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Alanis Morissette
Chord Booklet

Alanis Morissette

10 songs|31 chords used|Hard

Chords used

G
×C
Em7
××D
×Bm
Em
××Dsus2
×A
4fr×C#sus
4fr×C#m
Gmaj7
×A/D
3frG6
5fr×D/F
×A/G
F#m
5fr×D/G
F#m7
××Fmaj7
E7
6fr×Eb
××Eb7
5fr×D9
F
2fr×Bm9
F#7
×Cadd9
Bb
××Dm
A#m
E
1.

Ablaze

Key: GHard
G
×C
Em7
××D
×Bm
Em
××Dsus2
GCEm7D
The Gfirst thing that you'll Cnotice is some
Em7Separation Dfrom each other
GYes, it's a lCie; is that we've Em7been
Believing since tDime immemorial
GThere was an aCpple, there Em7was a snake, there
DWas division
GThere was a Csplit, there was a Em7conflict in
The Dfabric of lifGe C Em7 D
GOne became Ctwo and then Em7everyone was out fDor
Themselves
GEveryone was pCitted against each Em7other
Conflict Druled the realm
GAll our devCotions and tempEm7eraments are
Pulled Dfrom different wellsG
They seem to Ceasily forgetEm7 we are mDade of
The Gsame cellCs Em7 D
To my bGoy:C all that eEm7nergy so wDild
All you GhuesC and your bEm7lues in eDqual measure
Your Gcomings and your Cgoings-awaEm7y D
My Gmission is to Ckeep the Em7light in your Deyes
GAblazeC Em7 D
The sGecond thing you'll nCotice is that oEm7ften
We think Dthat there's not enoGugh
It might feel Cdark, it might feel Em7lonely and
You'll wDonder why you're Ghere
You may be oCvercome with Em7darkness and a
DSense of hopelessnGess
But it won't Cmatter if you Em7keep your core
CDonnected to the Gone-nessC Em7 D
To my GgirlC: to your inEm7nocence and fDire
When you Greach outC, I am here Em7Hell or High
DWater
This Gnest is never Cgoing awaEm7y D
My Gmission is to Ckeep the Em7light in your Deyes
AGblazCe Em7 D
And this Bmcord is unbGreakable
This Empilot light is there in your Dsus2pocket
And this Bmbond, beyond un-Gshakeable
EmEven if we all forgDsus2et, all at the Gsame time
CAll at the Em7same timeD
If we forGget at the sCame timEm7e D G C Em7 C
The Gtenth thing you might Cnotice is that
Em7Everyone has fDantasies
DGifferent perspecCtives they would Em7likely
Fight Dover who is righGt and
Who is the Cbest? Who has Em7won? Who's better
DThan the other?
GNone of that will mCatter much when yEm7ou
Return to Dyour place in the GsunC Em7
Your Dplace in the GsunC Em7 D
To my GgirlC: all your iEm7nnocence and Dfire
When you Greach outC, I am here Em7Hell or High
DWater
This Gnest is never Cgoing awayEm7 D
My Gmission is to Ckeep the Em7light in your
DEyes
To my GboyC, all that Em7energy so Dwild
Love your GhuesC and your Em7blues in eqDual
Measure
Your cGomings and your Cgoings-awaEm7y D
My mGission is to Ckeep the Em7light in your Deyes
AblaGze C Em7 D
GThe first thing that youC'll notice is that
EvEm7erything is DtemporarGy C Em7 D
The Gnext you might Cnotice is that Em7we will
AlwaysD be a famiGly C Em7 D
My Gmission is to Ckeep the lEm7ight in your eDyes
GAblaze
2.

