
Chords used
Am
C/G
Fm7
E
Fm
Dm
C
G
E7
B
D
A
A7
F
Em
Bb
Gm
F#m
Bm
F/A
Bbmaj7
Am7
D7
1.
Imitosis
Key: AmHardAm
C/G
Fm7
E
Fm
let ring
AmC/GFm7E
AmHe's keeping busyC/G, yeah, he's Fm7bleeding stoEnes
AmWith his maC/Gchinations and Fm7his palEindromes
AmIt was anyC/Gthing but hear the Fm7voice E
AmAnything but C/Ghear the voice Fm7 E
It was aAmnything but C/Ghear the voice
That Fm7says that we're alEl basicallyAm alonC/Ge Fm7 E
AmC/GFm7E
AmPoor Professor C/GPynchon had Fm7only good Eintentions
When he Amput his Bunsen C/Gburners all aFm7way E
And Amturning to a C/Gplayground in a Fm7Petri dish
Where Esingle cells would Amswing their fists
At C/Ganything that Fm7looks like easEy prey
In thisAm nature C/Gshow that Fm7rages everEy day
It was Amthen he C/Gheard his Fm7intuiEtion say
We were all basically aAmlone
And C/Gdespite what all his sFmtudies haEd shown
That what's misAmtaken for closeC/Gness is justFm7 a case for Emitosis
And Amwhy-C/G--- do Fm7some show nEo mercy whilAme others arC/Ge painfullFm7y shyE?
AmTell me doctor C/Gcan you Fm7quantifyE?
AmHe just wants to C/Gknow the rFm7easonE, the reason why
AmC/GFm7E
Why do they Amcongregate in C/Ggroups of four
Fm7Scatter like Ea billionAm spores
And let the C/Gwind just Fm7carry themE away?
AmHow can kids C/Gbe so mFm7ean?
Our famous Edoctor tried to Amglean
As he C/Gwent home at the Fm7end of thEe day
In thiAms nature C/Gshow that Fm7rages everEy day
It was Amthen he C/Gheard his Fm7intuiEtion say
We were all basically aAmlone
DesC/Gpite what all his sFm7tudies haEd shown
That what's misAmtaken for cloC/Gseness is just a Fm7case of Emitosis
AmSure fatal C/Gdoses of malFm7content through Eosmosis
And Amwhy-C/G--- do Fm7some show nEo mercy whilAme others arC/Ge painfullFm7y shyE?
Well, tell me Amdoctor, can you C/Gquantify?Fm7
E (strum louder)
The reason why
AmC/G
Fm7EAm
2.
Are You Serious
Key: EHardE
Am
Dm
C
G
E7
B
E
AmDm
AmDm
CG
CE
AmUsed to have just Dmone foot out the dAmoor
AmYeah, I alDmways wanted moCre
CI alwGays was the oCne
CYou thought would nEever marry
AmUsed to be wilDmlfully obtusAme
Am(or is the Dmword abstruseC?)
CSemantics Glike a noosCe
CGet out your dictEionaries
DmI'm gonna cut to the quEick
EThis is all non-fictiDmon
DmWords you beat with a sticEk
EThese are my true convictiE7ons
E7So tell me, Amare you seDmrious?
CAre you seGrious?
CCause every Gnight of your lCife
CYou'll fiEght for it
AmSo mysteDmrious
CHow imperGious!
CBut are you Gserious
BWhen it really comes down to iEt?
AmAmCC
AmDm
AmDm
CG
CE
AmI see that you're Dmdown there and I'm up hAmere
AmYour boyfriend's gDmone to get a beCer
CLeaving usG crystal cleCar lines of Ecommunications
AmPromise me you Dmwon't avert your eAmyes
AmI drop my thirDmd-person in disguisCe
CYou know it'Gs time to do or diCe
CNo useless explanatioEns
DmI'm gonna cut to the quEick
EThis is all non-fictiDmon
DmWords you beat with a sticEk
EThese are my true convictiE7ons
E7So tell me, Amare you seDmrious?
CAre you seGrious?
CCause every Gnight of your lCife
CYou'll fiEght for it
AmSo mysteDmrious
CHow imperGious!
CBut are you Gserious
BWhen it really comes down to iEt?
CDmGC
CDmGCBE
AmDm
AmDm
CG
CE
Fade Out
AmAre you seDmrious?
CAre you seGrious?
CCause every Gnight of your lCife
CYou'll fiEght for it
3.
