmBm
EmEm
BmBmBmBm
Bm Listen my darling, now, don't play with fire
Bm You find a way to balance faith and desireEm Bm
Am It's almost the BmdeadlineAm. Don't miss the Bmdeadline darling
Am Consequences are Bmeasily misconCmaj7strued
Am Don't miss the BmdeadlineAm. It's almost the Bmdeadline, darling
Am I couldn't Bmlive if it happened to Cmaj7you Cmaj7
6.

Harvester Of Eyes

Key: EmMedium
Em
×C
×A
×B
G
3frG/F
Em Harvester of eyes, that's meEm, and I see all there is to see
Em When I look inside your headEm, right up front to the back of your skull
C Well that's my sign that you are dAead,C my list for you checks off as nAull
I'm the hBarvester of eyes Em
Em I'm the eyeman of TVEm, with my ocular TB
Em I need all the peepers I can findEm, inside the barn where you find the hay
C Just last week I took a rAideC, so high on eyes, I almost lost Amy way
I'm the hBarvester of eyes Em
Em Harvester of eyes, that's meEm, (harvester of eyes)
Em And I see all there is to seEme, (harvester of eyes)
Em When I look inside your headEm, (harvester of eyes)
Em Right up front to the back of your skull, (hCarvester of eAyes) Em
HCarvester of eAyes, Em hCarvester of eAyes Em
HCarvester of eAyes, Em hCarvester of eByes
EmG
Em I'm just walkin' down the street, I see a garbage can, I pick it up
I look through all the garbage to see if there are any eyes inside G
Em I'll put 'em in my pink leather bag, and take all their eye balls
and I bleed with 'em, as I plead with their eyes all nightG
Em So if you see me walkin' down the street, you'd better get out of the way
And put on your eye glasses, 'cause I'm gonna take your eyes home with me G G/F
7.

Lonely Teardrops

Key: AmHard
×Am
F
G
6fr×Eb
Bb
××Dm
×C
Am Lonely teardrops, you've been crying, I hear them fall
In the night the empty night, I hear your song
F It goes right through me, it used to move meG, lonely, lonely
Am Lonely Paris, met a dancer, we did the stroll
Through the night the empty night, four years ago
F I thought you know me, she gave it to meG, lonely, lonelyEb
Bb I seem to see a roseDm, I reach out then it goes
Bb Now in its thorns, I roamDm, the sky is grey and I am cold
BbLord, I tell you, Lord, I tell you, Call I want to do is get back Dmhome
Am Lonely teardrops, we did shoot them, they came on strong
Vials of rain to kill the pain, so far from home
F I thought you knew me, you did it to meG, lonely, lonelyEb
BbDmBbDmBbCDm
Am Lonely teardrops, I've been cryin', all week long
Love is willing, but the bed is cold, goodbye, Laurence
F I thought I knew you, what good did that doG, lonely, lonelyEb
Bb I seem to see a roseDm, I reach out then it goes
Bb Now in its thorns, I roamDm, you never know until you know
BbLord, I ask you, Lord, I beg you, Call I want to do is get back Dmhome
Lonely Amteardrops, lonely teardrops
Lonely teardrops, lonely teardrops
Lonely Amteardrops, lonely teardrops
Lonely teardrops...
8.

The Reaper

Key: AmMedium
×Am
G
F
E
All Am G oFurG AmtimGesF Ghave come. ( musi c )
AmHerGe F G bAmut G nFowG they're gone. ( musi c )
FSeGasAmons don't fear the reap er nor
doF tEheAm wind, the sun or the rain. We
caGn F bGe Amlike they are. Come on ba by. Don't
Fear the Reaper...
2nd verse :
As 1st verse above