King of Pain

Key: BmHard
×Bm
×A
G
4fr×C#sus
4fr×C#m
Gmaj7
×A/D
3frG6
5fr×D/F
×A/G
F#m
××D
5fr×D/G
F#m7
××Fmaj7
E7
6fr×Eb
××Eb7
5fr×D9
F
Seguem abaixo os acordes da música inteira,
só que são tocados da seguinte maneira,
conforme a introdução:
There's a Bmlittle black Aspot on the sun Bm to-Aday Bm A Bm A
It's the Gsame old tAhing as yes G- ter - daAy C#sus C#m Gmaj7
There's a Bmblack hat cAaught in the high Bm tree tAop Bm A Bm A
There's a Gflagpole rAag and the wind G won't AstopC#sus C#m Gmaj7
I have A/Dstood here befG6ore inside the D/Fpouring rGain
with the A/Dworld turning cirG6-cles running 'D/Fround my bGrain.
I guess A/DI'm always hopG6-ing that you'll D/Fend this rGeign
but it's A/Dmy destiG6ny to be the D/Fking of pGain.
There's a Bmlittle black spot on the sun today
that's my soul up there
It's the A/Gsame old thing as yesterday
F#mthat's my soul up there G
There's a Bmblack hat caught in a high tree top
that's my soul up there
There's a A/Gflagpole rag and the wind won't stop
F#mthat's my soul up there G
I have Dstood here before inside the pouring Grain
with the Dworld turning circles running 'round my bGrain.
I guess DI'm always hoping that you'll end this reiGgn
But it's Dmy destiny to be the king of pGain.
There's a fBmossil that's trapped in a high cliff wall
that's my soul up there
There's a dAead salmon frozen in a water fall
F#mthat's my soul up there G
There's a Bmblue whale beached by a springtide's ebb
that's my soul up there
There's a A/Gbutterfly trapped in a spider's web
F#mthat's my soul up there G
I have sDtood here before inside the pouring rGain
with the woDrld turning circles running 'round my bGrain
I guess ID'm always hoping that you'll end this reGign
but it's Dmy destiny tro be the king of pGain.
There's a king of pGain.
AThere's a king on a throne with his eyes G torn out
AThere's a blindman looking for a sGhadow of doubt;
AThere's a rich man sleeping on a gGolden bed
AThere's a skeleton choking on a D/Gcrust of bBmread.
There's a red Bmfox torn by a huntsmen's pack
that's my soul up there
There's a A/Gblack winged gull with a broken back
F#mthat's my soul up thereG
There's a lF#m7ittle black Fmaj7spot on the sunE7 toEbday
It's the F#m7same old tFmaj7hing as yeEb7s - ter -D9 day D9 F
I have sDtood here before inside the pouring rGain
with the wDorld turning circles running 'round my bGrain
I guess DI'm always hoping that you'll end this reGign
but it's Dmy destiny to be the king of pGain D
G King of pain D
canto final com: "I will always be ..."
3.

Ironic

Key: BCapo 4Medium
G
××D
Em
×C
F
(com acordes na forma de G )
Capostraste na 4ª casa
Intro: C7M D C7M
Final da Intro:
An DoGldD man tuEmrned ninety-eight
He won the lDotGterDy and dieEmd the next day
It's a blDaGck fDly in yEmour chardonnay
It's a dDeath Grow pardoDn two Emminutes to late
Isn't it irDonGic...D don'Emt you... think
It's like rDaiGnG C
On your wDedding Emday
It's a free rDidGe when you'Dve alreaEmdy paid
It's the good advDiGce that yoDu just didnEm't take
WhFo CwouDld'Cve thougDht... it figures
Mr. plDay iGt saDfe was Emafraid to fly
He packed his sDuGitcase and kDissed hisEm kids good-bye
He waited his whDole dGamn life juDst to Emtake that flight
And as the plDane crashGed down he thouhtD "well Emisn't this nice..."
Isn't it irDonGic...D don'Emt you... think
Well lC7Mife has a funny way of sneaking Dup on you
When you think everything is okay and evC7Merything's goinDg right
And lC7Mife has a funny way of helping yDou out when
You think everything's gone wrong and evC7Merything blows up in your face
A traDfficG jamD when you'Emre already late
A no-smDokGing sign onD your Emcigarette break
it's like tDen thousaGnd spoons when alDl you Emneed is a knife
Dit's meeting Gthe man of my dreamsD then meeting hisEm beautiful wife
Isn't it irDonGic...D don'Emt you... think
A little to irDonGic...D don'Emt you... think
A traDfficG jamD when you'Emre already late
A no-smDokGing sign onD your Emcigarette break
it's like tDen thousaGnd spoons when alDl you Emneed is a knife
Dit's meeting Gthe man of my dreamsD then meeting hisEm beautiful wife
4.