Two Way Action
Key: DMediumD
G
Am
C
A
DG
D
I've been Ddriving all Gnight
Bathing Din florescent Glight
Of a Dwestern TennesGsee gas Amstation
With a Dpack of two-way Gaction
I'm subDsisting on a Gfraction
And I Dclose my eyesG and preAmtend
I'm on CvaGcation
But the light bleeds Dthrough
And it's all Agreen-blue
There goes my imagination
DG
My Dreturn fills me with Gdread
Will my Dhouse plants be all dGead
My siDgnificant be wGith aAmnother
I say ODK where was GI
But I Dcan't repress a Gsigh
And I Dthink I'm gonGna
Yeah I Amthink I'm gonna call my Cmother G
Let the subject Dwander
To issues of Ablonde hair
Or something or other
DG
D
Like a bad Chaircut
Or a glass of cold Dwater
Some of the Cthings
You wouldn't ordinarily Dthought a
Will all be Clost if you let it Din
Maybe I'll Cnever ever feel it Dagain
DGDGDDAm
DA
Instrumental (Guitar solo):
Alternate between D and G.
I've been Ddriving all Gnight
Bathing Din florescent Glight
Of a Dwestern TennesGsee gas Amstation
With a Dpack of two-way Gaction
I'm subDsisting on a Gfraction
Of what Dused to be a Gsugar-free
AmHalf-melted bag of TasCtationGs
That hard candy Dsensation
It's sweeping the Anation
And it Dputs my mind inG traction
I'm subDsisting on aG fraction
And I Dclose my eyesG and preAmtend
I'm on CvacatGion
But while it melts in my Dmouth
I'm still driving Asouth
In a TV Nation
DG
D
Like a bad Chaircut
Or a glass of cold Dwater
Shouldn't I Csay what I really shouldn'tD oughta
You spend half a Cday in
Some of these Dplaces
Like a flash of white Clight
That's in front of our Dfaces
A state of periCstalsis or a parastaticD stasis
And we're off to the Craces
Oh Dyeah and we're off to theC races
Oh Dyeah and we're off to theC races
DYeah and we're off to Cthe races
4.
Left Handed Kisses
Key: AHardA
A7
D
G
C
F
Em
Am
AI don't believe everything happens for a reasoAn A7
DTo us romantics out here, that amounts to high treasoDn
AI don't go in for your star-crossed loverAs A7
DIn the heart of a skeptic
There's a queGstion that still hovers near
CFor it bFegs the question
CHow did I eFver find you
CNow you got me wrFiting love songs
CWith a common refFrain like this one here,
CbaFby
CF
CEmAm
AmAnd all your lFeft handed Ckisses
Were just preGlude Emto anotAmher
FPrelude to your bCack handed loGve EmsongAm,
FbabCy
CBut it beFgs a question
CHow did I eFver find you
CDrifting gFently through the Cgyre
Of the greFat Sargasso sCea, AtlanticF OceaCn F C
Got me wriFting love sonCgs F C
With a common refFrain like this one here
AmFCGEm
AmThe poiFnt your song here mCisses
Is that if you reaGlly loEmved Amme
AmYou'd risk moreF than a few 50 cent
CWords in your GbackhanEmded lAmove song
So it bFegs a question
CHow did I evGer fiEmnd yoAmu
Drifting geFntly through the gyCre
Of the grGeat SargEmasso sAmea, AtlantFic OceaCn G Em Am
AmThe poiFnt your song here miCsses
You got me wriGting lEmove sonAmgs
Is that you reFally love mCe
With a common refrGain likEme this one Amhere, here (Baby)
FIs prelude to Canother of your GbackhanEmded love soAmng
ANow it's time for a handsome little bookeAndA7
DNow it's time to tie up all the loose endDs
AAm I still a skeptic or did you make me a belieAveA7r?
DIf you hesitate, you'll hear the click of the receiver
5.
Roma Fade
Key: DmHardDm
Am
Bb
Gm
C
F
F#m
See her Dmlight, how it reigns
So hard on your Amhigh plains
So you tBbake such Gmpains
That she won't Dmnotice you Am
And your Dmx-rays
Of your Paleo Amman
All gaze
How they Gmrest, and play
Slowly corDmrupting you
I Cwonder what the chance is you wanted Fto
CA thousand vacant stares Amwon't make it true
Make it true
GmYou need a witCness just to know you're Fthere F#m Gm
From the tips of your Cfingers, every strand of Fhair F#m Gm
You know someone's Cwatching you watching Fme watching you
And F#mall that we look upon Gm
You may not Cknow me but you feel my Amstare Am
And if she Dmsees you, it changes you
Rearranges your moAmlecules
And if you Bbsee her, it changes her
GmShe's a danger now, Dmafter school Am
And if she Dmsees you, it changes you
Rearranges your moAmlecules
And if you Bbsee her, it changes her
GmShe'll be seeing youDm after school
CHere's where gentlemen aFvert their eyes
CMaybe she's a gentleman Amin disguise
In disguise
BbYou need a witGmness just to know you're Fthere F#m Gm
From the tips of your Cfingers, every strand of Fhair F#m Gm
You know someone's Cwatching you watching Amme watching you
And Dmall that F#mwe look uponGm
You may not Cknow me but you feel F#mmy Am
stDmare
Short Instrumental
AmBbGmDmAm
And if I Dmsee you, how it Amchanges me
And if you Bbsee mGme, how it Dmchanges you
F#mChanges you
And if I Dmsee you, how it Amchanges mCe
And if you Dmsee mGme, how it Dmchanges you
AmChanges you
BbFAmBbGmDmAmBb
AmBb
GmDmAmDmGmF
6.