Losing The Plot

Key: BmHard
2fr×Bm9
G
××D
×A
Em
×Bm
F#7
4fr×C#m
F
F#m
Bm9GDA
DWelcome Emback, Bminsomnia
DUshered Gback into Bmsilence Aonly when Deveryone elseEm is sleeBmping
DAnd 'cause the Emcity?isBm?sleeping
DNo one Gruthless?is Bmrushing to Aget to theD?front of the linGe, asBm usuaAl
'Bm9Cause I am Glosing the Dplot
Bm9I am griGeving the enDd of superwAomaning
Bm9I have lGaid down my Dcape
As thoGugh I haven't riAsen like a Bmphoenix from a Dthousand deaths
As thoGugh I have not bAeen reborn to Bmnotice that my misDsion is Bm9not dGead yDet
Bm9GDA
DI'm Emexhausted, BmMidas
DReigEmniting a Bmhunger that Atypically Dfuels those of us
Still Emsearching for Bmsomething outside ourselves
'DCause this Emcity bears Bmviolence
ADnd everyEmbody is Bmrushing to Asob at the Dpodium
And Emthank for ones who Bmloved and exploited well
'Bm9Cause I am Glosing the Dplot
Bm9I am griGeving the enDd of superwAomaning
Bm9I have lGaid down my Dcape
As thoGugh I haven't riAsen like a Bmphoenix from a Dthousand deaths
As thoGugh I have not bAeen reborn to Bmnotice that my misDsion is Bm9not dGead F#7yet
The Bmlight at the Emend of the C#mtunneFl
The Bmone I have aEmlways Aprayed F#mfor is a trBmain Em C#m
At a Fhundred miles per hBmour Em F
And it promises to brBmeak my bones if I don't stand still
Rip my heart out, ambition mill or bBm9ust G D
With my relevance in dBm9ust G D A
'Bm9Cause I am Glosing the Dplot
Bm9I am griGeving the enDd of superwAomaning
Bm9I have lGaid down my Dcape
As thoGugh I haven't riAsen like a Bmphoenix from a Dthousand deaths
As thoGugh I have not bAeen reborn to Bmnotice that my misDsion is Bm9not dGead
As thoGugh this fame and preAssure has not Bmbeen a vice arDound my head
As thoGugh my heart has Anot kept all my Bmcynicism unDder the mattrBm9ess G D
And I can't keep it Bm9up G D
Though the fire is not Bmout yet G D
BmI am Glosing the Dplot
5.

What If God Was One Of Us

Key: EmMedium
Em
×Cadd9
G
××D
×C
IEmf God had a Cadd9name, whGat would it beD
And would youEm call it to hiCs face
GIf you were fDaced with him in Emall his gloCadd9ry
GWhat would you Dask if you had Emjust one Cadd9question G D
Cadd9And yeah yeah God Gis great D
Cadd9Yeah yeah goGd is goodD
Cadd9Yeah yeah, yDeah yeah yeah
What if gEmod was oCadd9ne of us? G D
Just a slEmob like Cadd9one of us? G D
JuEmst a stranger onCadd9 the bus
JuGst tryin' to Dmake his way homeEm Cadd9 G D
IEmf God had a Cadd9face whaGt would it looDk like
And would youEm want to see C
GIf seeing meaDnt that you wouldEm have to beCadd9lieve
GIn things like Dheaven and in jEmesus and the sCadd9aints and all the prGophets D
Cadd9And yeah yeah god Gis great D
Cadd9yeah yeah goGd is goodD
Cadd9yeah yeah yeDah yeah yeah
What if GEmod was oCadd9ne of us G D
Just a slEmob like Cadd9one of us G D
JuEmst a stranger onCadd9 the bus
TrGying to make Dhis way home Em Cadd9 G D
HEme's trying tCadd9o make hGis way home D
Back up to heEmaven all aloneC
GNobody callinDg on the phone Em Cadd9
GExcept for the Dpope maybe in rEmome Cadd9 G D
Cadd9And yeah yeah god Gis great D
Cadd9yeah yeah goGd is goodD
Cadd9yeah yeah yeDah yeah yeah
What if GEmod was oCadd9ne of us G D
Just a slEmob like Cadd9one of us G D
JuEmst a stranger onCadd9 the bus
TrGying to make Dhis way home Em Cadd9 G D
JEmust trying tCadd9o make hGis way home D
Like a holy rEmolling stone C
BaGck up to heavDen all alone Em Cadd9 G D
GJust trying tDo make his way hoEmme Cadd9
GNobody calling Don the phone Em Cadd9 G D
GExcept for the Dpope maybe in rEmome Cadd9 G D
6.

Hands Clean

Key: CMedium
×C
××D
×Bm
Em
G
CIf it weren't for yDour maturity
Bmnone of this would have hCappened
CIf you weren't so wDise beyond your years
I wBmould've been able to cControl myself
CIf it weren't for mDy attention
you woBmuldn't have been succCessful and
CIf it weren't for Dme you would
never have amoBmunted to very Cmuch
COoooDoh this coBmuld be mCessy
CBut yoDu don't seBmem to mCind
COoooDoh don't go tBmelling everybCody
AndC overloDok this suBmpposed cCrime
CWe'll fast fDorward to a fBmew years lCater
CAnd no one Dknows except the Bmboth of uCs
CAnd I have hoDnored your requBmest for siClence
And yCou've waDshed your Bmhands clean Cof this
You're essentially an employee and I like you having to depend on me
You're kind of my protégé and one day you'll say you learned all you know from me
I know you depend on me like a young thing would to a guardian
I know you sexualize me like a young thing would and I think I like it
COoooDoh this coBmuld be mCessy
CBut yoDu don't seBmem to mCind
COoooDoh don't go tBmelling everybCody
AndC overloDok this suBmpposed cCrime
CWe'll fast fDorward to a fBmew years lCater
CAnd no one Dknows except the Bmboth of uCs
CAnd I have hoDnored your requBmest for siClence
And yCou've waDshed your Bmhands clean Cof this
Emwhat part of our hiCstory's reinvGented
and under rug swDept?
Emwhat part of your mCemory is seleGctive
and tends to foDrget?
Dwhat with this distance it seems so obvious?
Just make sure you don't tell on me especially to members of your family
We best keep this to ourselves and not tell any members of our inner posse
I wish I could tell the world cuz you're such a pretty thing when you're done up properly
I might want to marry you one day if you watch that weight and keep your firm body
COoooDoh this coBmuld be mCessy
CBut yoDu don't seBmem to mCind
COoooDoh don't go tBmelling everybCody
AndC overloDok this suBmpposed cCrime
CWe'll fast fDorward to a fBmew years lCater
CAnd no one Dknows except the Bmboth of uCs
CAnd I have hoDnored your requBmest for siClence
And yCou've waDshed your Bmhands clean Cof this
7.