Eyeoneye
Key: BmHardBm
D
G
C
F/A
E
Am
F
Bbmaj7
B
Bb
Am7
BmDBmDBmD
GGo ahead and congratulate yourself
Give yourself a hand,
The hand is yours
In the harden hoCurs, and so... G
And here it healCs itself, is too G
And you're getting too cClose G
You're getting too closeC G
You're getting too closeF/A to yourE soul
AmYou've done the impossibDle now
AmTook yourself apart D
AmMade yourself invulnerabDle
AmNo one can break your? D
(pause)
?heart so you break it yourself
GBringing your owCn, break it yourself
GBringing your owCn, break it yourself
GBringing your owCn (oh break it yourself)
GBringing your owCn (oh break it yourself)
GBringing your owFn E
(during whistling)
AmDAmD
AmDAmD
GGo ahead and reionize yourself
Give yourself a hand,
A hand is yours
And you go ahead and wriCng it out G
Go ahead and strCetch it out G
Go ahead and weaF/Ar it inside E
AmTake a trip in the deserDt makes this
AmBoy and girl too wise D
AmThrough a ridge of waterD and sand there's
AmA hundred stories high D
DAnd you re-eyeoneyeoneyeoneyeonize
And it's eyeoneyeoneyeoneyeoneyeoneyeoneBbmaj7ye B
CAll thisF time itBb took toG realize Am7
(pause)
That you could use some help
GBringing your heCart, breaking the shell
GBringing your heCart, breaking the shell
GBringing your heCart, (break it yourself)
GBringing your heCart, (break it yourself)
G C G C (repeats and speeds up until the end)
Go ahead an defibrillate yourself
Give yourself a hand, a hand is yours
Go ahead and wear it out
And you go ahead and stretch it out
And you go ahead and wear it inside out
And it's eyeoneye-oneye-oneye
And it's eyeoneye-oneye-oneye
Woah
7.
Mx Missiles
Key: EmMediumEm
Am
D
G
D7
C
EmThose that would judAmge would sayEm you're aloof Am
But you Emknow the truth iAms a seedEm
You know what you need iAms a conflagratioDn
Cause when I sEmee the blood Am
And the Embits of your broAmken tooth
It gEmives me the Amproof that I neeEmd
It's the proof that you Ambleed
It's a rDevelation
Yeah it's a reveGlation, it's a revelatioD7n
GI thought you were a lifCe-sized paper doDll
GPropped up in the hardwaCre storeD
GPropped up on the front Clawn watching thDe parade
GOf those legionnaires with two-bCy-four'sD
As they're marching off to war Em
Yeah they're marching off to warD
EmI didn't know what you were madeG of
EmThe color of your blood, what you're afrGaid of
EmAre you made of calcium or are yGou carbon-based
EmAnd if you're made of calcium I'll have Gto take a taste
Cause, listen, cCalcium is deadly and tenGder to the tooth
And it's one surCe-fire way to know if you're MX-missile-Gproof, oh no C
Or if you're just aloDof
EmYou were in the ground in late November G
EmWhen the leaves and earth are damp G
EmDid you, did you think they would remembGer
EmHow you almost made state champ C
Cause when you're running for the game against Alfonzo G
And you Cfell upon the ground and chipped a toothG
Oh no, lCisten, it didn't really half surprise usG
To learn that you aren't really MX-missiDle-proof
GOh, I thought you were a life-sized paper doll D
GAnd you're propped up in the harCdware store D
GYou were propped up on the front lawn watching tDhe parade
GOf those legionnaires with two-bCy-four'sD
As they're marching off to war Em
Yeah they're marching off to warD7
GOh they're marchDing G
8.