Reasons I Drink

Key: BbCapo 1Medium
Bb
×C
F
××Dm
BbCFC
DmThese are the reasCons I drFink C
The reasons I tBbell everybody I'mC fine even though I am nFot C
DmThese are the reCasons I ovFerdo it
CI have been woBbrking since I can reCmember, since I was sinFgle digitCs
DmNow, even tChough I've been FbusteCd
I don't know wBbhere to draw the linCe 'cause that groove has gotten
So deFep Bb
CAnd nothing can gDmive repriBbeve like theyF do
NotChing can giveDm a break Bbfor this soldier like they do
DmHere we arBbe
FI feel such raCpture and my coDmmfort is so stBbrong oh oFh oh oCh
DmOne more hiBbt
FIt feels so helCpful in my nDmeed for resBbpite oh oFh oh oCh
OhohDm - ohBb - oh - Foh C
DmAnd here are theC reasons I Feat
CReasons I Bbfeel everything so dCeeply when I'm not medicFatedC
And so thatDm's it, I Cam buying a LaFmborghini C
To make up for these habiBbts, to survivCe this sick inFdustry Bb
NothCing can gDmive repriBbeve like they dFo
NotChing can gDmive me a brBbeak from this torture like they do
DmHere we Bbare
FI feel such raCpture and my coDmmfort is so sBbtrong oh oh Foh oh C
DmOne more siBbp
FIt feels so heClpful in my Dmneed for some loBbng overdue resFpite C
Ohoh -Dm oh -Bb oh -F ohC
DmAnd these are the reCasons I Bbdon't even think I would quFit C
DmAnd these are the reCasons I Bbcan't even see straigFht aCnd
DmAnd these are the oCnes whom IBb know it so deeply affectFs
And I am left Bbwondering how I woCuld function without it
DmHere we aBbre
FI feel such raCpture and my comDmfort is so stBbrong oh oFh oh oCh
DmOne more rBbip
FI go from Cone lilipad to anDmother to stay liBbt F C
Ohoh -Dm oh -Bb oh -F oh C
Ohoh -Dm oh -Bb oh -F oh C
Ohoh -Dm oh -Bb oh -F oh C
Ohoh -Dm oh -Bb oh -F oh
8.

Bent 4 U

Key: EmMedium
Em
G
××D
×A
×Bm
Emyou're unsureG and you'rDe not ready Aso thatEm must mean IBm want you A
Emyou're unavaiGlable and DdisinteresteAd and tEmo you I lookBm for comfort A
EmA million timGes in a miDllion ways IA will tEmry to changeBm you A
EmA million monGths and a Dmillion daysA I'll tEmry to somehoBmw convince yoAu
DI have waited for you and adjusted for you and I'Am done
DI have deferred to you and enabled you and I'm doAne
Emyou're too yoGung or youD're too old Aor you'Emre simply noBmt inclined A
Emyou're asleepG or you'reD withholdingA be thaEmt my cue to Bmcrave you A
Emseveral timesG in severaDl ways I'll Atry to Emsqueeze loveBm from you A
Emseveral hoursG and severDal ways I'llA feast Emon scraps thBmrown from youA
DI have bent for you and I've deprived for you andA I'm done
DI have depressed for you and contorted for you anAd I'm done
DI have stifled for you and I've compromised for yAou and I'm done
DI have silenced for you and sacrificed for you anAd I'm done
Emit won't be long befBmore I am reclaimedA
Emit won't take long aBmnd I'll be on pathA again
Emit won't be easy forBm us to disengage A
EmI'm at the end of seBmlf deprivation staAge
Emyou're afraidG of every Dwoman afraidA of youEmr inner workBmings A
Emyou cringe atG the thougDht of livingA under Emthe same rooBmf as me god aAnd everything
Ema million timGes and a mDillion ways AI've trEmied to alterBm to match youA
Emseveral timesG every sevDeral days I'Ave trieEmd to uncrushBm on you A
DI have bent for you and I've deprived for you andA I'm done
DI have depressed for you and contorted for you anAd I'm done
DI have stifled for you and I've compromised for yAou and I'm done
DI have silenced for you and sacrificed for you anAd I'm done...
DAhhhh ahhhh ayyyeee ayyyy aaaaaAahhaaa aaaaaaaa
DAhhhh ahhhh ayyyeee ayyyy aaaaaAahhaaa aaaaaaaa... END.
Peace and love. Jose Vigil Reguera. Spain, 2003.
Contribuição: Jose Vigil Reguera(email protected)
9.

Surrendering

Key: AEasy
××D
G
×A
×C
A música começa só com a bateria, e o teclado vem logo depois (tudo em cima da voz da Alanis)
recomendação: ouçam a música para tocar senão vai ficar complicado, blz?
you were full and fully capable
you were self sufficient and needless
A guitarra entra aqui (ou violão), os caras ficam fazendo um monte de dedilhados e solos com
a nota D, se eu fosse colocar tudo que eles fazem eu ia ficar aqui um tempão escrevendo e
vcs não iam entender nada, enão vou colocar as notas da música e vcs se viram com os solos,
vcs podem fazer deilhado ou então só as batidas...!!!!!Falow!!!!!
Dyour house was fully decorated in that sense
you were taken with me to a point
a case of careful what you wish for
but what you knew was enough to begin
and so you called and courted fiercely
so you reached out, entirely fearless
and yet you knew of reservation and how it serves
antes de entrar no refrão, eles fazem um riff bem legal que é a única coisa que eu posso
passar pra vcs que vcs vão entender:
D
GanAd I salute you for your courage
GanAd I applaud your perseverance
GanAd GI Aembrace you for your faith in the face of adversarial forces
Dthat I represent
diferente
Dso you were in but not entirely
you were up for this but not totally
you knew how arms length-ing can maintain doubt
and so you fell and you're intact
so you done in and you're still breathing
so you jumped and you're still flying if not shocked
Vc pode fazer o riff ou não
GanAd I support you in your trusting
GanAd I commend you for your wisdom
GanAd GI'Am amazed by your surrender in the face of threatening forces
Dthat I represent
Dyou found creative ways to distance
you hid away from much through humor
your choice of armor was your intellect
and so you felt and you're still here
and so you died and you're still standing
and so you softened and you're still safely in command
riff(sim ou não)
GanAd I salute you for your courage
GanAd I applaud your perseverance
GanAd GI Aembrace you for your faith in the face of adversarial forces
Dthat I represent
riff(sim ou não)
CseGlf protection was in times of true danger
CyoGur best defense to mistrust and be wary
DsuDrrendering a feat of unequalled measure
GanAd I salute you for your courage
GanAd I commend you for your wisdom
GanAd GI Aembrace you for your faith in the face of adversarial forces
Dthat I represent
GanAd I support you in your trusting
GanAd I applaud your perseverance
GanAd GI'Am amazed by your surrender in the face of threatening forces
DthDat I represent
DOhDhhDh DOhhhh Ohhhhh Ohhhh
Contribuição: César Augusto de Lima Meireles(email protected)
10.

Nemesis

Key: BmHard
×Bm
G
××D
×A
Em
F
F#m
A#m
E
4fr×C#m
BmSo I opened the frGont door, you walked in all haDndsomeA Bm
And reAady for someGthing you?saw?in my eyes
Right?Bmhere, we sat and we trGipped?out
Saw celestial mosDaicsA, Bm and I felAl and I craEmwled over and held your hand
And Gnobody Aworried aBmbout the roof being blown off
So GI went fartAher than I'd eDver gone beFfore
BmChange, you are my nemeDsis
Transition, I Ahold my breath G
This about-face, EmI'm excited, AI'm excited Bmyet
I'm filled with desDpair, anticipaAtion and dread G
This metamorphosis closed the dF#moor and opened a Bmwindow
BmAnd so I climbed the Gstairs and bled, and here was a DstarseedA Bm
Right hAere he came to us in the bed in our bedBmroom
And you trusted me enGough to follow me anywhere
Or the Dother way arounAd, Bm the Aother way aroEmund as well
And GI blocked my nAose and dove Bmin the deep end
And Gswam like my lAife depended Don it, and it Fdid
BmChange, you are my nemeDsis
Transition, I Ahold my breath G
This about-face, EmI'm excited, AI'm excited Bmyet
I'm filled with desDpair, anticipaAtion and dread G
This metamorpEmhosis closed the F#mdoor and opened a Bmwindow
EmOh, Dno
FOh, Gno Em A#m F
BmRight here, in this very Gbackyard, we promised DforeAverBm
And Awe put our Ghelmets on and threw the confeBmtti
And then there's the Gphone call
Telling me Dto breathe Ain through Bmmy nose and Aout my mouthEm
And out came our Ggirl, faster Athan we Bmthought
And Gnow I am Abeyond reDcognitF#mion
I guess that's a Bmgood thing, and still, I want Dto go deeper
BmChange, you are my nemeDsis
Transition, I Ahold my breath G
This about-face, EmI'm excited, AI'm excited Bmyet
I'm filled with desDpair, anticipaAtion and dread G
This metamorphosis closed the dF#moor and opened a Gwindow E D F Bm
BmC#mBmC#mBm