Chemical Switches
Key: GMediumAm
G
F
Dm
Em
C
G (pluck the open low E string then Hammer on into a Barre G to sound like the recording)
Whistling Bit
AmGF
GDmEm
AmGF
GFC
AmI keep hearing a Gvicious rumoFr
GFrom the back rooms, to theDm alleys, to the avenueEms
AmThat you lost yourG sense of humoFr
GAnd the first place youF look is the soCles of your shoes
And IAm watch these iGce fields meFlt into the sea
WaGrming you're oDmceans to cenEmturies
Will your Amsaline watGers briFng you back to me?
Oh the weGight is brFinging me tCo my knees
DmChemical swiCtches thGrown in the dFark
All it tGakes is a Dmspark to beCgin
And Dmcan you tell wChich is a oGne with a mFark?
That BlGeeds through the clDmothes to the sCkin
AmGF
GDmEm
AmGF
GFC
AmToo GlonFg I keep seGarching the aDmlleys and Emavenues
But it sAmeems I'm dGoing it wFrong
For I've sGeen neither hFide nor haCir of you
AmGF
GDmEm
AmGF
GFC
And it's a shFort short wCalk from peGbbles to brFicks
From stoGnes back to stFicks
We're lowGering the boiling point
And as tiDmme goes Cby, gets haGrder to Ffix
It's a volGatile mFix, like hydGrogen and oxCygen
DmChemical swiCtches thGrown in the dFark
All it tGakes is a Dmspark to beCgin
9.
Souverian
Key: GEasyG
D
C
Em
GThe bells will rDing, church steeple's catching fire G
GAnd if you promise sprinDg then I know you are a liar G
Cause in the sprCing, tender grasses won't burn easily G
The thrushes sinCg, still my lover won't return tGo me D
Wild parEmsnips they still scar my lungs, while thistles wDill burn my feet G
And if you join Dour Chorus, you'Gll never fear anDymore G
So here comeDs the ChorusG, we will meet oDn a fatal shore G
GCEmD
EmSouverian, souverian, the elder G
EmSouverian, souverian, the free G
EmSouverian, souverian, the felledG heart
EmSo very young, sCo very young were we G
GDGDG
Birds will singC, still my lover won't return to Gme
You promise spriCng, still my lover won't return Gto me D
Wild parEmsnips scar my lungs, and the thistles arDe burning my feet G
So here Dcomes the ChorusG, you will neverD fear anymore G
If you jDoin our GChorus, we will meetD on a fatal shore G
GCEmD
G?(for this section, I finger pick the bottom three strings,
playing eight counts and then the bottom string open for eight counts, alternating.
Feel free to find your own method!)
Under the elders, the older get younger
The younger get over, over their elders
And under the elders, pretend that you're older now
Under the elders, the older get younger
The younger get over, over the elders
Under the elders, bending your branches down
We were so very young, sCtill my lover won't return to meG
Thrushes singC, still my lover won't retuGrn to me D
Wild parEmsnips they still scar my lungs, while thistleDs still burn my feet G
10.
Case In Point
Key: AmHardAm
Em
Dm
D
Bm
G
C
AmI'm a breather, mail receiver
And I don't know where I stEmand
Not since someone informDmed me
That my house was built on sEmand
EmAnd it's not the earth beneath me
It's just the coDncept of the lanEmd
AmAnd I'm standing on the corner
When the buildings they all fEmell
If you blink once you're a gDmoner
Everything just Emgoes pell-mell
It's a real hardD sell
My conceptual heEmll
Not even good for kindliBmng, no
When the buildings they all fellEm
I'm a brDeather, mGail recDeiver G
EmBottom feeder juCst getting by Em
And you Cknow it's all just par for the cGourse
But you Cblame it on some non-existent forceG
EmOh yeah, of courCse
You know you canG't ride the concept of the horseC
But still I try
AmIn a cartoon desert landscape
EmWith a pair of ACME jetskates
AmFocused on my destination
EmI seem to have forgot my station
AmNow it's time to face the nation
CGDEm
AmAnd I'm riding to meet you
On a brown gray speckled maEmre
But there's something that unnerDves me
Like I'm riding on thin Emair
These futile doubts deseDrt me
Thinking no one really cEmares
AmAnd I'm jumping over fences
On this obstacle coEmurse
But it seems I'm getting nowhereD
On the concept of the hoEmrse
It's a real hardD sell
My conceptual heEmll
Not even good for kindliBmng
When the buildings they all fellEm
I'm a brDeatheGr, bottom fDeeder G
How many liEmters Cmust I imbibe Em
And you Cknow it's all just par for the courseG
But you Cblame it on some non-existent forceG
Oh yeah,Em of courCse
You know you canG't ride the concept of the horseC
But still I try